The first thing that has to be understood about The Americanization of Emily, the 1964 black comedy written by Paddy Chayefsky and directed by Arthur Hiller, is that nearly everyone involved in making it was a veteran. It certainly explains motivation – and not just Chayefsky's compulsive urge to attack establishment tropes – but also the film's failure at the box office, a blow that would sour Chayefsky on Hollywood (and vice versa) for the rest of the decade, until he made his comeback with The Hospital in 1971. Chayefsky had been wounded in Germany, and Hiller had been a...
