In our last “class” on Greco-Roman, Early Christian and Byzantine Art, we saw how the realism of Greece and Rome was repudiated for more spiritual abstraction. The Christians saw the soul as more important than the weighty, physical body, and thus their works were flat and filled with the gold of paradise. My connection to spiritual twentieth century abstraction received mixed results, but that’s fine. Today, we’ll see how artists gradually added some bulk and realism to their work from 1000-1400. Then in the next “class,” we’ll study how the Italian Renaissance united a rebirth of Greco-Roman realism with Christian...
