Posted on 02/04/2004 10:04:38 AM PST by avg_freeper
For Scott Stowell of New York City, it was the freedom to express a passion.
"I think the message we tried to deliver is something we really believed in. We were passionate in our beliefs and everyone has a right in our democracy to do that."
Mr. Stowell was part of a team that produced one of 26 political commercials in a recent online contest soliciting political ads critical of President Bush. Entitled the 'Bush in 30 seconds' TV ad contest and sponsored by the Washington, DC-based public policy advocacy group MoveOn.org, Stowell's spot - entitled "Pop Quiz" - was produced and edited on a Mac.
In fact, the majority of the finalist spots were produced using Macs. From medium to large design studios and often someone's home basement, the commercials came from a variety of people who had an idea, a passion to speak their mind and often a Mac on their desktop.
"Here was the first time I ever saw this kind of idea of people using the freedom that comes from technology for a political purpose to speak their minds," said Mr. Stowell, founder of the New York City graphic design studio, Open.
Still from "Pop Quiz" spot.
Co-produced with colleagues Susan Barber, Cara Brower and Kate Kittredge, the spot quickly asks the viewer to answer rapid fire questions on a variety of political issues and attributes the answers to various news sources. In every instance, the critical answer is "George W. Bush." The spot ends with the question, "What's wrong with this picture?"
All of the spot are similar to "Pop Quiz" in that they criticize the president on a variety of fronts, from the controversial war in Iraq to the national debt and even educational funding.
The spot voted best overall, entitled "Child's Pay," made news headlines in late January after the CBS television network decided not to broadcast it during last Sunday's Super Bowl XXXVIII because of its long-standing policy not to air advocacy ads. Instead, the spot ran during the half-time of the NFL championship game, but on CNN, rather than on CBS's Super Bowl broadcast itself. The 30-second, dialogue-free spot featured children working as janitors, dishwashers and garbage collectors and ended with the caption, "Guess who's going to pay off President Bush's $1 trillion deficit?"
For many of the ad's producers, a Mac was the platform of choice that often made the difference between tedious editing over dozens of hours or days and producing a spot sometimes in just one afternoon.
Mr. Stowell and his team used a 1.25 MHz dual processor Power Mac G4 to produce "Pop Quiz," together with Adobe Illustrator to do the graphics and After Effects for the animation. One of the reasons Stowell and his team used simple type for their spot was to not only be different from the majority of other spots, but because they had decided to enter the competition very close to the deadline. "After we came up with the concept, we cranked it out in no time and the Mac made a big difference."
The runner-up for best overall ad was also produced on a Mac. Entitled "What Are We Teaching Our Children?", Fred Surr together with Ted Page and Janet Tashjian of Needham, Mass., produced a tongue in cheek spot that hit home their message.
The ad features six young kids, each delivering a speech to adults on what they would do if they were elected president - from, "If elected, I'll lie about weapons of mass destruction as a pretext to invade another country," to "I'll leave no child behind, unless they can't afford it."
Still from "What Are We Teaching Our Children?"
Mr. Surr, an independent producer and founder of the production company Captains of Industry, used a Media 100 editing system on a Power Mac 9600 to edit the spot in no more than "six to eight hours."
A Mac user since 1988, Mr. Surr was just as passionate about his Macs as he was about his political spot. "I don't like Windows, honestly. I think it's a kludge format and always has been."
Because all of the talent and production workers donated their time, Mr. Surr was able to produce the spot for less than US$100 after renting one single item - a professional microphone. "Everyone donated their time," he said. "We had six kids, about 10 adults together with extras and four others at the shoot."
Reaction to the spot has been overwhelmingly positive, according to Mr. Surr. "Even friends and colleagues that are Republicans look at the spot chuckling and say, 'Well, you can't argue with the premise.' "
Most of the spots were inexpensive to make, except for one produced on film by Adam Feinstein, an independent film maker from New York City. Entitled "Polygraph," the spot was shot on Super 16mm film and then transferred using the Telecine process of converting a film negative to video tape. It was then edited on a 533MHz-dual processor Power Mac G4 with Final Cut Pro.
Still from "Polygraph" spot.
About US$1,000 to shoot and produce, Mr. Feinstein turned to some 30 friends to donate money toward the cost of making the commercial. "I'm a filmmaker who has had my political soul stirred to life in the last three years," Mr. Feinstein told The Mac Observer. "If I can credit Mr. Bush with anything, it's making me realize how important it is for me as a media maker to say and do something that can make a difference."
