The Bush "Guard memos" are forgeries! (Nonpartisan printing expert weighs in)

To be more specific, the author may have overgeneralized on one point, but I think he's correct the TrueType spacing is unique and propriatary. It's the simplist explanation for the failure of all attempts to duplicate the memos by means other then TrueType fonts.

Now that some has explained the kerning issue, I'm going to try matching the memos with Wordpad. I'm not as proficient with photoshop as some, so it will take a while.

What do you want to bet that any typewriter fonts exactly match the spacing of TrueType?

The odds that anyone would have produced produced a font, in any form, before 1972 that would just so happen to match the metrics of a font produced over a decade later are basically nil. But fonts certainly could (and did) exist wherein one character could overhang or intersect the next.

Clearly the documents are fake. Any reasonable person who examines the evidence would reach the same conclusion. But that doesn't mean the claim about overhangs being impossible is right. Indeed, if there was an italic version of the Executive produced, I would be very surprised if none of its characters featured overhangs.

To be more specific, the author may have overgeneralized on one point, but I think he's correct the TrueType spacing is unique and propriatary.

It would have been possible, using 1972 technology, for someone to produce a document which would "look like" the forged documents. It would certainly have been more bother than would be reasonable for a memo-to-file, but it could be done.

What could not be done would be to produce a document which is so nearly a pixel-perfect to one produced with default settings on a system that didn't exist yet.

To claim that the former couldn't be done is to jeopardize one's argument. The smoking gun is the perfect match to the Word document.

Because of that gigantic IUD she's wearing.

bump.

Other threads have mentioned using Photoshop to "age" the forgeries. Maybe they pasted in an authentic signature.

You don't even have to get that fancy. Just print your forged document, literally paste on (i.e., with glue) a signature snipped from a real signed document (or a photocopy of one), then photocopy your glued "frankenstein" version. Voila, a copy with an "authentic" signature.

This is why signature analysis must be done on *originals*, not on *copies*. CBS only has *copies*, so their "handwriting expert's" opinion is worth absolutely nothing.

Ping. This is a definitive article demonstrating the forgery, written by Joseph Newcomer, a desktop publishing pioneer and an expert in computer fonts.

Here's the link again:

http://www.flounder.com/bush.htm

Very interesting. I have hopes that CBS and 60 minutes are called to task for this but, of course, it seems highly unlikely that anyone in the liberal media will ever have to pay for their crimes.

I almost forgot: more evidence for ID.

Yes, it would be possible to type set an exact copy of a Word document, but not before that document existed.

In other words, Rather is a lying son of a btch.

Is there someone who can help this poor guy with bandwidth?

Even his main site is down now. His e-mail is

newcomer@flounder.com

Do NOT add to his burden buy inundating his e-mail with praise!

If you can give him a site with bandwidth and an FTP address for him to use to upload the critique, maybe we can help this guy.

Perhaps you should put "BANDWIDTH HERE!!!!" in the subject line. His e-mail is probably full.

