SummaryEver since the early years of the twentieth century, with the largely accidental discovery and subsequent raising (mostly from the Aegean sea bed) of a significant number of wrecks whose main cargo was works of art, researchers in the field of Greco-Roman archaeology have concentrated their most enthusiastic efforts on stylistic studies of these artefacts, while at the same time attempting to establish exactly when the ships transporting them sank. That these shipments of beautifully crafted masterpieces (mainly bronzes), coming from the Eastern Aegean, were destined for Rome, a city rapidly emerging into the historical spotlight, has always been and...