Why the Romans Stopped Reading Books [10:25]

--> YouTube-Generated Transcript <--
· Introduction
0:00 · Over the past few years, American bookstores have staged a comeback. Creative marketing and
0:15 · the social media phenomenon of BookTok are partly responsible. But in the end,
0:21 · the appeal of bookstores will always come from the simple
0:23 · pleasure of browsing shelves – and this was a pleasure that the Romans knew very well.
0:29 · Across the empire, according to the usual estimate, only about one in
· Literacy and texts
0:33 · ten Romans could read. The literacy rate was lowest in rural areas, among slaves,
0:40 · and for non-elite women. Freeborn urban men, by contrast, were reasonably likely to possess
0:47 · at least the basic literacy required to keep records and sign their names.
0:52 · The Roman elite defined themselves by a sophisticated literary education, and filled their
0:57 · cities with texts. Some were inscribed: on the tombs that lined the highways, on the triumphal
1:04 · arches and statue bases of forums, on the notice boards that carried copies of the acta diurna,
1:11 · Rome's newspaper. The texts most important to the Roman elite, however, were in books.
· Libraries
1:19 · From the reign of Augustus onward, the city of Rome boasted an impressive array of public
1:24 · libraries. Libraries were attached to the Temple of Apollo by the imperial palace,
1:29 · to Vespasian's Temple of Peace, to the vast Forum of Trajan – where there were two collections,
1:35 · one Latin and one Greek – and to the great imperial baths.
1:40 · The private libraries of the aristocracy, arranged in dedicated rooms on shelves of rare wood,
1:47 · were almost equally extensive. The only example found intact – in the
1:52 · Villa of the Papyri at Herculaneum – was only about ten feet square,
1:56 · with shelves along the walls and a double-sided case at the center. But even this modest room,
2:03 · almost certainly not the villa's primary library, contained upward of a thousand scrolls.
· Scrolls and codices
2:09 · Until late antiquity, virtually every book with literary pretensions was written on papyrus
2:15 · scrolls. A scroll had about the same height as a modern hardcover. The length ranged from
2:21 · 10 to 50 feet, the equivalent of about 20 to 100 pages of printed text. Longer works were divided;
2:30 · each of the 142 books in Livy's Roman history, for example, originally occupied a single scroll.
2:37 · The text was written as a continuous stream of letters, with no spaces and minimal punctuation.
2:44 · The codex – the book as we know it – appeared early in the imperial era. Although it was
2:50 · initially used for works of practical reference, Martial, writing at the end of the first century,
2:56 · noted that Roman booksellers were experimenting with travel editions of
3:00 · his poems in book format. But it was only over the course of the third and fourth centuries,
3:06 · and thanks in large part to a Christian preference for codices, that scrolls were finally eclipsed.
· Bookstores and booksellers
3:13 · Although a small book market existed in Classical Athens, and a more substantial
3:17 · one in Hellenistic Alexandria, it was in Rome that the book trade truly emerged.
3:23 · The business was still in its infancy during the last days of the Republic, when Cicero relied on
3:28 · his friend Atticus – who had a staff of slaves trained as copyists – to supply his libraries.
3:35 · But by the early imperial era, Rome had several well-established tabernae librariae – bookstores.
3:43 · One of these, owned by a man named Atrectus, stood in the high-rent district around Caesar's Forum;
3:50 · the titles of bestsellers were painted on the pillars that flanked its entrance.
3:54 · Like most of his competitors, Atrectus had likely been a slave copyist or librarian
4:00 · before gaining his freedom and entering the business of selling and publishing books.
4:06 · We'll explore how Roman books were published after a few words about this video's sponsor.
· Helix [ad text redacted]
· Publication
5:13 · Publication in the Roman world was an informal process. Most authors – like artists in later
5:19 · centuries – were either wealthy or attached to wealthy patrons. Roman authors, therefore,
5:26 · usually had no need to support themselves through their work. For some, "publication" consisted
5:32 · simply of reciting their works in public. Others gave copies to friends, with the understanding
5:38 · that these would be shared. An extreme example of this strategy was adopted by a wealthy orator
5:44 · who produced and distributed no fewer than a thousand copies of a speech commemorating his son.
5:50 · Authors with a keener interest in financial benefit used booksellers to publish their
5:56 · works. Quintilian, for instance, addressed the preface of his Institutes of Oratory
6:01 · to the bookseller Tryphon, who was acting as the work's publisher. There was no equivalent
6:07 · of copyright or royalties: the bookseller paid a lump sum for the author's manuscript,
6:13 · and kept all profits from sales of the copies he produced.
· Luxury and vintage books
6:17 · Many booksellers seem to have stocked and copied a wide range of texts. Alongside Quintilian's
6:23 · weighty treatise on rhetorical education, Tryphon also sold Martial's light-hearted
6:29 · epigrams. Some books were packaged for the luxury market. One edition of Martial,
6:34 · bordered with expensive purple dye, cost five denarii – more than most
6:39 · Romans made in a week. But shops also stocked cheap and re-used scrolls.
6:46 · By the second century, there were sellers who specialized in antique books. Aulus
6:51 · Gellius records browsing vintage works of fantastic fiction at a bookstall in
6:56 · Brundisium and finding – in a shop at Rome – a history that dated to the beginnings of
7:02 · Latin literature. One of Gellius' acquaintances discovered an antique manuscript of the Aeneid,
7:08 · supposedly in the hand of Virgil himself, for sale at a street fair.
· Bestsellers
7:14 · Educated Romans consumed a wide range of literature in both Greek and Latin.
7:19 · Besides the amateur productions of their friends – Pliny the Younger,
7:23 · for example, subjected dinner guests to his poems – they read
7:27 · or listened to everything from edifying aphorisms to titillating Milesian tales.
7:34 · Although works by popular authors like Martial sold thousands, and perhaps tens of thousands,
7:40 · of copies, they were eclipsed by the classics of the Augustan era. Of these,
7:45 · the most successful was Virgil's Aeneid. Like the Iliad in the Greek world and the Bible in
7:52 · early modern Europe, the Aeneid was the book from which children were taught to read,
7:57 · and the one book that any family with a library owned. It was probably the only Roman book that
8:04 · existed, like modern bestsellers, in hundreds of thousands of copies.
· The end of the book trade
8:10 · During late antiquity, the Roman book trade declined with the educated
8:14 · elite that had supported it. The copying of secular texts slowed,
8:19 · and finally ceased. The books in Roman libraries, public and private, crumbled on their shelves;
8:26 · only a small contingent of survivors found their way into monasteries.
8:32 · Of all the millions of books that existed in the last days of the Western Roman Empire,
8:37 · we have – leaving aside papyri from Herculaneum and Egypt – physical
8:41 · fragments of only a few hundred. Perhaps the most impressive of these is the Vatican Virgil,
8:48 · an illustrated edition of the poet's works produced around the end of the fourth century.
8:53 · Written on fine parchment in a tidy rustic capital script, the codex had hundreds of
9:00 · illustrations, some occupying an entire page. Today, however, only about a sixth
9:06 · of the leaves survive. The rest, like almost all the products of the Roman book trade, are gone.
9:15 · You too can be gone – to Turkey and Italy with Toldinstone this summer,
9:20 · if you join one of my group tours. You'll find links in the description. You'll also find a link
9:26 · to my Patreon, home to a wealth of additional content, including my "Rome in Review" series,
9:32 · which reviews movies and shows set in ancient Rome. Statistically speaking,
9:38 · you are unlikely to have seen my other YouTube channels, Toldinstone Footnotes and Scenic Routes
9:43 · to the Past. Why don't you defy convention and check them out? Thanks for watching.
9:48 · [roll credits]

