Posted on 08/29/2020 11:45:10 AM PDT by Kaslin
Dismissed by some critics as a needless origin story, HBO's 'Perry Mason' reboot is exactly the type of high-minded storytelling we need today.
This article contains spoilers.
The man from the country has not expected such difficulties: the law should always be accessible for everyone, he thinks, but as he now looks more closely at the gatekeeper in his fur coat, his large pointed nose and his long, thin, black Tartars beard, he decides that it would be better to wait until he gets permission to go inside.
Franz Kafka, Before The Law
Franz Kafka hated the draconian bureaucracies of the state that he saw beginning to take shape in the early 20th century. To him, they were ugly apparatuses of injustice that eventually spread across Europe after his death, culminating with the oppressive and murderous reigns of the Nazi Party and the Soviet Union.
In HBOs new series, Perry Mason sees the titular private detective (played by Matthew Rhys) work out his contempt for the corrupted institutions of law enforcement and the bureaucratic judicial system in 1930s Los Angeles. At the top of Masons list of loathing are those who live within its rotting framework and do nothing to remedy it.
God left me in France, he tells Sister Alice McKeegan (Tatiana Maslany), the evangelist who will later become his spiritual nemesis. The horror of the war to end all wars has left a deep-seated cynicism within Perry and much of the world at large, paralyzing chances for individuals to reach their full potential and construct a meaningful existence. They are, as Gertrude Stein once supposedly told Ernest Hemingway, the Lost Generation.
In The Trial, Kafka writes about an alienated protagonists legal battle against a corrupt establishment of injustice while exploring a more abstract judgment of guilt within himself, one that is both existential and metaphysical. Perry Mason is similarly interested in this narrative duality. On the surface, its the story of a man investigating the kidnapping and murder of an infant named Charlie Dodson, whose mother Emily Dodson (Gayle Rankin) becomes the prime suspect.
As he comes to believe her innocence, the elasticity of the legal system is tested. But perhaps more importantly for Mason is the inner trial, one with even higher stakes: the battle for his soul.
The Clown Carries You is the password the gate guard requires from Mason every time he drives into his paternal farmland. Its an apt metaphor for the hard-boiled man we meet in the first episode. Discharged from military service because he mercifully executed some of his wounded, deformed men who lay helpless on the battlefield as mustard gas rolled in to painfully finish them off, Mason carries that dark day in France with him into Los Angeles.
Hes divorced, disheveled, and a drinker who doesnt see his kid enough. While he manages to scrape by on lowly surveillance jobs beneath his intellectual and moral capabilities, slowly, but surely, something in Mason is dying. Mason finds himself at odds with all the people in his life who should matter, from his ex-wife and son he cant financially support, to his partner, Pete Strickland (Shea Whigham), who he cant pay for the gumshoe work they do.
While he no longer even believes in himself, the only two people in his life who seem to have any faith left in him are Elias Birchard E.B. Jonathan (John Lithgow) a father-figure defense lawyer who enlists the private eye to investigate the Dodson case and Della Street (Juliet Rylance), E.B.s intelligent and empathetic secretary who knows that Mason is more than the slobbish nihilist he appears to be.
Early in the series, Della watches Mason defend himself in court from an inept defense lawyer and prying district attorney, questioning Masons involvement in a domestic disturbance regarding outside pressure to rob him of his familys farm. Della sees in Mason what he cant yet for himself: a fastidious mind for the intricacies of the law and a genuine passion for righteousness.
At the end of the first chapter, Mason is nearing rock-bottom depressed, drunk, and alone on New Years Eve. But standing over the initial evidence of the Dodson murder on his living room floor, Mason pulls it together and begins to work the case. Ultimately, hes a man with a purpose bigger than himself, reconnecting with something that has been lost.
One of the more interesting ways Perry Mason subverts the traditional film noir tale is its use of the femme fatale. Sister Alices provocative purpose in this story isnt to lead our protagonist into crime or nihilistic oblivion like so many classic noir fatales have before. Instead, from the moment she and Mason cross paths, they engage in a subtle game of cat and mouse in which a woman of faith challenges a man of doubt.
When Sister Alice tells Emily Dodson that she can raise baby Charlie from the dead, it isnt only the grieving mother whose faith is being requested. Viewers will inevitably begin to spin theories of how this resurrection could be carried out plot-wise. In the final analysis, Perry Mason is a show that wants both its character and its audience to believe there is light beyond the darkness.
Despite the uplifting themes of Perry Mason the ending of season one revealed that Perrys transformation isnt complete and wont come easily. The series seems very much interested in wrestling with the complex nature of truth, justice, and the law that arbitrates the two.