Here is the text from the critique. I grabbed it from my cache. It does not have any graphics. ================================================================================================== The Bush "Guard memos" are forgeries! Home Resume First off, before I start getting a lot of the wrong kind of mail: I am not a fan of George Bush. But I am even less a fan of attempts to commit fraud, and particularly by a complete and utter failure of those we entrust to ensure that if the news is at least accurate. I know it is asking far too much to expect the news to be unbiased. But the people involved should not actually lie to us, or promulgate lies created by hoaxers, through their own incompetence. There has been a lot of activity on the Internet recently concerning the forged CBS documents. I do not even dignify this statement with the traditional weasel-word “alleged”, because it takes approximately 30 seconds for anyone who is knowledgeable in the history of electronic document production to recognize this whole collection is certainly a forgery, and approximately five minutes to prove to anyone technically competent that the documents are a forgery. I was able to replicate two of the documents within a few minutes. At time I a writing this, CBS is stonewalling. They were hoaxed, pure and simple. CBS failed to exercise anything even approximately like due diligence. I am not sure what sort of "expert" they called in to authenticate the document, but anything I say about his qualifications to judge digital typography is likely to be considered libelous (no matter how true they are) and I would not say them in print in a public forum. I am one of the pioneers of electronic typesetting. I was doing work with computer typesetting technology in 1972 (it actually started in late 1969), and I personally created one of the earliest typesetting programs for what later became laser printers, but in 1970 when this work was first done, lasers were not part of the electronic printer technology (my way of expressing this is “I was working with laser printers before they had lasers”, which is only a mild stretch of the truth). We published a paper about our work (graphics, printer hardware, printer software, and typesetting) in one of the important professional journals of the time (D.R. Reddy, W. Broadley, L.D. Erman, R. Johnsson, J. Newcomer, G. Robertson, and J. Wright, "XCRIBL: A Hardcopy Scan Line Graphics System for Document Generation," Information Processing Letters (1972, pp.246-251)). I have been involved in many aspects of computer typography, including computer music typesetting (1987-1990). I have personally created computer fonts, and helped create programs that created computer fonts. At one time in my life, I was a certified Adobe PostScript developer, and could make laser printers practically stand up and tap dance. I have written about Microsoft Windows font technology in a book I co-authored, and taught courses in it. I therefore assert that I am a qualified expert in computer typography. 187th scanned in from my Word document, original 1200dpi, scanned at 600dpi 187th screen shot from 18-August-1973 memo 111th captured from screen shot of 4-may1972 memo 111th enlarged from CBS justification image The probability that any technology in existence in 1972 would be capable of producing a document that is nearly pixel-compatible with Microsoft’s Times New Roman font and the formatting of Microsoft Word, and that such technology was in casual use at the Texas Air National Guard, is so vanishingly small as to be indistinguishable from zero. If someone had come forward presenting a “lost” painting by Leonardo da Vinci, which used acrylic paints including Cadmium Yellow and Titanium White, art experts would roll of the floor laughing at the clumsiness of the forgery. (Acrylic paints were not known until the 1920s, although some histories date them as late as the late 1940s, and some as late as 1955; Cadmium Yellow was not known until 1840, and Titanium White was not available as an artist's pigment until 1921). Yet somehow a document which could not be created by any of the common office technology of 1972 is touted as “authentic”. “Apologists” that try to claim these documents are authentic have pointed out that there were technologies for doing electronic typesetting, for doing proportional fonts, and even doing something that resembles superscripting. One document cited as proving that a typewriter could do superscripting is a document which is part of the files released by the White House and the Pentagon. I was able to locate this document, which was said to have been used by CBS as "proof" that superscripting was possible. The excerpt shown here is from page 15 of the document. Let's look at some comparisons. Realizing that we are working from several times removed from the "original" document supplied to CBS, it is still worth doing some comparisons. On the left I show several images. The first element, the 187th, is from a document I printed on my printer, at 1200dpi and scanned at 600 dpi. It is obviously enlarged here. Note the "th" is approximately centered on the top line of the "7". The second image is a screen capture from the 18-August-1973 memo. While some details are lost (perhaps CBS could post some hi-res scans as gif files?), note that the "th" is superscripted, and apparently by the same amount; note the "th" is approximately centered on the top line of the "7". Next, we get the 111th image. The image I show is a screen capture from the CBS document which claims