There isn’t an independent bookstore in three states that is not a leftist sinkhole.

I would love to work with a conservative group to provide conservative and religious books for a subscriptions

They didn’t have Books-a-Million to rip them off?..................

They were waiting for the birth of Gutenberg

.

Went to a Barnes & Noble a few weeks ago. They had little notices on the shelves here and there, recommending and highlighting books with a leftwing slant so the imbeciles could be sure they were getting what they wanted.

Donec educationis lowered the literacy rates of Romans to near zero...

Waldenbooks?

😁......................

Very cool.

I did we can thank Christians for books as we know them today.

Because latin verb conjugations are a menace

[[Why the Romans Stopped Reading Books [10:25]
3/26]]

Ebonics! And woke teachers! They couldn’t read anymore

Particularly when written in letters ten foot high, all the way around the palace.

Back then it was called Books-a-M̅.

The men of the Roman Republic, were war fighters.

The subsequent Roman Empire, had increasing numbers of mercinaries.

librarians are the most leftist people walking the face of the earth.

closing public libraries should be a local conservative measure. They cannot be changed and by closing them you deprive leftists of jobs.

new better organizations can take their place.

Stephen Fry takes a look inside the story of Johann Gutenberg, inventor of the world's first printing press in the 15th century, and an exploration of how and why the machine was invented.
The Medieval Invention That Changed The Course Of History
The Machine That Made Us | 58:56
Timeline - World History Documentaries
5.57M subscribers | 2,853,274 views | August 25, 2018

LOL!..........................

