Boomers and (early) Gen-X actually DID ditch school and go joy-riding in Dad’s car.
(late) Gen-X thought about it but decided it was easier to watch a movie about it.

There are certain comedy movies that I can’t stand, usually because of the actor. I didn’t realize that the same guy did all the ones you listed. The only good one out of the whole bunch is Ferris Buellers Day Off.

Alone at Home perverted? Not
Or Ferris Bueller
Vacation maybe but still fun
The earlier ones on your list never interested me.
As for the director, I would never have known the same person made all those.
Planes, Trains and Automobiles is one of the funniest movies ever.

Great music in those films, though
The were a product of that era. And not too much is far off in my opinion. Some Hollywood liberty, yes. But they did capture the culture of Gen-X as teens in that era.
The legendary “slo-motion Ferrari getting air over a hump in the road while the Star Wars theme song plays in the background” scene is one of the funniest movie scenes in history. LMAO.
Taken as a whole, they’re better than almost all of the CGI dreck in the theaters today.
The wife and I had to sit through a seemingly endless series of movie previews at the theater a few weeks ago. Every single preview involved either super heroes, or silly horror films, all CGI, and none involved believable effects.
Home Alone is sexual fantasy?
Those are the best, funniest movies of the 1980’s.
Sexual fantasies in Home Alone?! That sounds like a you problem.
I loved Sixteen Candles and Breakfast Club. 😉
Uncle Buck is till great...Take this quarter. Go downtown, and have a rat gnaw that thing off your face.
My favorite of the list is Hairspray. It’s a fun, campy movie that is a good parody of 50s/60s TV dance shows. As for The Breakfast Club, I saw it in college with my buddies. We all related to it because each character reminded of us of people we knew in high school. And the actors made them realistic, not stereotypical.
I can’t watch those movies now either, but I saw them when released, and they were indeed popular and at the time, and considered new and different.
He captured “teen angst” of the 1980s in a way that hadn’t been done before. Molly Ringwald was a sweet girl with a woman’s emotions and Matthew Broderick was still a kid, but with the manipulative ability of an adult. His films didn’t involve gratuitous sex, violence, or dirty language either, which automatically (and smartly) made them “mass-market.”
The common theme of his “coming of age” films was emotionally mature and intelligent children in conflict with obtuse or wooden adults around them.
I guess Gen-X kids liked this. It was somehow particular to that era
But I agree with you - watching teen angst now as a middle-aged adult is cringe-inducing, like looking through awkward yearbook photos.