Posted on 08/16/2010 11:14:20 AM PDT by roses of sharon
Critics arent dumb, they know the public doesnt much care which way their thumbs point. But critics do know that based on their opinions and reviews they can enjoy an influence over what kind of films get made. And thats not a small amount of power. Culture is upstream from politics, after all.
If you have 95 percent of critics savaging a faithful retelling of the Gospels as anti-Semitic, no matter how successful The Passion is, no ones going to go near that subject matter again. And thats the goal. Same with anything that comes close to patriotism or conservatism. Such cinematic rarities are frequently labeled jingoistic, fascist or simple minded. This is all done consciously and for a desired effect.
You have to understand that when I look at the critical community I only see it for what it really is: a journolista cabal of left wingers deeply engaged in a cultural and ideological war, deeply committed to shaping the powerful messaging of sound and fury that emanate from our pop culture masters.
As if to prove my point, this very morning Left-winger Steven Zeitchik of the L.A. Times ran this propaganda piece; a not very subtle attempt on his and the papers part to tamp down any enthusiasm development execs might have to copycat what made The Expendables such a box office success and cultural phenomenon: [emphasis mine]
But the Stallone picture with its hard-charging, take-no-prisoners patriotism unbothered by the vagaries of the real world (it takes place in a fictional country, for starters) and its caricature of freedom-hating enemies (We will kill this American disease, as the TV spot enticed us) planted itself squarely in the old-school genre. And this weekend, the movie showed that theres life in that category yet.
(Excerpt) Read more at bighollywood.breitbart.com ...
I was meaning more along the lines of what the LA Times writer said, “movies like “The Dark Knight” — with its themes of a destruction-bent enemy that can’t be bargained with, and the question of what constitutes an acceptable ethical compromise in fighting that enemy — have captured our imagination.”
Not specifically a Batman-Joker origin story, although I don’t think The Dark Knight qualifies as an origin story for either, but movies with a little more going on than white hats vs black hats.
The Dark Knight is #3 on the all time domestic box office charts and #6 world wide. I don’t know how many Heath Ledger fans you think there are, but I think there are quite a few more Dark Knight fans than Ledger fans. Although I will say I am a big fan of pretty much everyone in the movie and Nolan.
I understand the sentiment of the author. However, I doubt that this movie is the one to make that point with. It seemed to me like an Oceans 11 for 80’s action stars.
MGM of, I guess, Time-Warner-Turner.
MGM kept accumulating debt to the tune of some $7B from what I understand. They kept using their DVD sales and other revenue (like cable on demand services) as a green light to keep piling on debt (i.e. to produce modern garbage, they relied on sales of their classic films). About a year ago, they kind of learned that they could no longer afford even interest payments on that debt.
End result is that the company is now up on the auction block. Some of the best offers they have been getting is in the $1B region. This has also halted production of some of their big money features like James Bond and the prequel to the Lord of the Rings (”The Hobbit”, but I am sure everyone knows that :-) ). They do not have the cash to produce these.
I know $1B is not chump change, but it kind of is from a former valuation of just under 7x that amount.
MGM of, I guess, Time-Warner-Turner.
MGM kept accumulating debt to the tune of some $7B from what I understand. They kept using their DVD sales and other revenue (like cable on demand services) as a green light to keep piling on debt (i.e. to produce modern garbage, they relied on sales of their classic films). About a year ago, they kind of learned that they could no longer afford even interest payments on that debt.
End result is that the company is now up on the auction block. Some of the best offers they have been getting is in the $1B region. This has also halted production of some of their big money features like James Bond and the prequel to the Lord of the Rings (”The Hobbit”, but I am sure everyone knows that :-) ). They do not have the cash to produce these.
I know $1B is not chump change, but it kind of is from a former valuation of just under 7x that amount.
Crap. I haven't seen a Stallone film since Spy Kids 3, but now I might have to.
Hollywood is stupid, but not suicidal. They will continue to make stupid movies to soothe their political passions, but they will never stop making movies that make money. They have to have money to promote their agenda in the theaters, after all.
MGM’s back catalog was largely purchased by Ted Turner by the 1980s.
I think that MGM the modern film production/distribution studio was not part of the Time-Warner-Turner empire. So MGM itself had to be more accountable to the market.
Disney Corp. can afford to continue to p. off the masses with ABC etc. They have a perenial library of works dating back to the 1930s (including Snow White) that most all audiences watch/own at some point.
Silly Stallone. You’re not allowed to have masculine white male heros!! We’ll claw your eyes out!
I just saw the Expendables and thought it was a pretty good brainless entertaining movie. Both it and the A-Team didn’t get bogged down in soap box topics and just focused on blowing things up and whacking bad guys. The action in the Expendables is frenetic and sometimes suffers from the herky-jerky camera effect (but no where as bad as the 2nd Bourne movie). Across the board, my movie group gave it thumbs up and all expressed gun lust for the AA 12 shotgun which was a big scene stealer. This movie will definitely annoy the kum-ba-ya liberal who thinks we should all just give evil people a big hug.
Winner, best post so far!
LOL
Expendables didn’t do that well. 35 million is nice, but with an $82 million it’s going to be hard pressed to make it to profitability. And I think the critics savaged it largely because they hate action movies, there’s that big “old school” art movie worshiping of “critics” who will give the thumbs down to pretty much any movie where something blows up.
I know TDK was a huge success. So were the Star Wars prequels and they were crap.I thought I’d like TDK. I just found it overlong and boring. Batman wasn’t in it enough. I really liked the first Nolan take on Batman; but TDK simply fell flat for me.
My mistake. He did a fund rasier for Clinton or Kerry at his old home in Miami.
The original Batman films sucked. Michael Keaton was okay. Clooney is a POS. Val Kilmer is slightly better.
I liked the British version because Michael Caine who is against the Labourt Party’s polocies, Gary Oldman who attacked Democrats for screwing him over in that one film, and Christian Bale for telling his lib step-mother Gloria Steinem to “shut up” because she always preached her crap at the dinner table.
Not too many libs in those films. The father of Ledger’s wife or girlfriend is a conservative by the way. Michelle Williams.
Yeah, if that stuff is important to you that is cool. I care if they are good actors. They all are. Oldman in particular.
Oh no doubt. The Brits taking over Batman was the best thing that ever happened to it. The director (Nolan), Caine, Oldman and Bale was a tour de force. Very good actors *especially* Oldman.
Just about anything Gary Oldman or Michael Caine are in is good. The movie can suck but it is still good.
Also Liam Neeson, who I think is Irish. The other cast including the bad guy local gangster and creepy young doctor in the first movie were very good.
Chris Nolan took a dead franchise and turned it around.
Willis voted "enthusiastically" for Obama. Phfftt on him, too.
Disclaimer: Opinions posted on Free Republic are those of the individual posters and do not necessarily represent the opinion of Free Republic or its management. All materials posted herein are protected by copyright law and the exemption for fair use of copyrighted works.