Posted on 11/21/2024 4:47:07 PM PST by nickcarraway
It was no instant success, but gradually, the group’s new marriage of pop and orchestral ingredients began to turn heads.
In the timeless flight of the Moody Blues, “Nights In White Satin” is such a classic that it’s strange to recount the slow, almost faltering progress of this epic ballad when it was first released.
Justin Hayward’s song, and its parent album, the Moodies’ career-changing Days Of Future Passed, were both released on November 10, 1967 — and for the first few weeks of their lives, the sum total of their UK chart presence was precisely nil.
But gradually, the group’s new marriage of pop and orchestral ingredients began to turn heads. With the additional attractions of Mike Pinder’s keyboard effects on the Mellotron, little-used in popular music to that point, and Ray Thomas’ flute, both the single and the album began to capture the imagination of both the public and the media.
“Satin” may have had an uncertain start, but few singles have gone on to such recurring and multi-faceted success, both in the UK and around the world. After attracting radio support, the single on Decca’s Deram label finally made the British Top 50 in the first week of 1968, some seven weeks after release.
It was the first chart appearance of the Moodies’ new line-up, retooled with the addition of Hayward and John Lodge. This was also the first time the group name had been on the UK singles list for more than two years, since “Everyday” limped to No.44.
Even then, “Satin” only just clambered onto the bottom rung of the Top 50, as The Beatles continued at No.1 into the new year with “Hello Goodbye.” The ballad then climbed to No.35, making less than spectacular progress over the coming weeks before coming to a halt at No.19 on the February 20 chart. It fared much better elsewhere, going all the way to No.1 in 1968 in Holland, and reaching the Top 10 in Austria, Belgium and Switzerland, and the Top 20 in Germany.
A continuing chart story
The initial UK activity was enough to kick-start Days Of Future Passed, which showed up on the bestsellers for the first time in late January 1968 and got as high as No.27 in both February and March. The album reappeared from time to time over the next few years, making its last showing in 1973. By then, with the Moodies established as a major album and touring force, “Nights In White Satin” had belatedly become a massive hit, reaching No.2 in Billboard and No.1 in the rival Cash Box countdown.
That transatlantic success, in turn, prompted the first reissue of “Satin” in the UK, where it charted anew and became a much bigger hit second time around. The song spent three weeks in the Top 10 in late 1972 and early 1973, landing at No.9. In 1979, it rose once again, in a new 12-week run that gave it another five weeks in the Top 20 and a No.9 peak.
This historic recording even managed one further chart week in 2010, prompted by a performance of the song by the eventual winner of that year’s X Factor series, Matt Cardle. Those satin sheets that inspired Justin Hayward were made of the most enduring material.
LOL! It Depends because it takes so long to doff armor.
This Southern white boy wondered if those Klansmen's wives kicked their asses for cutting eye holes in the nice sheets.
Prince had a top 10 song that made the list in 3 different decades.
1983. 1999. His death in 2016.
How did that happen?
I liked "MacArthur Park" when it first came out and still do. At the time, Douglas MacArthur was one of my heroes, and he still is. Being a Southern Californian, I also like the fact that the song is about Los Angeles.
The worst song of all time is a tie between Patches by Dickie Lee (1962) and The Universal Soldier by Glen Campbell (1965).
In my opinion, the LP is best appreciated when listened to in its entirety. Each song reflects on a time of day, from morning to night.
Personally, I like our veterans.
How so?
Those English rock bands had some great literary lyrics. “Vestal virgins”.
Me too. Knights - they messed up.
I’m surprised at how many of you hate this beautiful song. The soliloquy at the end is amazing.
“Those English rock bands had some great literary lyrics.”
I’m Henry the Eighth I am…
Henry the Eighth I am I am
BRILLIANT!
The Story In Your Eyes, is my favorite.
And Justin is a fantastic guitar player, never seems to get the credit he deserves, as a player.
Even knowing who Henry VIII is a literary achievement.
It’s “Nights in White Satin’ as in white satin sheets, isn’t it?
I prefer, Knights Who Say “Ni!”
I actually had to look that term up.
Yes, it’s history for sure. I’ve learned a lot from rock music lyrics, good and bad. 😝
I think so. You can never be too sure with the often ambiguous and entendre’d (not to mention obscure, meaningless, or ridiculous) lyrics that rock bands throw into their songs just to get them to rhyme.
Crimson and clover, for example. They’re still debating what that really implies.
Disclaimer: Opinions posted on Free Republic are those of the individual posters and do not necessarily represent the opinion of Free Republic or its management. All materials posted herein are protected by copyright law and the exemption for fair use of copyrighted works.