The spot shows an actual polygraph machine registering responses to comments made by President Bush during his State of the Union speech in January of 2003. As Mr. Bush utters certain facts, the polygraph is shown violently moving, as if to convince the viewer that his comments are all lies.
But it was the parody piece "Desktop" that hits closest to home for Mac users, regardless of their political beliefs.
David Haynes is a filmmaker, writer and director making independent films under his small production company Tanglewood Films in Dallas, Texas. Having entered the competition later than most, Mr. Haynes had little time to devise a concept, shoot it and edit it.
For him, the star of his spot was his Mac. Mr. Haynes used his Sony VX-2000 digital camera to shoot his OS 9 desktop. "I sort of brainstormed the idea of using the Mac and having the file folders represent different components of our government and different programs that have happened over the last few years that in my opinion were not so great," he said.
Still from "Desktop" spot.
The spot shows a desktop pointer moving folders marked 'Social Security, 'Environment', 'Civil Liberties' and more over the seal of the president to the Trash. Only after a message warns that the folders will be permanently deleted and a bloated trash icon erases the folders does the spot end with the words, "What's next?"
"I've never really been a political person and followed politics," Mr. Haynes responded when asked what was the catalyst for him to produce the political spot. "There was a point during the build up to the Iraq war that the Bush Administration seemed to want to go to war really, really badly. Something about that raised a red flag in my head and it didn't seem very American and didn't feel right."
Mr. Haynes used an 867 MHz Power Mac G4 with Final Cut Pro to edit his 30-second spot, which took about a day to shoot and produce.
All the producers were convinced their Macs made a difference in being able to focus on making the best ad, instead of worrying about the technical aspects.
"My Mac allowed me to focus on the message," said Mr. Surr. "I just find it to be really, really dependable. There's not a lot of surprises on a Mac. It doesn't crash on me and it's just a solid work station."
"If you subtracted all the Macs in my life, I would be paralyzed," said Mr. Feinstein. "Every project I haven't edited on film, I've edited on a Mac."
When Mr. Stowell was asked why his studio only uses Mac, his response was short and sweet. "Why? I can't think of any reason why not."
That's you, and if a particular legacy piece of equipment fits your needs, then go ahead and keep using it, but don't complain when the rest of the world abandons it.
If that is the case, how come Mac owners, who DIDN'T get the free software because it wasn't released when they bought their computers, can download if for free from the Apple website to add to their machines???
PS, Discostu, your ignorance is showing again. IBM makes the PowerPC G5 chips, not Motorola.
Untrue. In three years there have been NO OS-X virus found.
It is not just that the Macs have a smaller footprint in the computer world, it is that they are an order of magnatude more secure than a Windows box. According to some very high powered computer security experts, the difficulty of writing a virus for OS-X is a 10 on a scale of 1-10 while writing a Windows virus is a 1 or a 2. Executable code cannot be installed on a Macintosh OS-X box without the explicit permission of the Administrator of the computer. To even impact the core operating system, a user would have to have Root level access. No Macintosh user operates in Root... 99% of Windows users operate in the equivalent of Root, allowing any program running on the computer to modify system files.
More ignorance, Discostu. The Macintosh had one button mouses before the PC had any mouse at all... so he could not "opt away from the two button mouse." I am a Mac user. I have a three button, wheel USB track ball. Works great... doesn't even need a driver. Just plug it in and it works.
"Booting from a floppy"?? What are you running? DOS?
The days of needing to boot from a floppy are as gone as the Horse and Buggy.
Those people who need to use a floppy to move data around are moving extremely TINY files... most files these days are much larger and a floppy disc would not even begin to hold them. However, if you are working in an environment that requires moving files from one computer to another, they can purchase as many USB floppy drives as they need... or they can use a USB thumb drive... or they can use AirPort... or they can use Ethernet... or they can use a CD-RW. Why should all users be forced to buy a floppy that will never be used? Because YOU want to move a file? Right. Sure.
The Mac left the floppy disc behind because it was old technology... and opted for the new.
Another sign of your ignorance of the Mac and Apple platforms is the idea that Apple ever used a parallel interface "to drop." Macs primarily used either serial or SCSI interfaces... and Apple left them behind in favor of more modern, faster interfaces. IF a user needs a legacy ADB, SCSI, or serial port... or even a Parallel port, USB or Firewire devices provide backwards compatibility for a reasonable price. Most Mac users will not need them.
You continue to show that you do not know anything at all about the history of computer, the Macintosh, or even technology.
