FReeper Canteen - Tunes For Our Troops - 7 May 2016

Happy Mothers Day!!! | Canteen DJ's

[AZamericonnie]

Happy Mother's Day
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*****

Warning: Not all the music you hear below will be appropriate for children! Please click with caution. Thank you!

Tunes For The Troops
 

 


This music is provided for the entertainment of our Troops, Veterans, Allies & their families!

Enjoy the variety of musical selections that the Canteen Deejays provide throughout the thread. Please ping any DJ with your requests for the Troops!


All music is removed on Monday.
Thanks to all the DeeJay's for their time & effort providing entertainment for the Troops!

*Canteen Mission Statement*

Showing support and boosting the morale of
our military and our allies military
and the family members of the above.
Honoring those who have served before.

 

 

Black Label Society - Mother Mary	Black Rebel Motorcycle Club - Mama Taught Me Better
Blondie - Mother	Bob Dylan - Shake Shake Mama
Buddy Guy - My Mama loved me	Camel - Mother Road
Canned Heat - That's Alright Mama	Carolyn Dawn Johnson - Some Mother's Son
Carrie Underwood - Mama's Song	Charlie Daniels Band - God Bless The Mother
Chromeo - Momma's Boy	Chuck Prophet - What Can A Mother Do
Dane Cook - Mom & Pops	Danzig - Mother
Delbert McClinton - Mama's Little Baby	ZZ Top - Hi Fi Mama
Dr. Hook - Sylvia's Mother	Edwin McCain - Letter to My Mother
Europe - a mothers son	Everclear - Volvo Driving Soccer Mom
Garth Brooks - Mom	Metallica - Mama Said
Godsmack - Mama	Heart - Mother Earth Blues
Il Divo - Mama	Intruders - I'll Always Love My Mama (Part II)
Jason Matthews - That's What Mamas Do	Jethro Tull - We Used To Know, For A Thousand Mothers

[luvie]

BY THE NUMBERS....

Julio Iglesias~99 Miles From LA

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[luvie]

I love that you always know the trivia! I did NOT know that...and I even watched the movie. LOL!

[luvie]

BY THE NUMBERS....

Keith~98.6

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[Publius]

A STRING QUARTET + 1

SCHUBERT: QUINTET IN C, D. 956, ALLEGRETTO

The rondo finale sounds like a German folk dance, but the demons are there just beneath the surface. The opening struggles through several minor keys before settling triumphantly into C Major. The harmonizing chords come from the opening chord of the first movement, providing unity to the piece.

The battle between darkness and light that has been going on throughout the quintet erupts in the coda at 7:47 when the piece suddenly turns dark, and the demons come out of the ground. The battle goes all the way to final bar, where Schubert pulls off his masterstroke, a grinding Neapolitan grace note for the last chord. It always reminds me of the last scene of “Carrie” where Cissy Spacek’s hand comes out of the grave. Light has won. Or has it?

Schubert: Quintet in C, D. 956, fourth movement

[luvie]

BY THE NUMBERS....

Larry Gatlin & The Gatlin Brothers~Houston [Means I'm ONE Day Closer To You]

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[luvie]

BY THE NUMBERS....

Lefty Frizzell~I Love You A THOUSAND Ways

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[luvie]

Can I?

[luvie]

Can I?

[luvie]

Can I?

[luvie]

Can I?

[Publius]

A STRING QUARTET + 1

BRAHMS: QUINTET IN G, OP. 111, ALLEGRO NON TROPPO MA CON BRIO

This is late Brahms, the composer with the beard and the expensive Cuban stogies. This was supposed to be Brahms’ valedictory piece. He had turned 55, made his money, and wanted to kick back and relax. And that’s what he until he met the clarinettist Richard Mühlfeld five years later. But that’s another story.

Brahms wrote a lot of string quartets, but only published three. He was aware that Beethoven had set the standard, and he didn’t want to compete with the man, even though he had been dead for decades. But quintets and sextets weren’t a problem, and Brahms was happy to write in both forms.

This piece started out as his fifth symphony, but after drafting one movement, Brahms decided to scale it down to a quintet. In the first movement, you can hear that the basic idea is still symphonic. The first subject on cello just takes your breath away. The second subject is wonderfully beautiful. This video observes the exposition repeat, which is great because it’s hard to get enough of those two wonderful tunes.

The development turns dark but is very short. The recap is re-composed, as Brahms preferred. The coda slows it down, appears to resolve quietly, but then Brahms takes your breath away one last time for the final bars.

Brahms: Quintet in G, Op. 111, first movement

[luvie]

BY THE NUMBERS....

Mariah Carey~ONE Sweet Day

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[radu]

Well, I guess you can! LOL!

WOOHOO!

[luvie]

BY THE NUMBERS....

Mary MacGregor~Torn Between TWO Lovers

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[Publius]

In which each lover grabs a leg, and one of them says, “Make a wish!”

[Publius]

A STRING QUARTET + 1

BRAHMS: QUINTET IN G, OP. 111, ADAGIO

This the quiet side of Brahms and a bit contemplative. The passion emerges in the central panel, and at the transition to the opening material, Brahms writes a short passage for gypsy viola. (Writing for gypsy violin would have been too hackneyed for him.) It ends as it began.

Brahms: Quintet in G, Op. 111, second movement

[luvie]

BY THE NUMBERS....

Max Stalling~I-35

*For the TexasCowboy Memorial Shoot peeps
who have traveled up and down that highway!*

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[luvie]

Oy!! LOL!

[luvie]

BY THE NUMBERS....

Memphis Slim~THREE And ONE Boogie

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[Publius]

A STRING QUARTET + 1

BRAHMS: QUINTET IN G, OP. 111, UN POCO ALLEGRETTO

Rather than write a scherzo, Brahms opts for a short intermezzo, and it has a sad, breathless quality. The “trio” sections turns briefly sunny. The first section returns, but Brahms bases the short coda on the central panel.

Brahms: Quintet in G, Op. 111, third movement