| Transcript |
| 0:00 | · | the Lost Civilization of outdoor living |
| 0:02 | · | it was the atrans who truly mastered the |
| 0:03 | · | art of blending architecture with the |
| 0:05 | · | natural world as we walk through the |
| 0:07 | · | ruins of their cities today were |
| 0:08 | · | stepping into a world where Outdoor |
| 0:10 | · | Living wasn't a design Trend it was |
| 0:12 | · | essential to how they understood life |
| 0:13 | · | the atrans who lived in what is now |
| 0:15 | · | Tuscany from the 8th to 3rd centuries |
| 0:17 | · | bcee created spaces where nature wasn't |
| 0:20 | · | separate from daily life their homes and |
| 0:22 | · | public spaces embraced the outdoors |
| 0:23 | · | integrating Courtyards Gardens and |
| 0:25 | · | Verandas in a way that feels |
| 0:26 | · | surprisingly modern but who were these |
| 0:28 | · | people the at truscan civiliz ation |
| 0:30 | · | which flourished from the 88th century |
| 0:31 | · | B.C until its gradual absorption by Rome |
| 0:34 | · | in the 3rd Century B.C.E stands out for |
| 0:36 | · | its innovative contributions to |
| 0:37 | · | architecture urban planning and Outdoor |
| 0:39 | · | Living their Mastery in creating |
| 0:41 | · | harmonious environments that Blended |
| 0:42 | · | nature with daily life set them apart |
| 0:44 | · | from their contemporaries from the |
| 0:46 | · | expansive Courtyards and open air |
| 0:47 | · | atriums in their homes to their highly |
| 0:49 | · | organized cities that integrated |
| 0:50 | · | Agriculture and green spaces the atrans |
| 0:53 | · | established a model of living that would |
| 0:54 | · | influence the Mediterranean world for |
| 0:56 | · | centuries their practices didn't just |
| 0:58 | · | shape Landscapes they defined a way of |
| 0:59 | · | life that still resonates in the Tuscan |
| 1:01 | · | architecture we admire today the atrans |
| 1:03 | · | have long been overshadowed by their |
| 1:05 | · | Roman successes yet their civilization |
| 1:07 | · | was among the most advanced of their |
| 1:08 | · | time predating Rome by centuries and |
| 1:10 | · | influencing it in ways most don't |
| 1:11 | · | realize by the time Rome was built the |
| 1:13 | · | atrans had already established Advanced |
| 1:15 | · | engineering religious rituals and City |
| 1:16 | · | Planning so why do so few people know |
| 1:19 | · | about this enigmatic |
| 1:21 | · | civilization let's Dive Into the Heart |
| 1:23 | · | of ruscan society their homes and cities |
| 1:25 | · | which were intricately tied to Nature |
| 1:27 | · | ruscan settlements were built on |
| 1:29 | · | hilltops designed to harmonize with the |
| 1:30 | · | surrounding Landscapes often overlooking |
| 1:32 | · | valleys and rivers this strategic |
| 1:34 | · | positioning not only offered protection |
| 1:36 | · | but also connected them spiritually to |
| 1:38 | · | the land their reverence for the natural |
| 1:40 | · | world influenced everything from their |
| 1:42 | · | burial practices to the layout of their |
| 1:43 | · | cities the atrans believed that Open |
| 1:45 | · | Spaces weren't just for aesthetic |
| 1:46 | · | pleasure they were vital for Community |
| 1:48 | · | Living this is where the concept of |
| 1:50 | · | outdoor living was born Courtyards were |
| 1:51 | · | a centerpiece of their homes with rooms |
| 1:53 | · | facing inward allowing residents to |
| 1:55 | · | gather socialize and connect with nature |
| 1:57 | · | these spaces also held religious |
| 1:58 | · | significance shrines and alars in |
| 2:00 | · | Courtyards were common reinforcing their |
| 2:02 | · | connection between home community and |
| 2:04 | · | the Divine the at truscan cities |
| 2:05 | · | particularly in Tuscany were divided |
| 2:06 | · | into sacred public and private spaces |
| 2:08 | · | with open air Courtyards used not just |
| 2:10 | · | for leisure but also for political and |
| 2:12 | · | religious gatherings nature wasn't just |
| 2:14 | · | a backdrop it was a participant in daily |
| 2:16 | · | life if you walk through the Tuscan |
| 2:18 | · | Countryside today you might think you're |
| 2:19 | · | simply admiring modern Mediterranean |
| 2:21 | · | architecture but what you're really |
