Posted on 12/14/2011 11:10:27 AM PST by NYer
The Holy Shroud
marco tosatti
rome
Enea, the National Agency for New Technologies, Energy and Sustainable Economic Development, has published a report on five years of experiments conducted in the ENEA center of Frascati on the shroud-like coloring of linen fabrics by far ultraviolet radiation. Simply put: we tried to understand how the Shroud of Turin was imprinted by an image so special that it constitutes its charm, and poses a great and very radical challenge, "to identify the physical and chemical processes capable of generating a color similar to that of the image on the Shroud. "
In the following article will see how this research developed (the complete version can be found at this link: opac.bologna.enea.it/RT/2011/2011_14_ENEA.pdf ).
Scientists (Di Lazzaro, Murra, Santoni, Nichelatti and Baldacchini) start from the last (and only) comprehensive interdisciplinary exam of the sheet, completed in 1978 by a team of American scientists from Sturp (Shroud of Turin Research Project). A starting point which all too often those who write about and dissect the Shroud prefer not to take into account, in spite what is evidenced by available information verified by an accurate control on peer reviewed journals, that is, approved by other scientists in objective and independent ways. The Enea report, with a lot of fair play and almost "en passant", very clearly refutes the hypothesis that the Shroud of Turin might be the work of a medieval forger. The hypothesis was supported against many weighted arguments by the results of the disputable and probably biased - C14 measurements; a test whose credibility has been rendered very fragile not only by objective difficulties (the possibility that the fabric is contaminated is very high, especially since its historical journey is only partially known), but also from proven factual errors of calculation and the inability to obtain raw data from the laboratories for the necessary controls. In spite of repeated requests. An omission which in itself can throw a heavy shadow over the scientific accuracy of the episode.
The report notes: The double image (front and back) of a scourged and crucified man, barely visible on the linen cloth of the Shroud of Turin has many physical and chemical characteristics that are so particular that the staining which is identical in all its facets, would be impossible to obtain today in a laboratory, as discussed in numerous articles listed in the references. This inability to repeat (and therefore falsify) the image on the Shroud makes it impossible to formulate a reliable hypothesis on how the impression was made.
In fact, today Science is still not able to explain how the body image was formed on the Shroud. As a partial justification, Scientists complain that it is impossible to take direct measurements on the Shroud cloth. In fact, the latest in situ experimental analysis of the physical and chemical properties of the body image of the Shroud was carried out in 1978 by a group of 31 scientists under the aegis of the Shroud of Turin Research Project, Inc. (STURP). The scientists used modern equipment for the time, made available by several manufacturers for a market value of two and a half million dollars, and took a number of non-destructive infrared spectroscopy measurements, visible and ultraviolet, X-ray fluorescence, thermograph, pyrolysis, mass spectrometry, micro-Raman analysis, transmission photograph, microscopy, removal of fibrils and micro-chemical tests. The analysis carried out on the Shroud did not find significant amounts of pigments (dyes, paints) nor traces of designs. Based on the results of dozens of measurements, the STURP researchers concluded that the body image is not painted nor printed, nor obtained by heating. Furthermore, the color of the image resides on the outer surface of the fibrils that make up the threads of the cloth, and recent measurements of fragments of the Shroud show that the thickness of staining is extremely thin, around 200 nm = 200 billionths of a meter, or one fifth of a thousandth of a millimeter, which corresponds to the thickness of the primary cell wall of the so-called single linen fiber. We recall that a single linen thread is made up of about 200 fibrils.
Other important information derived from the results of the STURP measurements are as follows: The blood is human, and there is no image beneath the bloodstains; the gradient color contains three-dimensional information of the body; colored fibers (image) are more fragile than undyed fibers; surface staining of the fibrils of the image derive from an unknown process that caused oxidation, dehydration and conjugation in the structure of the cellulose of the linen. In other words, the color is a result of an accelerated linen aging process.
As already mentioned, until now all attempts to reproduce an image on linen with the same characteristics have failed. Some researchers have obtained images with a similar appearance to the image of the Shroud, but nobody has been able to simultaneously reproduce all microscopic and macroscopic characteristics. In this sense, the origin of the Shroud image is still unknown. This seems to be the core of the so-called mystery of the Shroud: regardless of the age the Shroud, whether it is medieval (1260 - 1390) as shown by the controversial dating by radiocarbon, or older as indicated by other investigations, and regardless of the actual importance of controversial historical documents on the existence of the Shroud in the years preceding 1260, the most important question, the question of questions remains the same: how did that body image appear on the Shroud?.
There are two possibilities, the scientists write, on how the sheet of the Shroud was placed around the corpse: placed above and below (not in full contact with the whole body stiffened by rigor mortis) or pressed on the body and tied in order to be in contact with almost the entire body surface.
