Why Does the Left Hate "The Path to 9/11"?

On Sunday and Monday nights at 8 PM, ABC will air a five hour mini-series, "The Path to 9/11." I have watched it, and it is a riveting and in some respects horrifying recreation of the events from the hours before the first World Trade Center attack in 1993 through the awful events of 9/11. Rarely does television reach this level of drama, and director David Cunningham and writer Cyrus Nowrasteh deserve great praise from left, right and center for a masterful retelling of the crucial events leading up to the devastation of five years ago.

A five hour show that must condense eight years by necessity will not be complete, but it is very accurate. As a very accurate docudrama, "The Path to 9/11" has drawn the deep anger of the Clinton political machine. Representatives of that era have been demanding at a minimum edits and some outright cancellation of the program. Monica Lewinsky makes an appearance, you see, as does Bill Clinton's videotaped testimony about his perjury. National Security Advisor Sandy Berger is portrayed as indecisive, Madeleine Albright as misdirected, George Tenet as sputtering. The film does not spare the Bush Administration its shots either, but for the left in the US the most damning thing possible is a recounting of the deep slumber concerning al Qaeda that overcame not just President Clinton but all parts of the national security apparatus throughout the '90s. The film does not damn those in charge during those years. It does however deliver a indictment of criminal negligence from which there is simply no escape.

By attempting a programming coup against the series, the Clinton forces have brought enormous attention to the film, and for that I thank them. The program is not primarily about the Clinton stewardship --or lack thereof-- of the national security. It is not even secondarily about that.

Rather the mini-series is the first attempt --very successful-- to convey to American television viewers what we are up against: The fanaticism, the maniacal evil, the energy and the genius for mayhem of the enemy.

In the self-serving complaints about this scene or that take delivered by Richard Ben-Veniste and other proxies are replayed again the deadly narcissisms of the'90s. The program's great faults are --they say-- in the inaccurate portrayal of Bill Clinton and his furrowed brow and continual efforts to track down bin Laden.

It is all about them, you see. Just as it was in the '90s. To hell with O'Neill or the victims of 9/11, and forget about the worldwide menace that continues to nurse its hatred, though now from caves and not compounds.

Not a word from these critics about the program's greatest strength, which is in the accurate rendering of the enemy, and the warning it might give about the need for continual vigilance.

Critics of the program want to argue that a five hour program has collapsed eight years too brusquely. There is, by the way, zero mention in the fve hours of the allegations that Clinton let bin Laden slip through his fingers when the terror chief was offered up by Sudan. There is no Atta meeting in Prague, no suggestion of a Saddam history of terror ties unrelated to 9/11 --in short, there is no reaching by the writer/producers/director. It is an objective show, and not one that will cheer the right. But any show that does not praise Clinton or hopelessly conflate the eight years of the Clinton tenure with the eight months of the pre-9/11 Bush Administration is to be condemned.

"The Path to 9/11" is a faithful and compelling recreation within the limits of the craft of the fatal nonchalance of the '90s, combined with a salute to the hard-working men and women who struggled against the bureaucratic insanities of that era, represented chiefly in the person of FBI Agent John O'Neill, played by Harvey Keitel, and a supporting cast of brave and never-discouraged lower level Bureau and CIA operatives who understood the risks. In trying to deep-six the series, the Clinton forces are trying to silence their story.

The Clinton operatives are also bringing a useful attention to the program and especially any last minute edits ABC might make. The network risks outrage from center and right if it airbrushes the narrative, and even from those in Hollywood who stand by the idea that a good faith piece of work should be unmolested by the PC police.

No matter your opinions of Presidents Clinton and Bush, be sure to watch (or set your TiVo) to ABC Sunday night at 8. You be the judge. Hopefully ABC will give you that chance.

Just got this off a lefty site Americablog

The Senate Democratic leadership just threatened Disney's broadcast license

This letter was sent today by the entire Democratic leadership of the US Senate. This letter is such a major shot across the bow of Disney, it's not even funny. It is FILLED with veiled threats, both legal and legislative, against Disney. US Senators don't make threats like this, especially the entire Democratic leadership en masse, unless they mean it. Disney is in serious trouble.