--> YouTube-Generated Transcript <--
	·	Introduction
0:00	·	Over the past few years, American bookstores have staged a comeback. Creative marketing and
0:15	·	the social media phenomenon of BookTok are partly responsible. But in the end,
0:21	·	the appeal of bookstores will always come from the simple
0:23	·	pleasure of browsing shelves – and this was a pleasure that the Romans knew very well.
0:29	·	Across the empire, according to the usual estimate, only about one in
	·	Literacy and texts
0:33	·	ten Romans could read. The literacy rate was lowest in rural areas, among slaves,
0:40	·	and for non-elite women. Freeborn urban men, by contrast, were reasonably likely to possess
0:47	·	at least the basic literacy required to keep records and sign their names.
0:52	·	The Roman elite defined themselves by a sophisticated literary education, and filled their
0:57	·	cities with texts. Some were inscribed: on the tombs that lined the highways, on the triumphal
1:04	·	arches and statue bases of forums, on the notice boards that carried copies of the acta diurna,
1:11	·	Rome's newspaper. The texts most important to the Roman elite, however, were in books.
	·	Libraries
1:19	·	From the reign of Augustus onward, the city of Rome boasted an impressive array of public
1:24	·	libraries. Libraries were attached to the Temple of Apollo by the imperial palace,
1:29	·	to Vespasian's Temple of Peace, to the vast Forum of Trajan – where there were two collections,
1:35	·	one Latin and one Greek – and to the great imperial baths.
1:40	·	The private libraries of the aristocracy, arranged in dedicated rooms on shelves of rare wood,
1:47	·	were almost equally extensive. The only example found intact – in the
1:52	·	Villa of the Papyri at Herculaneum – was only about ten feet square,
1:56	·	with shelves along the walls and a double-sided case at the center. But even this modest room,
2:03	·	almost certainly not the villa's primary library, contained upward of a thousand scrolls.
	·	Scrolls and codices
2:09	·	Until late antiquity, virtually every book with literary pretensions was written on papyrus
2:15	·	scrolls. A scroll had about the same height as a modern hardcover. The length ranged from
2:21	·	10 to 50 feet, the equivalent of about 20 to 100 pages of printed text. Longer works were divided;
2:30	·	each of the 142 books in Livy's Roman history, for example, originally occupied a single scroll.
2:37	·	The text was written as a continuous stream of letters, with no spaces and minimal punctuation.
2:44	·	The codex – the book as we know it – appeared early in the imperial era. Although it was
2:50	·	initially used for works of practical reference, Martial, writing at the end of the first century,
2:56	·	noted that Roman booksellers were experimenting with travel editions of
3:00	·	his poems in book format. But it was only over the course of the third and fourth centuries,
3:06	·	and thanks in large part to a Christian preference for codices, that scrolls were finally eclipsed.
	·	Bookstores and booksellers
3:13	·	Although a small book market existed in Classical Athens, and a more substantial
3:17	·	one in Hellenistic Alexandria, it was in Rome that the book trade truly emerged.
3:23	·	The business was still in its infancy during the last days of the Republic, when Cicero relied on
3:28	·	his friend Atticus – who had a staff of slaves trained as copyists – to supply his libraries.
3:35	·	But by the early imperial era, Rome had several well-established tabernae librariae – bookstores.
3:43	·	One of these, owned by a man named Atrectus, stood in the high-rent district around Caesar's Forum;
3:50	·	the titles of bestsellers were painted on the pillars that flanked its entrance.
3:54	·	Like most of his competitors, Atrectus had likely been a slave copyist or librarian
4:00	·	before gaining his freedom and entering the business of selling and publishing books.
4:06	·	We'll explore how Roman books were published after a few words about this video's sponsor.
	·	Helix [ad text redacted]
	·	Publication
5:13	·	Publication in the Roman world was an informal process. Most authors – like artists in later
5:19	·	centuries – were either wealthy or attached to wealthy patrons. Roman authors, therefore,