| 2:23 | · | seeing is a living testate to ruscan |
| 2:24 | · | Ingenuity the atrans pioneered a |
| 2:26 | · | philosophy of building that balanced |
| 2:27 | · | human activity with nature and these |
| 2:29 | · | elements to Define Tuscan and |
| 2:31 | · | Mediterranean architecture today their |
| 2:33 | · | use of natural materials like stone wood |
| 2:35 | · | and terracotta was not just about |
| 2:37 | · | availability but about creating harmony |
| 2:39 | · | with the Earth these materials were left |
| 2:40 | · | mostly untreated allowing the homes to |
| 2:42 | · | age naturally blending into the |
| 2:43 | · | Landscapes the idea of sustainability |
| 2:45 | · | which we prize so highly today was |
| 2:46 | · | ingrained in ruscan building practices |
| 2:48 | · | over 2,500 years ago their Mastery of |
| 2:50 | · | Hydraulic Engineering also cannot be |
| 2:52 | · | understated the atrans were among the |
| 2:54 | · | first to create complex Drainage Systems |
| 2:56 | · | essential for both urban planning and |
| 2:57 | · | agriculture these Innovations in Water |
| 3:00 | · | Management allowed them to cultivate |
| 3:02 | · | Lush Gardens and ensure that water |
| 3:03 | · | flowed easily through their cities a |
| 3:05 | · | practice later adopted and expanded by |
| 3:06 | · | the Romans what most people don't know |
| 3:08 | · | is that the atrans had a deep |
| 3:10 | · | understanding of geology which informed |
| 3:11 | · | their choice of building materials they |
| 3:13 | · | specifically chose tough a volcanic |
| 3:15 | · | Stone because of its durability and |
| 3:16 | · | insulating properties even the Romans |
| 3:19 | · | adopted this practice using tough to |
| 3:20 | · | construct the caka Maxima Rome's first |
| 3:23 | · | great sewer system their temples were |
| 3:24 | · | particularly Innovative unlike the |
| 3:26 | · | Greeks who focused on Symmetry and |
| 3:28 | · | proportion at truscan temples were |
| 3:29 | · | characterized by their massive roofs |
| 3:31 | · | that extended far beyond the walls |
| 3:33 | · | creating covered porches that blurred |
| 3:34 | · | the line between interior and exterior |
| 3:36 | · | this architectural style which |
| 3:38 | · | emphasizes large Open Spaces has |
| 3:40 | · | directly influenced the Tuscan Villas we |
| 3:41 | · | admire today with their sweeping |
| 3:43 | · | Terraces and Broad overhangs designed to |
| 3:45 | · | provide shade and shelter in outdoor |
| 3:46 | · | living areas no the atrans didn't build |
| 3:49 | · | Rome Brick by Brick but their influence |
| 3:51 | · | is woven into the very foundations of |
| 3:53 | · | the city long before the Roman Republic |
| 3:55 | · | emerged ruscan Kings ruled Rome shaping |
| 3:58 | · | its early infrastructure and architect |
| 3:59 | · | Cal identity from drainage systems to |
| 4:01 | · | Temples the early Romans adopted key at |
| 4:03 | · | truscan methods that would later define |
| 4:05 | · | Roman Grandeur in fact Rome's |
| 4:06 | · | transformation from a small settlement |
| 4:08 | · | to a burgeoning citystate owed much to |
| 4:10 | · | the advanced urban planning and |
| 4:12 | · | Architectural expertise of the atrans |
| 4:14 | · | one of the most iconic symbols of Roman |
| 4:15 | · | architecture the arch was actually an at |
| 4:18 | · | truscan invention the atrans perfected |
| 4:20 | · | the use of the arch in their own City |
| 4:21 | · | walls and gateways creating stable |
| 4:23 | · | impressive structures that would later |
| 4:24 | · | Inspire the Roman aqueducts and |
| 4:26 | · | amphitheaters without this Innovation |
| 4:28 | · | Roman engineering Brilliance would not |
| 4:29 | · | not have reached the Monumental Heights |
| 4:31 | · | we associate with structures like the |
| 4:32 | · | Coliseum or the triumphal arches |
| 4:34 | · | scattered throughout the Empire temples |
| 4:35 | · | and religious architecture the at |
| 4:38 | · | truscan influence wasn't just about |
| 4:39 | · | infrastructure it was deeply spiritual |
| 4:41 | · | at truscan temples were architectural |
| 4:42 | · | masterpieces and their design was |
| 4:44 | · | directly imported into early Roman |
