Hollywood types speak gauzily of their "art," even if nothing seems to fit the definition of some of this "art" better than "films almost no one wants to watch." Robert Redford became a hero of the "art" film world by founding the Sundance Institute in 1981, based on the call for "creative risk-taking" and "nurturing the diversity of artistic expression." But the search for risk-taking-cum-creative-diversity is a hopeless free-fall into the abyss, and all too often, and too predictably, results in creative perversity. What Mapplethorpe brought to the photograph, Redford's festival is now bringing to the silver screen.