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Rising above the 7th Arrondissement of Paris is the gold dome of Les Invalides, a landmark that serves as both a French military museum and the final resting place of the nation’s greatest general, Napoleon Bonaparte. The engravings surrounding his sarcophagus depict him as one of the ancients, adorned with laurels and togas next to tablets listing his vast accomplishments. Napoleon’s legacy as both a military mastermind and a statesman is hard to summarize — and complicated to assess. Similarly, there’s just too much to the man to capture in a single film. Still, the tagline of celebrated director Ridley...

If, at 85, Ridley Scott has reached the final season of his filmmaking career, Napoleon is the ideal work of wintry grandeur to mark it. Scott’s 28th feature is a magnificently hewn slab of dad cinema with a chill wind whistling over its battlefields and round its bones: its palette is so cold, even the red in the tricolore is often the shade of dried blood. Spanning 32 years, from the outbreak of the French Revolution in 1789 to its title character’s death on St Helena in 1821, it casts Napoleon Bonaparte’s rise, reign and downfall as both a prickly...

Ridley Scott has been typically dismissive of critics taking issue with his forthcoming movie Napoleon, particularly French ones. While his big-screen epic, starring Joaquin Phoenix as the embattled French emperor with Vanessa Kirby as his wife Josephine, has earned the veteran director plaudits in the UK, French critics have been less gushing, with Le Figaro saying the film could have been called “Barbie and Ken under the Empire,” French GQ calling the film “deeply clumsy, unnatural and unintentionally clumsy” and Le Point magazine quoting biographer Patrice Gueniffey calling the film “very anti-French and pro-British.” “When you start to go ‘oh...

Los Angeles, 2019. Bursts of flame erupt over a city bathed in perpetual twilight. From the pyramid-like offices of the Tyrell Corporation, we see an eye in close-up, the lights of the city reflected in it. Whether this eye is human is yet to be determined. But, ultimately, in Ridley Scott’s 1982 sci-fi masterwork, the eye of the beholder is irrelevant. In the world of Blade Runner the future is a hardscrabble hellscape with no escape. Is it any wonder, then, that Rutger Hauer’s band of rogue replicants – humanoid worker robots designed to blend in with the flesh and...

De Niro started on-off affair with Helena Springs when he followed her car down a Los Angeles boulevard and asked her out to dinnerShe became pregnant and he 'threatened and intimidated' her in bid to convince her to abort their childDaughter, Nina, was born in 1982 but when she sued for maintenance 10 years later tests showed he was not the father. . .

<p>Michelle Williams reportedly earned about 1% of Mark Wahlberg’s salary during reshoots for “All the Money in the World.”</p> <p>The actress was paid about $80 per day to reshoot scenes including Kevin Spacey, totaling less than $1,000, according to USA Today.</p> <p>Wahlberg, meanwhile, earned $1.5 million.</p>

Natalie Portman got in a not-so-subtle jab at the lack of female representation in the Best Director category last night at the Golden Globes, and social media was quick to react. While presenting the nominees alongside filmmaker Ron Howard, Portman noted, quite pointedly, that all of the nominees were men. “Here are the all-male nominees,” she said as the names of Christopher Nolan (Dunkirk), Martin McDonagh (Three Billboards Outside Ebbing, Missouri), Steven Spielberg (The Post), Ridley Scott (All the Money in the World) and the eventual winner Guillermo del Toro (The Shape of Water). She did not mention it but...

In an unprecedented move, Ridley Scott has re-cast Kevin Spacey in his Getty thriller All the Money in the World just weeks before the film's release. Christopher Plummer will now play J. Paul Getty in the story about the infamous 1973 kidnapping of 16-year-old John Paul Getty III. The movie, which was pulled as the closing night screening of AFI Fest, is scheduled to hit theaters on Dec. 22 via Sony's Tristar. As of now, the release date remains unchanged despite the re-shoots. Insiders tell The Hollywood Reporter that Scott made the decision unilaterally and only notified Sony of his...

Though Ridley Scott is best-known for directing feature films, including this week’s Alien: Covenant, he’s also extremely involved in TV—one recent example being his producing role on The Man in the High Castle. Next up, he’ll be working with TNT to bring even more science fiction to the airwaves. Deadline reports that Scott will fill what’s described as “a night of original scifi programming” with, potentially, “hourlong series, short-form programs and other formats to be developed in collaboration with the filmmaker.”

This new amazon show called 'The Man in the High Castle' explores what would have happened if the Allies had lost World War II. It's based on a Philip K. Dick novel from 1962. The hour-long drama stars Alexa Davalos (Mob City), Luke Kleintank (Pretty Little Liars), Rupert Evans (The Village), Cary-Hiroyuki Tagawa (Mortal Kombat Legacy), and Rufus Sewell (Eleventh Hour). Ridley Scott is Executive Producer. It streams on Amazon prime this fall.