| 4:45 | · | religious architecture Podium temples |
| 4:47 | · | one of the key features the Romans |
| 4:48 | · | borrowed was the use of raised stone |
| 4:50 | · | podio at truscan temples were built on |
| 4:52 | · | these platforms elevating them both |
| 4:53 | · | physically and symbolically above the |
| 4:55 | · | surrounding landscape the Temple of |
| 4:56 | · | Jupiter Optimus Maximus on the Capital |
| 4:59 | · | Hill was mod after this at truscan |
| 5:00 | · | Innovation wooden columns while later |
| 5:02 | · | Roman architecture is known for its |
| 5:03 | · | marble and stone columns early Roman |
| 5:05 | · | temples featured wooden columns with |
| 5:06 | · | stone bases a direct at truscan import |
| 5:08 | · | known as Tuscan columns these columns |
| 5:10 | · | became a Hallmark of both at truscan and |
| 5:12 | · | early Roman architectural style |
| 5:13 | · | terracotta decorations the atrans were |
| 5:15 | · | known for their extravagant use of Terra |
| 5:17 | · | Cotta in Temple decoration life-sized |
| 5:19 | · | statues of gods often adorned the |
| 5:20 | · | rooftops adding a dramatic flare early |
| 5:22 | · | Roman temples embraced this ornate |
| 5:24 | · | colorful style before evolving into the |
| 5:25 | · | more AER marble designs we associate |
| 5:27 | · | with Roman architecture today domestic |
| 5:29 | · | architecture one of the most significant |
| 5:31 | · | contributions of ruscan design to Roman |
| 5:33 | · | Life was in domestic architecture The |
| 5:34 | · | Atrium house a staple of Roman |
| 5:36 | · | residential life can be traced back to |
| 5:37 | · | at truscan homes Atrium houses the |
| 5:40 | · | atrans designed their homes around a |
| 5:41 | · | central open courtyard which allowed air |
| 5:43 | · | and light to circulate creating a |
| 5:45 | · | harmonious living environment the Romans |
| 5:47 | · | not only adopted this design but honored |
| 5:48 | · | its Origins by calling it The Atrium |
| 5:50 | · | tuscum this layout became essential in |
| 5:52 | · | Roman homes where the atrium often |
| 5:54 | · | served as the heart of the household |
| 5:55 | · | City Planning and infrastructure the |
| 5:57 | · | atrans were also Pioneers in urban |
| 5:59 | · | planning their cities such as tarquinia |
| 6:01 | · | and voltera were fortified with massive |
| 6:03 | · | stone walls featuring arched gateways |
| 6:05 | · | these early examples of monumental |
| 6:07 | · | architecture paved the way for the |
| 6:08 | · | triumphal arches and elaborate |
| 6:09 | · | fortifications that would later become |
| 6:11 | · | Roman trademarks arches and City walls |
| 6:14 | · | the Romans took at truscan techniques |
| 6:15 | · | and scaled them up creating grander |
| 6:17 | · | arches for triumphs and public |
| 6:19 | · | celebrations but it was the atrans who |
| 6:21 | · | laid the groundwork with their practical |
| 6:22 | · | yet impressive designs Drainage Systems |
| 6:25 | · | another significant Innovation was in |
| 6:26 | · | urban infrastructure ruscan cities |
| 6:28 | · | featured Rock Cut drain systems which |
| 6:30 | · | were crucial in managing water and |
| 6:31 | · | preventing floods in their Urban centers |
| 6:33 | · | this knowledge directly influenced Roman |
| 6:35 | · | Engineers who expanded on these systems |
| 6:37 | · | to create the vast networks of aqueducts |
| 6:38 | · | and sewers that sustained the growing |
| 6:40 | · | Roman population tombs and funerary |
| 6:42 | · | architecture even in death the atrans |
| 6:44 | · | left an indelible mark on Roman culture |
| 6:46 | · | at truscan tombs evolved from simple |
| 6:47 | · | tumul Earth and mounds into elaborate |
| 6:50 | · | Rock Cut tombs designed to mimic the |
| 6:51 | · | homes of the living tumul and Rock Cut |
| 6:53 | · | tombs these tombs such as those found in |
| 6:55 | · | the UNESCO sites of ceria and tunia were |
| 6:57 | · | designed as underground homes for the |
| 6:59 | · | Dead complete with furnishings and |
| 7:00 | · | elaborate Fresco depicting the afterlife |
| 7:02 | · | this style of Tomb building influenced |
| 7:03 | · | Roman funerary architecture where the |
| 7:05 | · | dead were often inomed in colum Baria |