The first method is supported by the fact that there is a precise relationship between the intensity (gradient) of the image and the distance between the body and the cloth. Furthermore, the image is also present in areas of the body not in contact with the cloth, such as immediately above and below the hands, and around the tip of the nose. The second method is less likely because the typical geometric deformations of a three dimension body brought into contact in two dimension sheet are missing. Moreover, there is no imprint of body hips. Consequently, we can deduce that the image was not formed by contact between linen and body.
It is this observation, coupled with the extreme superficiality of the coloring and the lack of pigments that makes it extremely unlikely that a shroud-like picture was obtained using a chemical contact method, both in a modern laboratory and even more so by a hypothetical medieval forger. There is no image beneath the blood stains. This means that the traces of blood deposited before the image was. Therefore, the image was formed after the corpse was laid down. Furthermore, all the blood stains have well-defined edges, no burrs, so it can be assumed that the corpse was not removed from the sheet. There are no signs of putrefaction near the orifices, which usually occur around 40 hours after death. Consequently, the image is not the result of putrefaction gases and the corpse was not left in the sheet for more than two days.
One of the assumptions related to the formation of the image was that regarding some form of electromagnetic energy (such as a flash of light at short wavelength), which could fit the requirements for reproducing the main features of the Shroud image, such as superficiality of color, color gradient, the image also in areas of the body not in contact with the cloth and the absence of pigment on the sheet. The first attempts made to reproduce the face on the Shroud by radiation, used a CO2 laser which produced an image on a linen fabric that is similar at a macroscopic level. However, microscopic analysis showed a coloring that is too deep and many charred linen threads, features that are incompatible with the Shroud image. Instead, the results of ENEA show that a short and intense burst of VUV directional radiation can color a linen cloth so as to reproduce many of the peculiar characteristics of the body image on the Shroud of Turin, including shades of color, the surface color of the fibrils of the outer linen fabric, and the absence of fluorescence.
However, Enea scientists warn, "it should be noted that the total power of VUV radiations required to instantly color the surface of linen that corresponds to a human of average height, body surface area equal to = 2000 MW/cm2 17000 cm2 = 34 thousand billion watts makes it impractical today to reproduce the entire Shroud image using a single laser excimer, since this power cannot be produced by any VUV light source built to date (the most powerful available on the market come to several billion watts ).
However the Shroud image has some features that we are not yet able to reproduce they admit - for example, the gradient of the image caused by a different concentration of yellow colored fibrils that alternate with unstained fibrils. And they warn: We are not at the conclusion, we are composing pieces of a fascinating and complex scientific puzzle. The enigma of the image of the Shroud of Turin is still a challenge for intelligence, as John Paul II said.
If I kneel down in front of my bed to pray, does this mean I am worshiping my bed?
Whatever happened to the plain, old meaning of Scripture?
Boast of your well doing if you must. Ill continue to give credit to Christ who lives in me. And quite thankfully also I might add.
Colossians 1:27 To whom God would make known what is the riches of the glory of this mystery among the Gentiles; which is Christ in you, the hope of glory:
Its not my faith but the faith of Christ in me.
Galatians 2:20 I am crucified with Christ: nevertheless I live; yet not I, but Christ liveth in me: and the life which I now live in the flesh I live by the faith of the Son of God, who loved me, and gave himself for me.
2 Corinthians 4:10 Always bearing about in the body the dying of the Lord Jesus, that the life also of Jesus might be made manifest in our body.
John 15:4 Abide in me, and I in you. As the branch cannot bear fruit of itself, except it abide in the vine; no more can ye, except ye abide in me. 5 I am the vine, ye are the branches: He that abideth in me, and I in him, the same bringeth forth much fruit: for without me ye can do nothing.
Nicely summarized!
Thanks, Swordmaker. I can’t remember the last time we had a Shroud of Turin ping.
Thank you very much.
Thank you.
Bump.
If you choose to believe the latter, the shroud is just one more of those same type of things. Is it not?
Belief in the Resurrection does not REQUIRE someone to believe that the shroud of Turin is part of that. One can leave the answer to that to G-d and still believe in the Resurrection.
Ping for later
“...work out your salvation with fear and trembling...”
YOURS...not others. It is truly a great weight lifted when one recieves a revelation of this scripture. You are not ultimately responsible for what others believe, or don’t believe — especially on a political forum. His burden is light. Take care.
“...work out your salvation with fear and trembling...”
YOURS...not others. It is truly a great weight lifted when one recieves a revelation of this scripture. You are not ultimately responsible for what others believe, or don’t believe — especially on a political forum. His burden is light. Take care.
Depends... Are you asking your bed to intercede on your behalf? Do you consider your bed to be the "co-redeemer?"
As far as abuse of relics is concerned... Consider what happened when the Israelites began venerating the golden snake on the staff (those who were snake bitten were to look at it) and the ephod. If something distracts from giving God due worship and focus, it is a stumbling block and should be avoided.
“Depends... Are you asking your bed to intercede on your behalf? Do you consider your bed to be the “co-redeemer?””
Gee, did I really need a sarcasm alert at the end of my question? ;-)
For the record, the answer to your questions (which are also without sarcasm alert) is NO.
