Posted on 02/01/2005 10:08:49 AM PST by snarks_when_bored
Focus: The search for the lost library of Rome
Robert Harris
Even in our age of hyperbole, it would be hard to exaggerate the significance of what is at stake here: nothing less than the lost intellectual inheritance of western civilisation
Down a side street in the seedy Italian town of Ercolano, wafted by the scent of uncollected rubbish and the fumes of passing motor-scooters, lies a waterlogged hole. A track leads from it to a high fence and a locked gate. Dogs defecate in the undergrowth where addicts discard their needles. Peering into the dark, stagnant water it is hard to imagine that this was once one of the greatest villas in the Roman world, the size of Blenheim Palace, extending for more than 250 yards along the Bay of Naples. (An impression of what it must have looked like is provided by the Getty Museum in California, which is an exact replica.) Its nemesis, Vesuvius, still looms over it less than four miles away. When the mountain erupted on August 24, AD79 it buried the villa under a mantle of volcanic rock 100ft thick, altering the coastline and pushing the sea back by hundreds of yards. All knowledge of the great house was lost until 1738, when workmen sinking a well shaft encountered a mosaic floor. It was too deep to excavate; instead, over the next 20 years under the supervision of Karl Weber, a Swiss military engineer, a network of tunnels was hewn through the debris clogging the great peristyle, the atrium and the Olympic-sized swimming pool. Cartloads of treasures were brought to the surface, destined for the art collection of the King of Naples. Throughout this time, mingled with the sculptures and glassware, workmen retrieved what looked like lumps of coal which they unthinkingly dumped in the sea. It was not until 1752 and the discovery of an intact library lined with 1,800 rolls of papyrus, that the excavators realised that what they had been throwing away were carbonised books. The site has since been known as the Villa of the Papyri. Once the villa had been stripped, 200 years ago, the tunnels were sealed. But last week a group of the world’s leading classical scholars gathered in Oxford to demand that the site be reopened. They believe that there is a better-than-evens chance — “quite likely”, is how Robert Fowler, professor of Greek at Bristol University, puts it — that the villa may have possessed at least one other library still to be uncovered. These are scholars, cautious by nature. Their optimism is therefore worth taking seriously. It follows the first detailed analysis of the 1,800 papyri, now largely unrolled and deciphered thanks to a technique known as multi-spectral imaging (MSI). What appear to the naked eye as jet-black cinders are transformed by MSI into readable text. Thirty thousand images are now legible on CD-Rom; suddenly poems and works of philosophy are speaking again, 2,000 years after they were sealed in their cedar-wood cabinets in the summer of AD79. The author chiefly represented in the collection is Philodemus, an Epicurean philosopher of the 1st century BC who taught Virgil, the greatest Latin poet, and probably also Horace. He may indeed have given lessons to both beneath the porticoes of the Villa of the Papyri, for it is known that Philodemus was employed in the household of a powerful Roman senator, Lucius Calpurnius Piso Caesoninus, father-in-law of the dictator Julius Caesar. And it is now regarded as almost certain that Piso — who died more than a century before the eruption of Vesuvius — was the original owner of the Villa of the Papyri. Apart from the texts of Philodemus, hundreds of other lost works of Greek philosophy — including half of Epicurus’s entire opus, missing for 2,300 years — have been rediscovered. Among them is a treatise by Zeno of Sidon, who Cicero saw lecture in Athens in 79BC. According to Richard Janko, professor of classics at Michigan University: “This is the first copy of Zeno’s writings to come to light; they had all been lost in later antiquity.” Most of the work on the Philodemus texts was carried out by the late Professor Marcello Gigante of the University of Naples: a small (despite his surname) and dynamic figure, he gradually became convinced that the 1,800 rolls so far discovered represented perhaps only one half of the books that the villa contained. Certainly it does seem unlikely that Piso — an educated man who was joint ruler of Rome in 58BC — should have confined himself to this one, narrow collection. Or that his heirs, equally highly educated, would not have added to it over the decades. In the 1990s, on Gigante’s initiative, an abortive attempt was made to reopen the old 18th-century excavations. The project was eventually abandoned when its funding ran out, but not before the archeologists had established that the villa was larger than had been thought. It seems that it was built on two or possibly three levels, terraced down to the sea. It also appears that slaves were in the act of carrying crates of books to safety when they were overwhelmed by the eruption. These lower storeys, with their mosaic floors, frescoes and painted ceilings — clearly an integral part of the house — all lend support to Gigante’s theory that the villa had at least one other library. Gigante died in November 2001 but his campaign for renewed excavation, far from dying with him, gathered strength. Eight of the world’s leading