to be a memo dated 04-May-1972. Note the "th" is approximately bisected by the top line of the 1. So this seems to also be in the same position as the position Microsoft Word uses. But when we look at the "th" of the image which is apparently used to justify the fact that a typewriter could do a superscript, we find that it is not a superscript, but in fact a character that appears to be simply raised from the nominal baseline by approximately 10%, but does not exceed the top of the line. This proves that there was a typewriter that had a "th" key, but it looks so different from the previous three examples that it is hard to believe that such a typewriter could have created the same memos. Now let's look at the comparison of the two 111th in a calibrated fashion. What I did was create a set of equally-spaced vertical lines, then I stretched the CBS justification image so the characters all lined up. Note they are monospaced. The "th" takes up one character position. Then above it, I stretched the image from the 04-May-1972 image (in both cases maintaining the aspect ratio) until the digits lined up. Even in proportional fonts, the digits are always designed to have the same width to simplify doing columns of digits. Note how the "th" is not quite aligned right, and the spacing is not uniform. So we take a typewriter with a monospaced font and a ligature, and claim that it justifies the existence of a memo in variable-pitch font, with a different superscripting mechanism (suspiciously like that of Microsoft Word!)? .Using arguments like this would be equivalent to someone justifying the “genuine” da Vinci by saying that yellow paint existed, and white paint existed, and ignoring the obvious fact that Cadmium Yellow or Titanium White could not exist. Some have contended that since Times New Roman was a typeface invented “in the 1940s” (according to Linotype, the copyright holder for Times New Roman, it was first used by the New York Times in the edition of 3 October 1932; the original TimesTM font is stated to have been created in 1931 for the London Times; in either case, however, the date is established as being earlier than 1972), it is not unreasonable that it could exist in 1972. Yet I knew most of the sites that, in 1972, had printers and computer-based formatting technology that could have printed a document in proportional-spaced fonts, and these included MIT, Carnegie Mellon (where I did my work), The University of Southern California Information Sciences Institute (USC-ISI), and Xerox’s Palo Alto Research Center (where the personal computer as we know it was invented). I no longer recall how many XGP printers existed, but I believe the number was not much more than a dozen. None of these printers could print more than about 180 dots per inch, a quality somewhat lower than a contemporary fax, yet the image I downloaded from the CBS site appears to have been printed on a printer of much higher resolution. The only other printer I am aware of in the 1970s that could print at reasonable quality was a research prototype I saw at Xerox PARC, called EARS, which could print at 300 dpi. It was not created until 1971, and I remember it has having several large cabinets of extremely expensive computer components controlling it. It was a “hand-built”, one-of-a-kind printer. All other technologies were quite elaborate and clumsy mechanical devices, and although there were some proportional-spaced typewriters (such as the IBM Executive) and print production technologies (such as the VariTyper), none of these would have produced something that was a near-perfect match for Times New Roman under Microsoft Word. Don Knuth’s seminal work on computer font technology (“TEX and Metafont: New Dimensions in Typesetting”) was not printed until 1979, “on experimental printing equipment” at “Xerox Research”. Phototypesetters of the era projected one character at a time onto a film, then moved the template containing the photos of the characters, then exposed the next character. They were exceedingly slow relative to, say, a typewriter, and cost a LOT of money. The resulting film had to be developed, and a printer plate had to be created from this negative. It seems unlikely that this technology would have been used to create private memos. My aunt ran the printing division in a local company in the late 1960s, and I know what technology she was using (it was leading edge for its time). It would not have been available to a military base--at least in the administrative offices--in 1972, nor would it have been practical. It used technology that was a precursor of modern laser printers, but it was all purely optical, using VariTypers, large-scale cameras, and a very primitive form of xerographic technology. Some have argued that the documents are forgeries because the characters are “kerned”. Kerning is an operation which tucks characters together to compact space. However, Microsoft Word by default does not kern text. The text of the memo is not kerned. Kerning is a pairwise operation between characters, and each character pair that can be kerned has a specified kerning value. Microsoft fonts and many others come with accompanying kerning data. But kerning is complex, and computationally expensive, and therefore would have slowed down redisplay in a WYSIWYG editor. However, Times New Roman uses a characteristic of Microsoft TrueType fonts called the ABC dimensions, where the C dimension is the offset from the right edge of the bounding box of the character to the next character. If this offset is