The answer would still be NO if I had a candle lit or was kneeling before any stained glass window or statue or whatever. And all those people I know would also answer NO.
“If something distracts from giving God due worship and focus, it is a stumbling block and should be avoided.”
Common sense for any sincere Christian.
Nobody's talking about boasting except you. It's not a matter of boasting. It is a matter of doing. And there are things we do that pleases God.
for with such sacrifices God is well pleased If you are not involved in doing good and sharing, which pleases God, then that is a pretty sad state of affairs and you had better repent and change what it is you are doing. When we worship God, it isn't a matter of God worshiping himself. We are involved. I know you've said you haven't done anything that pleases God, but I sincerely hope that is not true.
My wife worships my golden calves...and thighs.
Cheers!
(Some of the usual crowd have arrived, too...)
Cheers!
False. Expert forensic pathologists, not amateur skeptics who have only measured flat photographs and came up with those extreme measurements by "guessing depths", have determined that the image is correctly sized for a man approximately 5' 9"- 10" tall, that is bent slightly forward in rigor mortis. This has been confirmed in several peer reviewed journals and papers. Your figure was publish in NO peer reviewed journal and was reported only in one skeptical magazine... and has no basis in actual research. The SCIENTISTS put their names and reputations on the line in published articles in peer reviewed MEDICAL JOURNALS... the skeptics published in popular press magazines, or their own skeptical journals and congratulated themselves on showing up those stupid scientists!
The head is too small for the body and appears to have been pasted on (large separation line at neck)
Also false. Same as above... The head is only too small if you use the absurd 6' 10:" calculated height. The pasted on claim is solely based on the appearance of a pleated fold in the cloth running across the neck that is an artifact of early black and white photographs and wishful think on the part of skeptics. Without the distortion of the false height, the head is perfectly proportional. with the given body size.
If the shroud was draped around the body head-to-toe, why isnt the top of the head shown. The intervening space is too short and the images appear hinged.
Also false... there is approximately five inches of space separating the dorsal and frontal images at the head. In addition, the jaw was kept closed by a cloth wrapped over the head and under the jaw, tied at the crown, thus obscuring any image that may have formed... this was the cloth wrapped "around the face." No one else, other than the single skeptical magazine report has ever claimed this "hinged effect" as the space is obvious to other observers. It is a red herring. What the skeptics claimed is the top of the dorsal head is merely a water stain.
Had they bothered to look at a photograph of the entire shroud stretched out, instead of just the frontal image, and drawn a few lines, say, some through where the ear line would have gone appropriately above the shoulders on both the frontal and dorsal images, it becomes obvious where the crowns of both images' heads would be... and the spacing becomes obvious. But, the skeptics NEVER let facts like those get in the way of a good debunking theory.
The real miracle is that it appears to be the worlds first photograph. Capturing images was widely known even in Roman times, but the image soon faded. Someone found out how to set the image.
This one is a complete lie. No historian has EVER come up with a report of captured images from Roman antiquity! Camera obscuras were known but capturing images was NOT a technique that anyone ever accomplished. . . that was reported on. The image on the Shroud is NOT any known photographic technique... it not at all an artifact of light.In fact it is a not a photograph at all, which is a shadow record, because it shows absolutely NO light directionality in the data.
The Shroud is rather a three dimensional terrain map of the body over which the shroud was draped. In other words it is an inverse, two dimensional database of the distance the surface of the cloth was from the body. The image is most intense when touching the body, but fades to nothingness at approximately 5 centimeters distance from the body... AND the data is collimated straight up and down, with absolutely no observable side to side variation!
Ergo your claim about "someone found out how to set" a nonexistent ancient photograph is so much twaddle. . .made up by a desperate skeptic, ignorant of the science because he refused to accept that "shroudies," all of whom were world renowned experts in their fields, could possibly do good science, even though he himself was merely a failed magician who's college degree was in English Literature!
So much for the "debunking" crowd... who wouldn't know good science if it bit them on the arse!
IT is, in fact a very miraculous object... whether in religion or art or science. If it is NOT the burial shroud of the son of God, then it is even more miraculous in that it was created with techniques that modern science cannot discern, divine, or even duplicate seven hundred or more years after the latest possible known creation date of this remarkable artifact, if it is indeed an object of artifice. . . and there is credible evidence that it was in existence at least eleven hundred years ago!
Only one slight problem... they aren't facts.
They are made up hogwash from a skeptical magazine, and not from peer-reviewed science. They aren't true.
Those "facts" are demonstrably false. . . and fly in the face of work done by true scientists who are experts in their fields.
They were published by a failed stage magician who's expertise is that he has a degree in English Literature, quoting journalists and others with similar expertise. He has NO HANDS ON TIME with the shroud at all. His measurements are twaddle. Nothing more.
bkmk
Disclaimer: Opinions posted on Free Republic are those of the individual posters and do not necessarily represent the opinion of Free Republic or its management. All materials posted herein are protected by copyright law and the exemption for fair use of copyrighted works.