Free Republic

"The people controlling Joe Biden have just erased the Constitution for good. All that is now required for a citizen to lose all rights to own property or conduct business in any way is a simple accusation of Russian ‘involvement.’ The American Thinker explained: Executive Order Canceling the Constitution On April 15, President Biden signed an Executive Order on Blocking Property with Respect to Specified Harmful Foreign Activities of the Government of the Russian Federation. Contrary to its title, this EO is not about Russia. It is designed to allow the Biden administration to deprive American citizens and organizations of...

Stravinsky's work caused a scandal in 1913 but has since been recognized as one of the 20th century's most important pieces. The audience, packed into the newly-opened Théâtre des Champs-Élysées to the point of standing room only, had neither seen nor heard anything like it. As the first few bars of the orchestral work The Rite of Spring – Le Sacre du Printemps – by the young, little-known Russian composer Igor Stravinsky sounded, there was a disturbance in the audience. It was, according to some of those present – who included Marcel Proust, Pablo Picasso, Gertrude Stein, Maurice Ravel and...

One hundred years ago this week, a ballet premiered that changed the art world. Igor Stravinsky's Le Sacre du Printemps — The Rite of Spring — was first seen by the public on May 29, 1913, in Paris. As the orchestra played The Rite's swirling introduction, the audience at the Théâtre des Champs-Elysées began to murmur. Then the curtain opened. Dancers dressed in folkloric costumes began to move unpredictably to the pounding chords. In the theater, the rumbles grew to pandemonium — hoots and jeers, arguments and even fistfights between traditionalists and modernists in the audience. It became difficult to...

On May 15, 1913, at the Théâtre des Champs-Élysées in Paris, just two weeks before the premiere of Stravinsky’s “Rite of Spring” provoked a riot among outraged audience members, the Ballets Russes presented the premiere of another daring ballet, also choreographed by Vaslav Nijinsky, also conducted by Pierre Monteux. It was Debussy’s “Jeux,” the composer’s last work for orchestra, commissioned by the company director, Sergei Diaghilev. Though not well received, the ballet was much discussed in Parisian cultural circles, until, that is, it was eclipsed by the scandal of the “Rite of Spring” (“Le Sacre du Printemps”). *** That a...