negative, the character with the negative C offset will overlap the character which follows (in some technologies, the distance from the start of one character to the start of another is called the “escapement”, so a negative C offset gives an escapement which is less than the character width). This gives the illusion of kerning, or what I sometimes call “pseudo-kerning”. I discuss the ABC width mechanism in some detail in a book I wrote in 1997 (“Win32 Programming”, with Brent Rector, Addison-Wesley, 1997, p. 1104). I have attached sample output from a program I used to create illustrations for that book, one of which shows the characters “fr” and one of which shows the C offset of the “f” character is “–2”. ALL technologies I am aware of in 1972 that would have been available for office work (not, say, the sort of production book typesetters that major publishers might have had) could only advance an integral number of units, and could not “tuck in” the characters like Microsoft’s Times New Roman font under Microsoft Word does, by using a negative partial-character offset. Examine carefully the “fr” in the word “from” in the 18-August-1973 memo. The “r” is tucked under the “f” in the same way a Microsoft font does it. In 1972, technology available in the office, including proportional typewriters, could not do this. So it is clear that the only way this document could have been done is using a modern computer font, and the placement is pixelwise identical to Microsoft’s Times New Roman. The work we did at CMU could not support kerning or pseudo-kerning of text. We knew about kerning, but our software could not support it. I have not examined a New York Times of 1972, but I would be extremely surprised if the font used at that time exhibited any form of kerning (I should point out that Linotype machines—the hot-lead machines—had paired characters such as “fi”, which were actually a single slug. Character sequences like these are called a “ligature” and were a special case of kerning. Common ligatures included fi, fl, ffi, ffl, among others. This was an example of kerning built into the font definition, and Linotype machines had separate keys that dropped these slugs into place. Lead type set by hand also had similar ligatures. The illustration is scanned from The Unicode Standard Version 3.0, Addison-Wesley, 2000, p.804). Hot lead type could not kern, because of the need to have a Linotype machine drop slugs into a frame, which was then filled with hot lead. Any publishing technology that used hot lead typesetting could not support kerning, except by the aforementioned ligatures. Any technology that used hand-set type could not support kerning without such a high expense that it is unlikely it was ever done. Not even Word supports kerning without selecting a special option (and if selected, the resulting document does not look like the memo). But somehow, magically, the font used by some hypothesized piece of equipment in 1972 works the same was as a font that uses a set of ABC width parameters that did not exist until TrueType fonts existed. Microsoft delivered the first version of TrueType for Windows in April of 1992, and the original TrueType font format was developed by Apple and delivered in May, 1991. Based on the fact that I was able, in less than five minutes, to replicate one of the experiments reported on the Internet, that is, to type in the text of the 01-August-1972 memo into Microsoft Word and get a document so close that you can hold my document in front of the “authentic” document and see virtually no errors, I can assert without any doubt (as have many others) that this document is a modern forgery. Any other position is indefensible. I was a bit annoyed that the experiment dealing with the 18-August-1973 memo was not compatible, until I changed the font to an 11.5-point font. Then it was a perfect match, including the superscript “th”. In 1972, we expressed fonts in integral pixel sizes, and a fractional pixel size would have been meaningless. Until we got high-resolution printers in the 1990s, I am not aware of any application-level technology that supported fractional point sizes (Adobe PostScript could, but the high-level interfaces to it, to the best of my recollection, only allowed integers to be specified for sizes). I do not believe a typesetting program or typesetting technology that worked in fractional point sizes could have existed in 1972 or 1973. However, this might be an accident of the many levels of transformation from the original (wherever that is) and the photocopying, scanning, document conversion, and re-printing. The 11.5-point font could represent a reduction to 96% of the original size in the various transformations. In which case, the coincidence of the match is again extremely unlikely unless the document were a forgery. William of Occam (or Ockham), a 13th century philosopher, summed it up in what is now paraphrased as “given a choice between two explanations, choose the simpler explanation” (or as he said it, “entities are not to be multiplied without necessity”). You cannot assemble a set of assertions about what MIGHT have been possible using a variety of unrelated technologies that existed in 1972, and somehow magically combine them into a single technology that could have existed in the offices of the Texas Air National Guard, used for casual memos, and produced the memos in question that are VIRTUALLY PIXEL-LEVEL IDENTICAL TO THOSE PRODUCED BY MICROSOFT WORD. There are numerous other clues to indicate an amateur at work. In many