Fight Club (1999), The Matrix (1999), The Truman Show (1998), Office Space (1999)– four movies, spanning genres from Thriller to Sci-Fi to Comedy, all have one very important thing in common: they share the same premise: “A disillusioned man abandons a comfortable lifestyle, rebelling against the status quo in search of truth, purpose, and fulfillment.” Sound familiar? It should. This formula defined an era of filmmaking brimming with existentialist questioning and thinly veiled angst. The movies of this period reflect the most prevalent problems, anxieties, ideologies, and sensibilities of the 90s, ultimately forming a niche subgroup of their own– what...