Egypt’s Culture Ministry on Sunday explained for the first time why it banned Ridley Scott's biblical epic "Exodus: Gods & Kings", claiming the movie presents a "racist" image of Jews, reports The Associated Press (AP). The ban was announced several days ago, but Sunday’s statement from the Culture Ministry marks the first time that the reason for the ban was officially explained. According to AP, the statement said the film put forth a reading of Egypt's history that is at odds with the story of Moses told by the world's monotheistic religions. Censors objected to the "intentional gross historical fallacies...

Egypt Bans 'Zionist' Film Exodus And Cites 'Historical Inaccuracies' A day after Morocco bans film, Egypt says it’s rife with mistakes, including an apparent claim that ‘Moses and the Jews built the pyramids’ Exodus: Gods and Kings review – holy Moses, wholly acceptable for the devout 26 December 2014 Egypt has banned the Hollywood biblical epic Exodus: Gods and Kings, citing historical inaccuracies, the culture minister said on Friday. The decision comes a day after a similar move by Morocco. The film, directed by Ridley Scott and starring Christian Bale, relates how Moses helped Israelite slaves flee persecution in Egypt...

When known unbeliever Ridley Scott was announced as the director, faithful film buffs feared the worst. Not only were many unsure whether he would treat the Biblical story with respect, but his film record since the smash hit Gladiator has been rather uneven (Robin Hood, Kingdom of Heaven, and Prometheus all failed to connect with wide audiences). As it turns out, Exodus is thankfully respectful of believers, if not a little ambiguous about the goodness of God. But sadly, a number of Scott’s artistic decisions effectively rob the story of its potential to entertain and to uplift. Here are five...

Hollywood, still wet from the soaking it took from Noah, has headed for the desert with Moses in the new movie Exodus: Gods and Kings. Surely this time we have a foolproof crowd pleaser filled only with milk and honey? Or, instead, is it going to be a lot of grumbling at bitter herbs?The movie, which opens today, stars Christian Bale, best known for his Batman portrayal, and is directed by Ridley Scott, no stranger to big screen extravaganzas like his film Gladiator. In 3D, and costing an estimated $140, 000,000, this must have appeared a formidable proposition. I mean,...

In 2014, Hollywood has embraced telling religious stories on film. No longer, it seems, are religious viewers denied the opportunity to see biblical stories onscreen. In February of this year, Roma Downey and Mark Burnett brought Jesus’ story to the big screen in Son of God. In March, director Darren Aronofsky presented Noah , which— in spite of its narrative flaws— worked as an epic tale. This weekend, Ridley Scott— the newest high-profile director to embrace this trend— offers up a version of Moses’ story in the new drama Exodus: Gods and Kings. Regardless of your religious beliefs, this biblical...

Watching Exodus: Gods and Kings stirred me to read the Biblical account once again.  I’ve read it many, many times in Exodus chapters 2-14.  Reading the story with the Ridley Scott movie fresh in my mind illuminated a few things.  First, that Scott’s version of the account, while weak on the theological aspects of the characters, didn’t do a half bad job at the Biblical story elements (and ludicrously bad at being historically accurate). But that’s not what I want to focus on. If I were to make an Exodus movie, I’d take a different tack than everyone else.  Everyone...

It is miles away from the Bible story. I hate that I just gave Hollyweird a reward of my hard earned money for producing this garbage. Please, please, learn from my mistake.

NATIONAL REVIEW ONLINE~ DECEMBER 13, 2014 4:00 AM What Exodus: Gods and Kings Gets Right Ridley Scott offers some fresh perspectives without straying unforgivably far from Biblical orthodoxy. By Josh CraddockJoel Edgerton (left) and Christian Bale in Exodus: Gods and KingsBringing familiar Bible stories to the silver screen is a risky enterprise. A director must avoid mere rehash of previous tellings (think Cecil B. DeMille’s opus The Ten Commandments) but without allowing artistic license to veer off into offensive parody. That’s a difficult task when some 3.8 billion people believe the source matter is sacred revelation from God himself. In...

When I was thirteen, I played a whole lot of Dungeons & Dragons.  I was even the Dungeon Master for a while.  I designed my own campaigns, with characters and towns mapped out.  Old school.  None of this video game online stuff.  Sitting around a table with a bunch of nerds in a basement, with the Dungeon Master guide, combat tables, and a jar of 6-, 12-, and 20-sided dice (don’t judge me, you did stuff you don't talk about, too). This is Exodus: Gods and Kings.I can imagine Ridley Scott and his writing team of Adam Cooper, Bill Collage, Jeffrey Caine,...

Christian Bale has said drones would be sent out after biblical character Moses had he been real and alive today. Bale, who plays Moses in Exodus: Of Gods and Kings, the forthcoming biblical epic directed by Ridley Scott, added that although Moses is depicted as a freedom fighter in the Bible, he is seen as a 'terrorist' by his enemies. The says he came to these conclusions while studying religious books and scriptures from different religions, including the Bible, the Torah and the Koran. Christian Bale said drones would be sent after 'terrorist' Moses had the character been real and...