cases, there is a space preceding the st or th, in an attempt to prevent Word from automatically superscripting these. Of course, any experienced Word user knows that this automatic superscripting can be instantly undone just by typing Control-Z as soon as it happens, but an amateur would not know this. Many have commented on the anomalies of the curly quotes, another piece of Word automation which would not have been found in documents of the era. I know that our fonts did not have left and right quote marks because of limitations of the character sets, which could only have 95 or 96 printable characters. Most of our contemporaneous printers used 7-bit ASCII fonts, which had no option for specifying curly quotes, nor did our software automatically generate them, as Word does. Not only are these documents forgeries, they are incompetently done forgeries. They make the forger of a da Vinci-with-acrylics look positively sophisticated by comparison. It does not take a sophisticated expert in forensics or document authentication to spot these obvious forgeries. The forgery is obvious to anyone who knows the history and technology of digital typesetting, not to mention to any intelligent 12-year-old who has access to Microsoft Word. So we have the following two hypotheses contending for describing the memos * Attempts to recreate the memos using Microsoft Word and Times New Roman produce images so close that even taking into account the fact that the image we were able to download from the CBS site has been copied, scanned, downloaded, and reprinted, the errors between the "authentic" document and a file created by anyone using Microsoft word are virtually indistinguishable. * The font existed in 1972; there were technologies in 1972 that could, with elaborate effort, reproduce these memos, and these technologies and the skills to use them were used by someone who, by testimony of his own family, never typed anything, in an office that for all its other documents appears to have used ordinary monospaced typewriters, and therefore this unlikely juxtaposition of technologies and location coincided just long enough to produce these four memos on 04-May-1972, 18-May-1972, 01-August-1972, and 18-August-1973. Which one do you think is true? Which one would a 13th-century philosopher think made sense? How many totally unlikely other juxtapositions are expected to be true? How could anyone believe these memos are other than incompetent forgeries? This letter concentrates only on the raw technology of the fonts and printing. It does not address many of the issues others on the Internet have raised, such as the incorrect usage of military titles and abbreviations, incorrect formatting relative to prevailing 1972 military standards, etc. I am not qualified to comment on these. All I can say is that the technology that produced this document was not possible in 1972 in the sort of equipment that would have been available outside publishing houses, and which required substantial training and expertise to use, and it replicates exactly the technologies of Microsoft Word and Microsoft TrueType Fonts. It is therefore my expert opinion that these documents are modern forgeries. Update 12-Sep-04 Kerning and pseudo-kerning ABC dimensions for Times New Roman, characters "y", "space" and "j" Character layout for Times New Roman ABC dimensions for Palatino Linotype font under Windows I have received several comments on the above essay. One of them suggested that it is hard to tell if the "fr" really has the f and r overlapping. So what I did was take my copy of the 18-aug-73 memo, printed at 1200 dpi, and scan it in at 600 dpi and extracted the word "from". I then did a copy-and-paste of the word "from" from the (admittedly poor) CBS image. I placed both of these in Microsoft PowerPoint, stretched them to the same left-to-right length (maintaining aspect ratio!), and drew some lines. Now I admit there is a lot of distortion in the CBS image (if they really want expert opinion, they should post a 600dpi scanned TIFF image of each memo on their site!), yet the results are amazingly close. This verifies my visual inspection. It is unlikely that such coincidence could occur if the fonts were not the same font. Note that even if you might like to believe that the "r" is not tucked under the "f", if it weren't, the subsequent characters would be horizontally misplaced to the right in the CBS memo, yet, relative to even the poor image quality, it is clear the positions correspond. Another alert reader suggested that the "j" from "my job" shows that the tail of the "j" overlaps the preceding space. So I used my Font Explorer to reveal the parameters of the "j". Note that the "j" has a negative A-offset value, meaning that the character will overlap the preceding character. He also observed that the "y" did not "tuck its tail" under the preceding character, and note that the A-offset for "y" is 0, so this is consistent with his observation. So I did the same comparison, from my scanned image of "my job" and the CBS image of "my job" from the 18-Aug-73 memo. The results are shown below. Of course, to those of us who have already figured out that these are forgeries, this result comes as no surprise at all. The Font Explorer is a program which comes with our book, and can be downloaded from my site as part of the CD-ROM image that came with the book; it is something like 17MB, so you may not want to download this on a dialup; I have a separate .zip file which is the FontExplorer.exe file itself. (Note to programmers: this was