I don't think so. I got my first 5 1/4" floppy drive in 1978 and that format was the state-of-the-art for several years. There just wasn't a suitable alternative available until the durable floppy was introduced in 1984 on the Macintosh.
(Prior to all of that, we used 8" floppies on IBM mainframes. It was certainly better than using Hollerith cards - although we could do some neat tricks with the cards.)
Nowadays, it's faster just to do a network file transfer or burn a CD-R, and it's a hassle to find a blank floppy. Perhaps floppys are still popular in Haiti and the Congo, but I don't miss them.
It is obvious that at home you use a PC. Why should every Macintosh user pay $15 for a floppy drive that they will NEVER NEED, because YOU think it a "nice safety net?" And at the time the Applewriter printer was being sold, ALL dot matrix printers were pretty slow. How about trying the Applelaser for speed at that time... and it was the first (and for several years) the only consumer priced laser printer.
Have one... its out in the garage. The Video Toaster was a real revolution in TV work. Several major TV programs did their FX using the Amiga/Toaster combo. At $1595 for the Toaster card, you couldn't touch anything else doing the same kind of work, for less than $50k.
I have quite a number of business clients. NOT ONE of them even has a floppy disk on the premises.
Have you priced floppies lately? I have because a student needed some to carry her work to an obsolete school computer. Office Depot was selling a box of 10 generic discs for $4.95. I saw a tower of Sony 30 CD-Rs just yesterday for $9.95. Let's see. The per disc price of the floppy which holds a whopping 1.44Meg is 49¢, the per disk price of 740 Meg CDRs is 33¢. The per megabyte price of the floppy is 34¢, the per MB price of the CDR is .04¢ (four one-hundreths of a cent). GEE, I think the CDR wins the cost contest.
Errr, what? That doesn't jibe with my memory at all. Apple Laserwriter price in 1985: around $7000. HP Laserjet price (1984): about $3500. Both were certainly cheaper than the $30,000 lasers that IBM was selling, but we're still a bit outside the consumer level, for the most part.
Actually, the first sub-$1000 laser didn't come around until the HP Laserjet IIp in 1990 or so. Looking back, it's kinda hard to believe you can get them for $200 these days. ;)
That's not true. In fact, it's simply, scientifically, provably, not true. Ask anyone with a CS degree who has taken more than three classes on operating systems design and programming. Since I have taken seven, I feel fairly qualified. The current implementation of Mac OS X (10.3.2) is based on the Mach kernel which was implemented at CMU. Due to the design of the kernel (which is a semester itself) and how it is in place with surrounding operating system (which is based on a fusion of FreeBSD and Linux sources, but weighing very heavily on the FreeBSD side-- indeed, Apple has hired the former head of the FreeBSD project- Jordan... Jordan... his last name slips my mind) insures that no single or combination of user executable programs can crash the kernel. Low level kernels are external to the kernel, so there's no problems there.
So, while you speak from some sort of folksy perspective, I look at the issue from fourty years of UNIX development and research and see which side is correct.
I've driven both a Pinto and a Taurus, actually two Taurus. I'd take the pinto every time. Better stearing better gas milage and more comfy seats. Just don't get rear-ended.
That analogy is so apt for Windows, that I might just use it- since when you run Windows, you're in effect, painting a bullseye on your rear-end and begging every virus/worm writer in the world to smack you... on your ass.
Parallel and serial ports are standard too, but they're not used very much anymore, except in more specialized circumstances, such as is your heavy use of floppies. Eventually someone has to have the balls to move on and cut direct legacy support, and that leftover minority can buy adapters. Dell already started phasing out floppies last year.
All computer technology is obsolete; it's just a matter of how much time it has before it is taken over by the next technology. 5 /14 soft-sectored drives were great for their day, but were surpassed by the 3 1/2, which has been surpassed by several technologies. ISA slots were also great, but were surpassed by PCI. PCI has already been surpassed by AGP for graphics and PCI-X for high-bandwidth needs. Parallel ATA, another technology Apple abandoned, is also going the way of the dodo with the introduction of SATA, which Apple switched to, as usual ahead of the PC manufacturers.
BTW, I've handled literally tens of thousands of 3 1/2" disks in my life, and they are not all that reliable. But if they fit your needs, go ahead and use them. Just don't expect the computer manufacturers do keep directly supporting it.
I don't use automatics but they're still useful to people that prefer being passengers in their own cars.
At least there we agree, but it's a different subject. There are other reasons to get them though, fuel efficiency, disability and others. But most people probably get them because they're just too lazy or want to ride instead of drive.
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