5:26	·	usually had no need to support themselves through their work. For some, "publication" consisted
5:32	·	simply of reciting their works in public. Others gave copies to friends, with the understanding
5:38	·	that these would be shared. An extreme example of this strategy was adopted by a wealthy orator
5:44	·	who produced and distributed no fewer than a thousand copies of a speech commemorating his son.
5:50	·	Authors with a keener interest in financial benefit used booksellers to publish their
5:56	·	works. Quintilian, for instance, addressed the preface of his Institutes of Oratory
6:01	·	to the bookseller Tryphon, who was acting as the work's publisher. There was no equivalent
6:07	·	of copyright or royalties: the bookseller paid a lump sum for the author's manuscript,
6:13	·	and kept all profits from sales of the copies he produced.
	·	Luxury and vintage books
6:17	·	Many booksellers seem to have stocked and copied a wide range of texts. Alongside Quintilian's
6:23	·	weighty treatise on rhetorical education, Tryphon also sold Martial's light-hearted
6:29	·	epigrams. Some books were packaged for the luxury market. One edition of Martial,
6:34	·	bordered with expensive purple dye, cost five denarii – more than most
6:39	·	Romans made in a week. But shops also stocked cheap and re-used scrolls.
6:46	·	By the second century, there were sellers who specialized in antique books. Aulus
6:51	·	Gellius records browsing vintage works of fantastic fiction at a bookstall in
6:56	·	Brundisium and finding – in a shop at Rome – a history that dated to the beginnings of
7:02	·	Latin literature. One of Gellius' acquaintances discovered an antique manuscript of the Aeneid,
7:08	·	supposedly in the hand of Virgil himself, for sale at a street fair.
	·	Bestsellers
7:14	·	Educated Romans consumed a wide range of literature in both Greek and Latin.
7:19	·	Besides the amateur productions of their friends – Pliny the Younger,
7:23	·	for example, subjected dinner guests to his poems – they read
7:27	·	or listened to everything from edifying aphorisms to titillating Milesian tales.
7:34	·	Although works by popular authors like Martial sold thousands, and perhaps tens of thousands,
7:40	·	of copies, they were eclipsed by the classics of the Augustan era. Of these,
7:45	·	the most successful was Virgil's Aeneid. Like the Iliad in the Greek world and the Bible in
7:52	·	early modern Europe, the Aeneid was the book from which children were taught to read,
7:57	·	and the one book that any family with a library owned. It was probably the only Roman book that
8:04	·	existed, like modern bestsellers, in hundreds of thousands of copies.
	·	The end of the book trade
8:10	·	During late antiquity, the Roman book trade declined with the educated
8:14	·	elite that had supported it. The copying of secular texts slowed,
8:19	·	and finally ceased. The books in Roman libraries, public and private, crumbled on their shelves;
8:26	·	only a small contingent of survivors found their way into monasteries.
8:32	·	Of all the millions of books that existed in the last days of the Western Roman Empire,
8:37	·	we have – leaving aside papyri from Herculaneum and Egypt – physical
8:41	·	fragments of only a few hundred. Perhaps the most impressive of these is the Vatican Virgil,
8:48	·	an illustrated edition of the poet's works produced around the end of the fourth century.
8:53	·	Written on fine parchment in a tidy rustic capital script, the codex had hundreds of
9:00	·	illustrations, some occupying an entire page. Today, however, only about a sixth
9:06	·	of the leaves survive. The rest, like almost all the products of the Roman book trade, are gone.
9:15	·	You too can be gone – to Turkey and Italy with Toldinstone this summer,
9:20	·	if you join one of my group tours. You'll find links in the description. You'll also find a link
9:26	·	to my Patreon, home to a wealth of additional content, including my "Rome in Review" series,
9:32	·	which reviews movies and shows set in ancient Rome. Statistically speaking,
9:38	·	you are unlikely to have seen my other YouTube channels, Toldinstone Footnotes and Scenic Routes
9:43	·	to the Past. Why don't you defy convention and check them out? Thanks for watching.
9:48	·	[roll credits]