Posted on 05/31/2018 1:22:34 PM PDT by Red Badger
Dubai's Julian Castaldi putting the final touches to an exhibition of Polaroids
___________________________________________________________________________________
Instant photography is cool again, says Dubai artist, Julian Castaldi
“It’s for an office party,” quips Raj Thomas as he hands over his debit card in a Dubai store, in return for a “Polaroid” camera that’s made by Fujifilm. “I think we’ll have some fun with it for a few weeks before the novelty wears off.”
The force of nostalgia is strong with instant cameras (which, no matter the brand, will always be referred to as Polaroids, just like every vacuum cleaner used to be known as a Hoover). Old school doesn’t get much cooler than this.
The unexpected resurgence in the popularity of vinyl records shows there’s demand for the technology of the past and that, as useful as digital is when it comes to playing music and taking photographs, there’s an undeniable hankering for the way (some) things used to be. Practically every mobile phone in the world can be used as a camera now, but for dramatic effect, absolutely nothing beats gathering around a photograph as it develops in front of your eyes.
With the advent of digital cameras, the demise of Polaroid was not a surprise, and the company, which had been a global household name, ceased to be a decade ago. Last May, however, the Polaroid brand and its intellectual property were acquired by a company called Impossible Project, which had been manufacturing and selling instant film for owners of the old SX-70 cameras. It’s now known as Polaroid Originals and business is booming.
For fans of the real thing, this can be an expensive hobby, with Polaroid Originals offering a selection of vintage models that cost many thousands of dirhams. But if you’re not fussed by the style of the equipment, there are cameras available for less than Dh500, depending on the model and brand.
It might seem like throwaway tech for some of us, but there are professional photographers out there who adore the image results from Polaroid cameras and include them in their portfolios. One such artist is Julian Castaldi, a Dubai-based Welshman who has travelled the world with some of rock music’s biggest names as an official photographer.
“For me, Polaroid was my first introduction to photography,” he recalls, “as my parents had one at home that came out for birthdays and special occasions – at £1 [Dh5] a shot it was not cheap, but it’s what got me hooked on photography.”
When Castaldi began touring with bands, he says he shot stills and film using more traditional methods but always carried a Polaroid camera with him. “The shots I got with it remain some of my favourites – the colour 600 film had such a great look and it really did capture the moment like nothing else. I would experiment using torches and putting tape over the flash to get different effects.”
Oasis, Paul Weller, Pearl Jam, Public Enemy, Eddie Vedder, The Rolling Stones, Lemmy, Tom Jones and Stereophonics – Castaldi has shot them all and many more. “The colours and the vibe were only available from a Polaroid, long before Instagram filters came along,” he says. “And the prints allowed me to experiment when it came to producing artworks – I would paint over them, cut them up and make giant paper and canvas versions. I would see something new to photograph and I would know exactly where that shot would work with others I had taken; I like to group them together in similar colours and genres. I took some shots of [actor] John Malkovich once, which I then turned into a two-metre-high collage artwork for him.”
He adds that while he’s seen plenty of these new instant cameras being used at events and parties, he’s so far remained unmoved by the results. “I’ve shot thousands of real Polaroids, so the new format would look out of place. I did try the 600 reissue film manufactured by Impossible Project, but it didn’t quite have the same results. But, having said that, the new cameras are keeping instant photography alive, which is a great thing in this digital age. You have to think a little more when shooting instant, as it’s expensive and not ‘deletable’ like digital.”
Vintage Poloroid camera.
___________________________________________________________________________
Some of history’s most revered artists have been inextricably linked with Polaroid photography. Andy Warhol used his Big Shot camera to create iconic portraits of luminaries such as singer-songwriter Debbie Harry and artist Jean-Michel Basquiat, as well as of himself, in the process turning snapshots into desirable and highly collectible culture. Popular American landscape photographer Ansel Adams immortalised the Yosemite with his Polaroids and, being a friend of Edwin Land (the co-founder of Polaroid) he was heavily involved in the development of the company’s technology, signing up as a fully-fledged consultant in 1949.