scholars of ancient history, including professors from Harvard, Oxford and London, wrote to The Times in the spring of 2002 demanding action: “We can expect to find good contemporary copies of known masterpieces and to recover works lost to humanity for two millennia. A treasure of greater cultural importance can scarcely be imagined.” The signatories have now formed a pressure group, The Herculaneum Society, which convened in Oxford last weekend, and moves have begun to raise the $20m (£10.6m) or so needed to dig. Frankly, it would be cheap at almost any price. Even in our age of hyperbole it would be hard to exaggerate the significance of what is at stake here: nothing less than the lost intellectual inheritance of western civilisation. We have, for example, a mere seven plays by Sophocles, yet we know that he wrote 120; Euripides wrote 90 plays, of which only 19 survive; Aeschylus wrote between 70 and 90, of which we have just seven. We also know that at the time when Philodemus was teaching Virgil on the Bay of Naples, the lost dialogues of Aristotle were circulating in Rome (Cicero called them “a golden river”: the essence of ancient Greek philosophy); they, too, have vanished. Then there are the missing Latin texts. Is it really likely that a palace on the scale of the Villa of the Papyri would not have had contemporary copies of Virgil’s Aeneid or the poems of Horace? Scholars have dreamt of making such discoveries for centuries, but until the last couple of years they were understandably dismissed as fantasies. Books in the ancient world were written on papyrus — strips of plant grown in Egypt and glued together — and papyrus simply cannot survive for 2,000 years except in freak conditions. The paradox of the Vesuvius eruption is that its destructiveness caused it to act as a giant preservative. When the great library at Alexandria caught fire 1,600 years ago, more than half a million scrolls were destroyed: the greatest intellectual catastrophe in history. But the tightly rolled papyri caught in the eruption of AD79 — not only in Herculaneum but also in Pompeii — were first carbonised and then, when the pumice and ash moulded around them, effectively sealed in airtight stone vaults. Now, technology that the great classical scholars of the 19th century could never have imagined can make sense out of what looks like a chunk of charcoal. Last weekend when members of the Herculaneum Society were given a demonstration of MSI technology “they gasped”, according to one witness, “like spectators at a firework display”. The Herculaneum Society, it should be said, is not without its opponents, among them the highly respected director of the British School at Rome, Professor Andrew Wallace-Hadrill. For a start he doubts whether a new dig will find anything. Weber, he said, whose mapping of the site was sufficiently detailed to enable the creation of the Getty Museum, was a meticulous Swiss engineer: “That type of man doesn’t miss anything.” But even if he did it would be a “scandal ”, in his opinion, to open up a vast new site while Herculaneum itself is so inadequately cared for. I walked round Herculaneum last May with Wallace-Hadrill and can vouch for the accuracy of his description of its lamentable condition: “Restored roofs are in collapse, broken tiles litter mosaic floors, the precious carbonised wood crumbles constantly . . . Pigeons roost under the eaves and the walls are smeared with their excrement.” The Italian authorities have so much heritage to protect that they simply cannot do it. To this the Herculaneum Society has three answers. The first is that the renewed seismic activity, detected recently around Vesuvius, makes it imperative that the villa is re-entered soon and any treasures removed to safety. Second, they believe it may be possible to complete the excavation by tunnelling rather than by exposing the villa to the elements. Their third answer is the one hardest to resist. Wallace-Hadrill is up against a group of determined men and women fired by one of the most potent of all human dreams: buried treasure. In the words of Fowler: “So long as there is a chance of finding the rest of the library — and everyone admits there is a chance, however strong or weak they rate it — we owe it to the world to dig.” How modern science retrieves ancient wisdom The technique used to decode the decaying and carbonised papyri was developed by Nasa to analyse the light from distant stars and planets, writes Jonathan Leake. When the light is broken into components by multi-spectral imaging (MSI), scientists can detect the unique signatures of the elements and compounds in the body that emitted it. Steve Booras, an imaging expert at Brigham Young University in Utah, used the technique on scrolls at the National Archeological Museum in Naples. The ink characters could be seen in places, but were impossible to read because there was no contrast between the ink and the paper under visible light. Booras’s tool was a digital camera sensitive to a far wider spectrum of light and which could range deep into infra-red wavelengths. When he and his wife Susan, a fellow researcher, applied a filter that allowed only infrared light of 900-950 nanometres into the camera, the long-lost texts reappeared. The ink had apparently retained a characteristic that made it absorb infrared light differently from the surrounding burnt papyrus. “It was a wonderful moment,” Booras said.