Read it, then read my analysis of it below:

September 7, 2006

Mr. Robert A. Iger
President and CEO
The Walt Disney Company
500 South Buena Vista Street
Burbank CA 91521

Dear Mr. Iger,

We write with serious concerns about the planned upcoming broadcast of The Path to 9/11 mini-series on September 10 and 11. Countless reports from experts on 9/11 who have viewed the program indicate numerous and serious inaccuracies that will undoubtedly serve to misinform the American people about the tragic events surrounding the terrible attacks of that day. Furthermore, the manner in which this program has been developed, funded, and advertised suggests a partisan bent unbecoming of a major company like Disney and a major and well respected news organization like ABC. We therefore urge you to cancel this broadcast to cease Disney’s plans to use it as a teaching tool in schools across America through Scholastic. Presenting such deeply flawed and factually inaccurate misinformation to the American public and to children would be a gross miscarriage of your corporate and civic responsibility to the law, to your shareholders, and to the nation.

The Communications Act of 1934 provides your network with a free broadcast license predicated on the fundamental understanding of your principle obligation to act as a trustee of the public airwaves in serving the public interest. Nowhere is this public interest obligation more apparent than in the duty of broadcasters to serve the civic needs of a democracy by promoting an open and accurate discussion of political ideas and events.

Disney and ABC claim this program to be based on the 9/11 Commission Report and are using that assertion as part of the promotional campaign for it. The 9/11 Commission is the most respected American authority on the 9/11 attacks, and association with it carries a special responsibility. Indeed, the very events themselves on 9/11, so tragic as they were, demand extreme care by any who attempt to use those events as part of an entertainment or educational program. To quote Steve McPhereson, president of ABC Entertainment, “When you take on the responsibility of telling the story behind such an important event, it is absolutely critical that you get it right.”

Unfortunately, it appears Disney and ABC got it totally wrong.

Despite claims by your network’s representatives that The Path to 9/11 is based on the report of the 9/11 Commission, 9/11 Commissioners themselves, as well as other experts on the issues, disagree.

Richard Ben-Veniste, speaking for himself and fellow 9/11 Commissioners who recently viewed the program, said, “As we were watching, we were trying to think how they could have misinterpreted the 9/11 Commission’s findings the way that they had.” [“9/11 Miniseries Is Criticized as Inaccurate and Biased,” New York Times, September 6, 2006]

Richard Clarke, the former counter-terrorism czar, and a national security advisor to ABC has described the program as “deeply flawed” and said of the program’s depiction of a Clinton official hanging up on an intelligence agent, “It’s 180 degrees from what happened.” [“9/11 Miniseries Is Criticized as Inaccurate and Biased,” New York Times, September 6, 2006]

Reports suggest that an FBI agent who worked on 9/11 and served as a consultant to ABC on this program quit halfway through because, “he thought they were making things up.” [MSNBC, September 7, 2006]

Even Thomas Kean, who serves as a paid consultant to the miniseries, has admitted that scenes in the film are fictionalized. [“9/11 Miniseries Is Criticized as Inaccurate and Biased,” New York Times, September 6, 2006]

That Disney would seek to broadcast an admittedly and proven false recounting of the events of 9/11 raises serious questions about the motivations of its creators and those who approved the deeply flawed program. Finally, that Disney plans to air commercial-free a program that reportedly cost it $40 million to produce serves to add fuel to these concerns.

These concerns are made all the more pressing by the political leaning of and the public statements made by the writer/producer of this miniseries, Mr. Cyrus Nowrasteh, in promoting this miniseries across conservative blogs and talk shows.

Frankly, that ABC and Disney would consider airing a program that could be construed as right-wing political propaganda on such a grave and important event involving the security of our nation is a discredit both to the Disney brand and to the legacy of honesty built at ABC by honorable individuals from David Brinkley to Peter Jennings. Furthermore, that Disney would seek to use Scholastic to promote this misguided programming to American children as a substitute for factual information is a disgrace.

As 9/11 Commission member Jamie Gorelick said, “It is critically important to the safety of our nation that our citizens, and particularly our school children, understand what actually happened and why – so that we can proceed from a common understanding of what went wrong and act with unity to make our country safer.”

Should Disney allow this programming to proceed as planned, the factual record, millions of viewers, countless schoolchildren, and the reputation of Disney as a corporation worthy of the trust of the American people and the United States Congress will be deeply damaged. We urge you, after full consideration of the facts, to uphold your responsibilities as a respected member of American society and as a beneficiary of the free use of the public airwaves to cancel this factually inaccurate and deeply misguided program. We look forward to hearing back from you soon.

Sincerely,

Senate Democratic Leader Harry Reid
Assistant Democratic Leader Dick Durbin
Senator Debbie Stabenow
Senator Charles Schumer
Senator Byron Dorgan

The Senate Democratic leadership just threatened Disney's broadcast license. Not the use of the word "trustee" at the beginning of the letter and "trust" at the end. This is nothing less than an implicit threat that if Disney tries to meddle in the US elections on behalf of the Republicans, they will pay a very serious price when the Democrats get back in power, or even before.

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