built under Visual Studio 4.2. I have not attempted to recompile it under any later version of Visual Studio, including 5.0, 6.0, 7.0 or 7.1. If you download the source, you're on your own here). One question that came up was whether this was really Times New Roman, or perhaps Palatino, a font very similar to Times New Roman. I looked in my font list (I have hundreds of fonts installed on my machine), and found a font called "Palatino Linotype". Admittedly, this does not say anything about the font that might be used by a sophisticated typesetter in 1972, but it shows that the hoaxer really did use Times New Roman and not Palatino. Look at the ABC widths for the same characters; note that the "j" in the Palatino font has a 0 A-offset, instead of a –2 A-offset. Several other dimensions, such as y.B and j.C also do not correspond. I decided to not waste time creating, scanning, and otherwise displaying a document done in Palatino simply because the differences should be obvious just from reading the ABC dimension specification. Another reader sent me a pointer to a higher-resolution scan of the notorious "superscript" image. I went there, and downloaded the image. Shown to the left is the result of adding this (the bottommost of the three images) to my comparison chart. No surprises here, it again emphasizes that the "superscript" did not rise above the top of the line. One person actually suggested that I was saying that because of this "th", and my assertion that a superscript would indicate a forgery, that I am claiming that all documents released by the Texas Air National Guard must be forgeries. I have never come close to saying that. I merely point out that if a typewriter has a superscript-like entity, as it shown here on the left, it is completely unlike the superscripting of Word, which is coincidentally exactly identical to the superscripting of the forged documents. The "th" in the Texas Air National Guard documents is not a superscript, but a monospaced ligature that fits within the bounding box of the character space. So let me be very pedantic here: the "th" in the released documents is not, I repeat, not, a superscript. It is a single character. Another correspondent pointed me to a site that claims that Word does automatic kerning. Sorry to disappoint the poster, but what he is reporting on is not kerning in the sense that Word or a typographer means kerning, but the significant fact that the ABC widths contain a negative C-width. He points out that "at" and "ta" actually come out as different widths. This is true, but it is not true kerning, which would rely on the pairwise information of "a" following "t" and "t" following "a"; instead it is the "pseudo-kerning" caused by a negative C-width on the character "a". A negative C-width applies no matter what character follows. For example, noting that "f" has a negative C-width works because most characters that "f" is paired with are "half-height" letters (I forget the actual technical term, but I think it is "minuscule", although according to some typographers this merely means any lowercase letter) and therefore there is no conflict. The only full-height letter "f" is paired with typically is "l", and the effect is to simulate the ligature "fl" that printers use. However, if it were true kerning, the kerning pair "fb" would indicate that the "b" needs to move to the right so as to not be connected to the "f", but since there is no "fb" used in ordinary English prose, this error is "harmless". This can be seen in my comparisons based on the Font Explorer output. Because of the C-width, there is no need to have a kerning pair for "f" and "r" to cause an overlap. Note however that there is a kerning pair for "AV", and the result is easily seen in the Kerning part of the Font Explorer. Note in the lower example that "fb" shows an improper overlap, because not only does the negative C-offset for f cause the next character to "tuck under", but there is no positive kerning value for the pair "fb". Therefore, it is incorrectly rendered with the "f" touching the "b". Microsoft apparently only provides kerning pairs when there is a need to override the built-in font parameters. I realize this is a fine-point quibble, but my view, and the view of typographers, is that kerning is always a per-character-pair operation, and the C-width parameter is fixed as part of the character definition. In either case, casual technology readily available in offices in 1972 would be incapable of either effect. But when I state the document is not kerned, I mean that pair kerning is not enabled; the only apparent kerning is the overlap generated by the A and C offsets. There are many technical reasons that pseudo-kerning is more desirable than true pair kerning, but that would take at least another page to explain issues such as how print files are created, the costs of doing a download to a printer, the feasibility of doing arbitrary text placement in the printer compared to having the printer use built-in TrueType fonts and pseudo-kern automatically, and so on. Pseudo-kerning is a "good enough" approximation of true kerning that it is good enough for everyday use. Kerning was possible using hand-set lead type, as one person pointed out, by having fonts where the character actually overhung the edge. The problem with this was that these fonts, extensively used by high-end professional printers (and even today by those who still do hand-set type) were quite expensive, particularly because of the potential for damage to the overhanging part of the