| 7:07 | · | multi-level structures that hous the |
| 7:08 | · | remains of numerous individuals the at |
| 7:10 | · | truscan approach to death where tombs |
| 7:12 | · | mirrored the architecture of daily life |
| 7:14 | · | resonated with the Romans who embraced |
| 7:16 | · | this concept of immortality through |
| 7:17 | · | architecture their elaborate tombs |
| 7:19 | · | became symbols of power Legacy and the |
| 7:22 | · | Eternal connection between life and |
| 7:23 | · | death at truscan Kings ruled Rome in its |
| 7:26 | · | formative years and the cultural |
| 7:28 | · | exchange between the two civil izations |
| 7:30 | · | was profound Rome inherited much of its |
| 7:32 | · | religious practices governance and even |
| 7:34 | · | its alphabet from the atrans proving |
| 7:36 | · | that before there was Roman culture |
| 7:37 | · | there was atrasan culture the atrasan |
| 7:39 | · | political system was a complex |
| 7:41 | · | Federation of city-states each ruled by |
| 7:42 | · | a king or lumo these leaders weren't |
| 7:44 | · | just military generals they were also |
| 7:46 | · | religious and Civic leaders who governed |
| 7:48 | · | by the Divine will While most ancient |
| 7:50 | · | civilizations centralized their power |
| 7:52 | · | the atrans ruled through a loose |
| 7:54 | · | Confederation a stark contrast to the |
| 7:56 | · | Imperial expansionism of Rome this |
| 7:58 | · | system allowed each City to develop its |
| 7:59 | · | character and we can still see the |
| 8:01 | · | unique identity of at truscan cities |
| 8:02 | · | like tarquinia voltera and ceter in the |
| 8:05 | · | remnants of their walls and tombs each |
| 8:07 | · | City had its sacred sites with temples |
| 8:09 | · | and altars designed to honor specific |
| 8:11 | · | Gods the towns were well fortified and |
| 8:13 | · | often built on elevated positions the |
| 8:15 | · | atrans believed that Higher Ground |
| 8:17 | · | brought them closer to the |
| 8:18 | · | gods today our understanding of the |
| 8:21 | · | atrans is being constantly Rewritten |
| 8:22 | · | thanks to ongoing archaeological |
| 8:24 | · | discoveries in vetulonia archaeologists |
| 8:26 | · | have Unearthed an extraordinary at |
| 8:27 | · | truscan Villa complete with intricate |
| 8:29 | · | MOS ex Courtyards and ornate fountains |
| 8:31 | · | this find offers a rare glimpse into the |
| 8:33 | · | domestic life of the atrans showing |
| 8:34 | · | their commitment to Beauty function and |
| 8:36 | · | Harmony in Living Spaces the UNESCO |
| 8:38 | · | recognized necropolises at tarquinia and |
| 8:40 | · | ceri are another key to unlocking the |
| 8:42 | · | mysteries of this Lost Civilization |
| 8:44 | · | these tombs are more than just burial |
| 8:46 | · | sites they are monuments to atrasan |
| 8:48 | · | culture with elaborate frescos and |
| 8:49 | · | carvings that depict the daily life |
| 8:51 | · | religious beliefs and afterlife |
| 8:52 | · | expectations of the atrans these |
| 8:55 | · | necropolises were constructed to mirror |
| 8:56 | · | the layout of the living cities complete |
| 8:58 | · | with streets houses and public spaces |
| 9:00 | · | for the dead the tombs themselves were |
| 9:01 | · | often modeled after the homes of the |
| 9:03 | · | deceased with Fresco and carvings |
| 9:04 | · | depicting scenes from daily life |
| 9:06 | · | including feasts dances and religious |
| 9:08 | · | rituals emphasizing that life in the |
| 9:10 | · | afterward was a continuation of the joys |
| 9:12 | · | and responsibilities of the Earthly one |
| 9:13 | · | walking through these tombs is like |
| 9:15 | · | stepping into a time capsule offering a |
| 9:17 | · | direct window into their world the |
| 9:19 | · | atrans believed that death was a |
| 9:20 | · | continuation of life which is why their |
| 9:22 | · | tombs were designed to resemble their |
| 9:23 | · | homes the design of these tombs which |
| 9:26 | · | sometimes included multiple Chambers and |
| 9:28 | · | were elaborately furnished with Goods |
| 9:29 | · | for the deceased demonstrated the at |
| 9:31 | · | truscan belief that the dead would need |
| 9:33 | · | these items in their next life this |