Membership of the Herculaneum Society costs £50 per year. Contact: Friends of the Herculaneum Society, Classics Centre, Old Boys’ School, George Street, Oxford 0X1 2RL. Website: www.herculaneum.ox.ac.uk; e-mail: herculaneum@classics.ox.ac.uk |
Ping
I saw the movie National Treasure.
The Freemasons/Knights Templar/Founding fathers of the USA hid all this under a cemetary in Manhattan.
No worries.
OoooooooOOOoOOhhh...
I'm intrigued. This deserves an article in Smithsonian or National Geographic... with photos.
bump
Searched on 'Rome' and 'library'. That didn't do the trick. My mistake.
Thanks! Added to the catalog.
Focus: The search for the lost library of Rome
The Sunday Times (UK) ^ | January 23 2005 | Robert Harris
Posted on 01/23/2005 11:33:31 AM PST by RightWingAtheist
http://www.freerepublic.com/focus/f-news/1326776/posts
Experts urge race against time to unearth last secrets of Herculaneum s lost library
The Scotsman ^ | Wed 27 Mar 2002 | Tim Cornwell
Posted on 04/03/2002 4:32:14 PM PST by Korth
http://www.FreeRepublic.com/focus/news/659052/posts
Tales from the Crypt
http://www.FreeRepublic.com/focus/f-news/895667/posts
Copyright Infringement complaint from Vanity Fair/Condé Nast
Email
Posted on 09/23/2003 1:40:22 PM PDT by Jim Robinson
http://www.freerepublic.com/focus/news/987943/posts
Fascinating, when you recall that much of what classical text we have was translated from Classical or Vulgar Latin into Arabic and then translated again from Arabic to Medieval Spanish to Medieval Latin.
Please FREEPMAIL me if you want on, off, or alter the "Gods, Graves, Glyphs" PING list --
Archaeology/Anthropology/Ancient Cultures/Artifacts/Antiquities, etc.
The GGG Digest -- Gods, Graves, Glyphs (alpha order)
Ahhh, the romance of archeology! It's pretty much just like an Indiana Jones movie.
This was a TV show on this. It was interesting to see the "How do we unroll these burnt documents". They then computer enhanced the images and voila...it was a reasonably, readable document. Very exciting.
bump
"It follows the first detailed analysis of the 1,800 papyri, now largely unrolled and deciphered thanks to a technique known as multi-spectral imaging (MSI). What appear to the naked eye as jet-black cinders are transformed by MSI into readable text. Thirty thousand images are now legible on CD-Rom;..."
Does deciphered mean translated? If so where are they?[he drools]
Maybe I need to take that Latin refresher course....
As for the hypothesized still-to-be-discovered library—if Aristotle's lost works were there, I'd be quite pleased.
My guess is most people missed it the first time.
Thanks again for reposting it.
The site listed in England offers, among other things, a CD of translations and facsimiles of the scrolls found before the mid 30s... when excavation was stopped.
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