character. Such kerning was impossible for hot-lead type processes. But it meant a higher cost to get a set of type (more characters had to exist in the type slugs), more time and care in doing the typesetting (meaningful only when cost was essentially not an object), and even more time in tearing down and re-sorting the type slugs. Most print shops did not bother much with these details. Unfortunately, the only "artisan" printer I know who did hand-set type lives about three hours' drive away, and given the more obvious aspects of the forgery, it is not worth my time to go out and examine his type. Pseudo-kerning using negative C-width ABC widths of "t" and "a". Display of "tat". "f" kerning pair info. Note that it pairs only with another "f" or a right single quote (character code 146) where it has a positive kerning value. Showing that "ta" and "at" have slightly different representations. The example shown at the indicated site is correct, but the reasoning is incorrect. No pair kerning is involved. Turning on kerning, at its effects (1) The option "Format > Font", choosing the character spacing tab, enabling kerning. ""AV" kerning pair info: the kerning value for "V" following "A" is -2. Upper image: "AV" without kerning. Lower inage: "AV" with kerning turned on. The effects of kerning when kerning pairs are used in the example Upper example: a line with kerning turned off. Lower example: the same line with kerning turned on. Note that the right quote has additional space, and the AV show overlap. Note the incorrect overlap of "fb" in both cases. And the illusion that "fl" and "fi" are ligatures. The angled green line shows the change of position of the right quote when kerning is enabled. The sloped red line shows the displacement of the A, and if there were no kerning, the V would be displaced by the same amount, but in fact the lower V is more to the left than the red lines predict. Turning on kerning has an effect only if there is a kerning pair. For example, in "The quick brown fox jumps over the lazy dog", the Font Explorer gives the information about the kerning pairs as shown below. In the following tables, I use sp to indicate a space character, and rt' to indicate a right curly quote and lt' to indicate a left curly quote (which usually doesn't appear on a Web page). Note that a kerning value of 0 seems to have no effect on the built-in ABC widths. Kerning data for "The quick brown fox jumps over the lazy dog ff" Th none he none e space none space q none qu none ui none ic none ck none k space none space b none br none ro none ow none wn none n space none space f none fo none ox none x sp none sp j none ju none um none mp none ps none s sp none sp o none ov none ve none er none r sp none sp t none th none he none e sp none sp l none la none az none zy none y sp none sp d none do none og none g sp none sp f none ff 0 So based on one poorly-constructed example, the poster claims "Apparently then the whole kerning option objection is a red herring." Unfortunately, his experiment is flawed, and the conclusion meaningless. He did not actually measure any kerning effects, because there were no kerning effects possible given the selection of letter pairs in the example. Here are the actual kerning pairs for Times New Roman, and their values. These were derived from my Font Explorer. To illustrate the effects of kerning, as I did, a known kerning pair must appear in the font sample. I used two, AV and f rt'. Kerning Pair Data for Times New Roman Font sp A -1 sp T 0 sp V 0 sp W 0 sp Y 0 11 0 A sp -1 AT -1 AV -2 AW -1 AY -1 Av -1 Aw -1 Ay -1 A rt' -1 F, -1 F. -1 FA -1 L sp 0 LT -1 LV -1 LW -1 LY -1 L rt' -1 P sp 0 P, -1 P. -1 PA -1 RT -1 RV -1 RW -1 RY -1 Ry -1 T sp 0 T, -1 T- -1 T. -1 T: -1 T; -1 TA -1 TO 0 Ta -1 Tc -1 Te -1 Ti 0 To -1 Tr 0 Ts -1 Tu 0 Tw -1 Ty -1 V sp 0 V, -2 V- -1 V. -2 V: -1 V; -1 VA -2 Va -1 Ve -1 Vi -1 Vo -2 Vr -1 Vu -1 Vy -1 W sp 0 W, -1 W- -1 W. -1 W: 0 W; 0 WA -1 Wa -1 We -1 Wi -1 Wo -1 Wr -1 Wu -1 Wy -1 Y sp 0 Y, -2 Y- -1 Y. -2 Y: -1 Y; -1 YA -1 Ya -1 Ye -1 Yi -1 Yo -1 Yp -1 Yq -1 Yu -1 Yv -1 ff 0 f rt' 1 r, -1 r- 0 r. -1 rg 0 r rt' 0 v, -1 v. -1 y, -1 y. -1 lt' lt' -1 rt' sp -1 rt' s -1 rt' t 0 rt' rt' -1 G, -2 G. -2 St 0 Signatures, and the glories of copy and paste Another reader pointed out that he was able to forge the signature. Unfortunately, he sent me an example as a Microsoft Word document, and I do not under any circumstances open potentially executable files, including those that can hold macro viruses. Several levels of virus protection and firewalls not withstanding, this is simply my flat-out policy. So I apologize to him on not being able to comment on his work. But I had actually done this Friday night; it took me about 10 minutes. I took the CBS document, printed it, scanned it in (to remove some of the artifacts of the display), extracted the signature with a copy-and paste, did some cleanup to remove the "dirt" from the scan, gave it a transparent background, saved it as a .gif file, and pasted it into my document. Now the result in this case is pretty evidently a forgery, because of the artifacts. But someone with access to an authentic signature and a high-resolution scanner could have done a much more convincing job. For example, here are three scans. The leftmost is the one from the CBS memo, which I printed out and then rescanned (to avoid artifacts of the low-resolution display). The second is the result of copying the signature from that scan, and doing a bit of transparency hacking, then pasting it into my document. The