| 9:35 | · | concept would heavily influence Roman |
| 9:37 | · | funeral practices but the scale and |
| 9:39 | · | detail of ruscan necropolises reflect a |
| 9:41 | · | society deeply concerned with the |
| 9:42 | · | Journey of the soul and the need to |
| 9:44 | · | honor the Dead with the same care and |
| 9:46 | · | Grandeur they experienced in life this |
| 9:48 | · | conception is strikingly similar to the |
| 9:49 | · | Egyptian concept of burial for the |
| 9:51 | · | afterlife showing just how connected |
| 9:53 | · | ancient cultures could be despite the |
| 9:55 | · | distance between them the atrans were a |
| 9:57 | · | deeply spiritual people with a Anon of |
| 9:59 | · | gods and a belief in fate that was woven |
| 10:01 | · | into the very fabric of their society |
| 10:04 | · | many of the myths and legends are |
| 10:05 | · | associate with later Romans the atrasan |
| 10:07 | · | goddess uni would become the Roman Juno |
| 10:09 | · | and the myth of anas who founded the |
| 10:11 | · | Roman people likely has atran Origins |
| 10:14 | · | their mythological figures like Tina the |
| 10:16 | · | sky God and king of their Pantheon were |
| 10:18 | · | Central to their religious practices and |
| 10:20 | · | the art found in their tombs reflects a |
| 10:21 | · | rich tradition of Storytelling that |
| 10:23 | · | still influences modern Italian folklore |
| 10:25 | · | today before we wrap up let's dive into |
| 10:27 | · | some frequently asked questions about |
| 10:29 | · | about the atrans did the atrans really |
| 10:31 | · | invent the gladiatorial games the atrans |
| 10:34 | · | did host combat as part of funeral |
| 10:35 | · | rituals but these weren't entertainment |
| 10:37 | · | events they were religious in nature |
| 10:39 | · | meant to honor the Dead the Romans later |
| 10:41 | · | transformed this into the public |
| 10:42 | · | spectacles we associate with Gladiators |
| 10:44 | · | why do we know so little about the |
| 10:46 | · | atrasan language and inscriptions people |
| 10:49 | · | often think that because the atrans |
| 10:50 | · | lived in such close proximity to Rome |
| 10:52 | · | and Greece their language must be well |
| 10:53 | · | understood much like Latin or Greek the |
| 10:55 | · | atrasan language is one of the biggest |
| 10:56 | · | mysteries in ancient Mediterranean |
| 10:58 | · | studies unlike Latin or Greek at truscan |
| 11:00 | · | belongs to a non-indo-european language |
| 11:02 | · | family making it difficult to decipher |
| 11:04 | · | using traditional linguistic methods |
| 11:06 | · | while we have thousands of inscriptions |
| 11:07 | · | most a short ferary or religious texts |
| 11:09 | · | which provide little grammatical or |
| 11:11 | · | syntactical context Additionally the |
| 11:13 | · | atrans did not develop an extensive body |
| 11:15 | · | of literature like the Greeks or Romans |
| 11:17 | · | and much of what they wrote was on |
| 11:18 | · | perishable materials such as linen and |
| 11:20 | · | wax tablets which haven't survived the |
| 11:21 | · | centuries the liba linos a linen book |
| 11:24 | · | that was repurposed as mummy rappings in |
| 11:26 | · | Egypt Remains the longest truscan text |
| 11:27 | · | we have today but even it offers Limited |
| 11:29 | · | information this linguistic isolation |
| 11:31 | · | means that although their alphabet was |
| 11:33 | · | derived from Greek the meanings of most |
| 11:34 | · | words are still uncertain as a result |
| 11:36 | · | much of it truscan culture remains |
| 11:38 | · | enigmatic what was the role of women in |
| 11:39 | · | at truscan society and how did this |
| 11:41 | · | affect their architecture many assume |
| 11:43 | · | that like in most ancient civilizations |
| 11:45 | · | women in atrasan society had limited |
| 11:47 | · | social roles atrasan women enjoyed a |
| 11:50 | · | higher status and more freedom than |
| 11:51 | · | their contemporaries in Greek and Roman |
| 11:53 | · | societies this cultural distinction is |
| 11:55 | · | reflected in at truscan art and |
| 11:56 | · | architecture women appear prominently in |
| 11:58 | · | ferary sculptures and Fresco often |
