In a chilly, high-ceilinged room in a Sussex preparatory school in the winter of 1959, I work intently on my model of the destroyer HMS Cossack. Such models come in lurid cardboard boxes illustrated with pictures of aircraft, tanks and warships, amid scenes of fiery melodrama, guns emitting orange streaks of flame, and the smoke of battle. With these and our imaginations, we seek to recreate the thrill of the war we have just missed, in which our fathers fought and our mothers endured privations. This is a war just over the horizon of time in which we wish we...
