09/30/2025 5:07:47 PM PDT
· 14 of 54 Ezekiel
to Peter ODonnell
Nevills also allegedly told investigators that he planned to go to his nephew’s residence, kill him and his wife when they opened the door, place the gun on the ground, call 911, and wait for police to arrive.
When seconds *don't* count is secret of success for dialing 9-1-1.
09/30/2025 5:07:44 PM PDT
· 13 of 54 Segovia
to Dr. Franklin
Well, if the President of the United States cannot be prosecuted due to diminished capacity, this ol coot has it made in the shade. Seriously, were I in his shoes, I’d likely do exactly the same, but with better planning.
09/30/2025 5:07:39 PM PDT
· 12 of 54 Segovia
to Dr. Franklin
Well, if the President of the United States cannot be prosecuted due to diminished capacity, this ol coot has it made in the shade. Seriously, were I in his shoes, I’d likely do exactly the same, but with better planning.
You know, he might have a point. Nothing is more unseemly than young relatives sharpshooting elderly family members out of money in various schemes.
Entitled little pricks just can’t wait.
By the way, the paragraph about an Arizona man yada yada is one of those other story inserts that has a different typeface on-line so it looks like it’s part of the story I copied into the thread. It’s a different deal. This is what Idaho man was doing. No word on Florida man, I believe he is near the bottom of the table nowadays.
The Four Chaplains were four U.S. Army chaplains—George L. Fox (Methodist), Alexander D. Goode (Jewish), John P. Washington (Roman Catholic), and Clark V. Poling (Dutch Reformed)—who sacrificed their lives on February 3, 1943, when the troopship USAT Dorchester was torpedoed and sank in the North Atlantic. As the ship went down, the chaplains gave their own life jackets to soldiers and were last seen linking arms and praying for the men. Their act of self-sacrifice, transcending their different faiths, has become a symbol of courage, grace, and unity in the face of death
Go to Italy........ masterpieces of Renaissance art are found in churches.
Italian Renaissance painters frequently painted large-scale frescos and altarpieces for religious patrons, including wealthy clerics, the Catholic Church, and other private citizens, who commissioned artworks to adorn and glorify their churches, chapels, and altars.
These commissions provided artists with work and allowed patrons to display their piety and wealth, often incorporating portraits of themselves and their families into biblical scenes to commemorate their association with the divine.