Barbara Hitchcock worked in Polaroid’s marketing division during the 1970s and 1980s, and she says the appeal of the format to artists was obvious. “For many people, the Polaroid was like an empty canvas,” she explains. “They could add or subtract, do something very personal that was going to be the stamp of who they were.”
An excellent example of Polaroid’s cultural stamp can be found on the cover artwork for Talking Heads’ second album, More Songs About Buildings and Food. The idea was conceived by band frontman David Byrne, and executed by an artist called Jimmy De Sana, who created a photomosaic using 529 close-up Polaroid shots of the group members. It’s a simple idea and perfectly captures the magic of instant photography – something treasured by creative artists like Castaldi, whose love for the format is unlikely to ever die away.
As for the tradition of waving a Polaroid after it’s ejected from the camera, Castaldi has bad news for us. “It’s a myth,” he laughs. “It does nothing to speed up the developing process and can actually damage the image. Having said that, I always did it. It just came with the territory.”
___________________________________________________________________________
Read more:
How Polaroid’s deep faith in research helped lead to its downfall
Polaroid’s approach was one of a kind
Five things Steve Jobs learnt from the genius who founded Polaroid
Got one of those
The one here has three drawers on each side and an extension of the table top that folds out.
Although the machine looks good for something that was used normally for who knows how long, the cabinet is rather beat up.
You are well positioned to be on the cutting edge. After ten years of narrow ties and lapels, the pendulum has begun to swing the other way. This month’s GQ magazine features suits with wide lapels. Not crazy wide like the ‘70s but wider than average. And of course as lapels widen so do ties. I like the narrow look but I also like wider, so I think this will be a fun change. But there is a dark side: they’re also trying to bring back pleated pants...
Yeah. Great resolution, that film. Used it from the 1960s. I had regular box-type cameras for it, as well.
I found the serial number on the one here and will look myself.
Me and my wife like antiques and the Singer as well as the Victrola were from her family.
Although instant, Polaroids required FedEx for rapid transmittal
lol
I purchased a new Nikon D5600 this year and learning to get the most out of it.
I still own a Nikon film camera and all of the lens I purchased work very well with the new digital Nikon.
I had some left over 35mm film - had to be at least 10 years old and shot some of it. Processed at Walgreen’s and the photos came out great just as they used to.
Many professional photographers shoot both digital and film.
35mm Film Developing: Places and Prices Listed (In-Store and Online)
William Lipovsky | May 1, 2018
https://firstquarterfinance.com/35mm-film-developing-places-prices/
Traditional camera film makes a come back
A decade after it was written off as a relic of the twentieth century, traditional camera film is making a comeback as young consumers enjoy discovering the joys of old-fashioned photography
This Is Why Film Photography Is Making a Comeback
http://time.com/4649188/film-photography-industry-comeback/
2017 will be the year that film makes its big return
February 18, 2017 by John Aldred 21 Comments
https://www.diyphotography.net/2017-will-year-film-makes-big-return/
I’ve always envied folks that bought high-function cameras...whether film or digital...and took the time to learn the operation. We never bought a camera of that type, although I’d considered it. We’ve relied on smaller, less complicated cameras through the years, and now, phone cameras.
Interesting quote from one of your attached articles...
“Film, meanwhile, pushes photographers to rethink how they shoot. “You can’t just shoot a hundred shots of your subject and review them immediately,” says Olbrich. “Film forces you to think about the image, plan the image and really create the image mentally before you actually do the shoot. Film photographers believe that this process results in much more artistic and, in some cases, much more spectacular images.””
Good scanners came before good digital cameras.
Disclaimer: Opinions posted on Free Republic are those of the individual posters and do not necessarily represent the opinion of Free Republic or its management. All materials posted herein are protected by copyright law and the exemption for fair use of copyrighted works.