third example is the result of hand-tracing the signature, by holding it against my CRT screen. This was my third attempt at tracing the signature. Any respectable signature analyzer could spot several clues that would indicate it is a fake (such as the irregularities caused by inept tracing, but doing a trace vertically is a bit challenging), but it suggests that anyone with a bit of practice could either extract a high-resolution signature from a real document, or a tracing of a real signature. Without the original document (not a photocopy) it would be impossible to tell a good forgery from a real signature. Note how much the "noise" in the CBS version, not to mention the low resolution, makes it hard to do any analysis; my second image is clearly a fake because the quality of the signature is so much poorer than the quality of the type behind it (whereas in the CBS image, the quality of the signature and the quality of the text are equally poor). But this illustrates that it is within the scope of credibility that an authentic signature could have been pasted onto a fake document (if I had used my real signature in the third example, it might have looked as if I had signed it!) Lacking the original documents, there is nothing the copy can demonstrate that is convincing. (Sometimes I have been required to sign a contract specifically in "blue pen" so that there could be no question about the authenticity of the original signature!) The original CBS .pdf file, printed out by me at 1200dpi, scanned at 600dpi. The CBS signature, copied, cleaned a little bit, and pasted, then printed and rescanned. 10 minutes. My somewhat inept tracing, scanned, and pasted onto my fake document. Printed, and rescanned to get this image. 20 minutes, most of it spent getting a nice clean signature bitmap. (To all those who wrote to me: since you did not give me permission to use your names, I have refrained from doing so. However, if you want credit for your observations that led to this supplement, just send me email granting permission to credit you by name, and I'll be glad to give you explicit credit). One of the essential tenets of scientific honesty is the ability of a third party to reproduce the work. There have been many excellent examples in the blogs of people comparing images of the documents with images of fakes, showing little if any error between the two; I saw no reason to reproduce those examples, since they are quite well done and quite compelling. I could have reproduced those examples, but I saw no reason to spend time duplicating such efforts. I chose instead to concentrate on the areas of font technology that were either misunderstood or misinterpreted. I would like to point out that I have done nothing that anyone else on the Internet could not easily reproduce. To create these images, I used Microsoft Paint to first store the captured screen image from the Bush memo images released by CBS (my Internet-access machine does not have Corel Photo-Paint installed on it), then used Corel Photo-Paint to do the extractions. I have a MicroTek ScanMaker 6800 scanner, and I have been using Adobe Acrobat 5.0 to display the CBS images. Obviously, I used Microsoft Word for the document examples. My printer is a Xerox N4025 laser printer, which prints at 1200 or 2400dpi; all the work I did I did at the lower resolution. All scans were at 600dpi. I used Microsoft PowerPoint for some of the images, those that are doing the vertical line comparison. I am using my Font Explorer (to which I gave a link, which includes the complete source to the program), and in fact I am using the version of the program I compiled on 27-Oct-1996. There are some technical caveats in interpreting the output from font explorer because it suffers from certain nonlinearities, a complex problem to explain in a short memo. But it works real well if 10-point font is selected. >dir i:\win32api\fontexplorer\release\*.exe Volume in drive I is RAID5 Volume Serial Number is 9C66-A773 Directory of i:\win32api\fontexplorer\release 10/27/1996 02:15 PM 149,504 FontExplorer.exe 1 File(s) 149,504 bytes Anyone with similar software can reproduce these examples. Adobe Illustrator could easily be used to reproduce these, and anyone who is a Windows programmer can write the Win32 system calls that give the same data that my Font Explorer so nicely displays. Anyone with a scanner could print their own document and rescan it (the reason for scanning the document is that printers, being higher resolution than displays, do not suffer from some of the artifacts of the display trying to approximate the printed image). Please feel free to quote this material, use any of my images, etc. if you are reposting. I do ask that you provide a link to this page.

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.... < .... p .... >

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Then don't read it.

"Not only would the 1972 typist have to have access to "Rather" sophisticated equipment and know how to use it, he would have to know how to set up and configure that equipment in such a way as to exactly match a typeface spacing etc."

Amizingly enough, this person was also clever enough to duplicate a True Type Font that would not exist for another 20 years.

"Who could possibly refute this man? I'd say this is "checkmate!"

I got the idea by his writing style he was daring someone to try and refute him. As Kenny Rogers said: "You gotta know when to fold 'em." Our author here is packin' a handful.

Bump for later.

Agreed. Paragraphs are our FRIEND!