| 12:00 | · | depicted dining with men participating |
| 12:01 | · | in religious rituals or involved in |
| 12:03 | · | public life activities that were off |
| 12:05 | · | limits to women in most other ancient |
| 12:06 | · | cultures the equal prominence of men and |
| 12:08 | · | women in at truscan households may have |
| 12:10 | · | influenced the design of homes as |
| 12:11 | · | communal spaces where women were not |
| 12:12 | · | confined to private spheres these |
| 12:14 | · | societal Norms also extended to the |
| 12:16 | · | construction of tombs where husbands and |
| 12:17 | · | wives were often depicted side by side |
| 12:19 | · | in Tomb paintings this equality likely |
| 12:21 | · | influenced the design of public spaces |
| 12:23 | · | and homes where the distinction between |
| 12:25 | · | male and female areas was less rigid |
| 12:27 | · | than in Roman or Greek architecture were |
| 12:29 | · | the atrans influenced by Greek |
| 12:30 | · | architecture or was it the other way |
| 12:32 | · | around many believe that Greek |
| 12:34 | · | architecture directly influenced the |
| 12:35 | · | atrans due to Greece's historical |
| 12:37 | · | Prestige and dominance in the ancient |
| 12:39 | · | world while there was definitely |
| 12:41 | · | cultural exchange between the atrans and |
| 12:43 | · | the Greeks especially through trade it's |
| 12:44 | · | a misconception that truscan |
| 12:46 | · | architecture was simply derivative of |
| 12:48 | · | Greek Styles in fact ruscan temples and |
| 12:50 | · | public buildings predate much of Greek |
| 12:52 | · | influence and possess features entirely |
| 12:54 | · | unique to at truscan Society at truscan |
| 12:56 | · | architecture heavily focused on wooden |
| 12:58 | · | superstructure terracotta decorations |
| 13:00 | · | and deep columned porches Elements which |
| 13:02 | · | are rarely seen in Greek architecture |
| 13:03 | · | the atrasan temple layout differs |
| 13:05 | · | greatly from the Greek models while |
| 13:06 | · | Greek temples were typically long and |
| 13:08 | · | narrow the at truscan temples were wide |
| 13:10 | · | and shallow emphasizing the front porch |
| 13:12 | · | prous and relegating the cult statue to |
| 13:14 | · | the back of the temple a feature later |
| 13:16 | · | adopted by the Romans why did atrasan |
| 13:18 | · | architecture incorporate so many |
| 13:20 | · | terracotta decorations some people |
| 13:22 | · | assume the atrans used terra cotta |
| 13:23 | · | simply because it was an affordable or |
| 13:25 | · | easy material to work with terra cotta |
| 13:27 | · | was not just a practical material but an |
| 13:29 | · | artistic and symbolic medium the atrans |
| 13:32 | · | believed in using materials from the |
| 13:33 | · | Earth to reflect their connection to |
| 13:34 | · | Nature and the Divine terracotta's |
| 13:36 | · | flexibility allowed them to create |
| 13:38 | · | life-sized sculptures and intricate |
| 13:39 | · | architectural decorations that wouldn't |
| 13:41 | · | have been possible with stone for |
| 13:43 | · | example the Temple of Apollo at vei |
| 13:44 | · | featured terracotta statues on the roof |
| 13:46 | · | most famously the life-size statue of |
| 13:48 | · | Apollo which showcased the at truscan |
| 13:50 | · | ability to create Monumental expressive |
| 13:52 | · | figures with flowing drapery and dynamic |
| 13:54 | · | poses terracotta's lightweight made it |
| 13:56 | · | ideal for placing on the high roofs of |
| 13:57 | · | temples which was typical in at truscan |
| 13:59 | · | architecture but not common in Greek or |
| 14:01 | · | Roman temples the atrans May Be A Lost |
| 14:03 | · | Civilization but their influence is |
| 14:05 | · | alive in the architecture myths and |
| 14:07 | · | daily life of Tuscany today so what can |
| 14:09 | · | we learn from their way of life is there |
| 14:11 | · | balance with nature something we should |
| 14:13 | · | bring back let me know in the comments |
| 14:14 | · | below and don't forget to subscribe to |
| 14:16 | · | mythomaniac Legends alive where we |
| 14:17 | · | unravel the mysteries of ancient |
| 14:19 | · | civilizations and keep the stories of |
| 14:20 | · | the past alive |