DELLA: Its very easy for you to break the rules, isnt it?
PERRY: Well, the way I see it, theres whats legal and
theres whats right.
In the season finale, Mason delivers a powerful closing argument to the jury about the need for society to accept the rule of law and the necessity of a judicial system that advocates innocence until proven guilty. Its a stirring message to chew on today in our riot-filled, FISA court-abusing, cancel-culture society, where so many people decide to take justice into their own hands or let their emotions feed into the need for vengeance and public executions. Mason intones:
Written above Judge Wright here are the commandments of this court. ‘Find truth, seek justice,’ in that order because you cannot seek justice without first knowing the truth. And if the truth is hidden or obscured by distraction or lies, youll never find justice, youll never achieve justice, and therefore youll never fix what happened to Charlie Dodson. I stood in that morgue on New Years Eve and I wanted blood. But I stand here today for the law, and the law tells me I have to be better than that. We all have to be better than that.
Yet does Mason even believe his own words? When we learn that one of the jurors was paid off by Perry and Pete to try and find Emily not guilty, it shakes Stricklands faith in their old partnership of bending the law for quick cash. Like Della, Pete believes in Perry even if Perry cant.
In the same way Los Angeles Police Department officer Paul Drake (Chris Chalk) turns his back on the corrupt cops in his department, Mason becomes a salvific figure inspiring those around him to be righteous.
You want to know things, Mr. Mason, you want to prove things. But what comfort has that ever given you? What peace? Sister Alices last challenge to Perry raises epistemological questions that highlight the greater conflict hes been wrestling within himself and will likely continue into season two.
In the very last scene, as Mason stands on a bluff overlooking the Pacific Ocean he blows the useless piece of thread hes been carrying around into the wind. What is the value of knowing the truth if justice becomes threatened?
Mason will still have to find a way to navigate the discord between whats legal and whats right. Its unclear whether he has a newfound belief in any sort of spiritual god or religious worldview. But he has found an authentic place of meaning where he can work these conflicts out: the courtroom.
Perry Mason should bring comfort to todays lost generation who desire to live in a society where men and women can let go of their past traumas and reinvent themselves into better people with a higher purpose. It reminds us that law, order, and justice are ideals still mean something for those willing to fight for them.
Perry Mason is a lawyer. Paul Drake is the private detective he hires.
Since this author does not know this is there any reason to read further?
This is the origin story of how Perry Mason became a lawyer.
Perry Mason was based on the novels by Earl Stanley Gardner.
It must be exhilarating to know everything without knowing anything.
It’s an origin story, and I really enjoyed watching it. Mason is a WWI vet who is working as a PI for another lawyer. Drake is a black cop in the LAPD.
By the end, the lawyer Mason was working for is deceased, Mason has become a lawyer himself in partnership with Della, and Drake quits being a cop to work for Perry as a PI.
That’s where season 2 will start.
I used to watch the old Perry Mason series,but I don’t use HBO , so I don’t watch it. I used to read the novels by Earl Stanley Garner,
It’s a series worthy of watching.
No. It isn't.
It is the usual "Take the name and strip out all the rest of the story" junk.
Perry Mason was based on the novels by Earl Stanley Gardner.
Why, yes he was. Good for you. Knowing that.
BTW Perry Mason was in the Navy in World War II. According to the author who actually invented him.
It must be exhilarating to know everything without knowing anything.
I'm the rubber, you are the glue.
From what I heard they put many things in this series that Earl Stanley Gardiner never did. It’s pretty raunchy they said.
You know what? I give a hoot if you want to read any further or not.
Look, it’s OK to put your own spin on characters and change some details, as long as it’s GOOD.
This is a drama with a seedy, Depression-era feel. That’s one reason I like it.
By the end of season one, Perry IS a lawyer, and Della and Drake work for him. How they got there was pretty interesting, IMO.
I used to read the novels.
Earl Stanley Gardner wrote over 80 Perry Mason novels. This backstory is not from him.
-—Earl Stanley Gardner wrote over 80 Perry Mason novels. This backstory is not from him.-—
Correct. It’s definitely different, but well-made and interesting. Definitely R-rated though.
Erle Stanley Gardner must be spinning in his grave.
That doesn’t surprise me and to me it’s a reason not to watch it, even if I had HBO.
Sounds about right for HBO to throw porn into everything. The network is a cesspool.
He sure must be.
Disclaimer: Opinions posted on Free Republic are those of the individual posters and do not necessarily represent the opinion of Free Republic or its management. All materials posted herein are protected by copyright law and the exemption for fair use of copyrighted works.