The Who didn't sell out.
Oh, wait.
Posted on 09/30/2006 5:34:18 PM PDT by psimpson2005
Ten Songs That Killed Arena Rock
By Jeb Wright
Arena Rock was a phenomenon born out of the failed Peace & Love moment of the 1960’s. Rock music from that era tended to be fueled by politically motivated lyrics and a desire to rebel. The Man was the enemy and The System corrupt! The younger generation turned to music to solve their problems. In the end, arrogance, greed, lust and drugs took the hippie generation from the peace and love of Woodstock to the horror of Altamont. The idealistic dream faded quickly as war in Vietnam ended and Nixon stepped down from the Whitehouse.
The next generation of rock fans were not interested in saving the world; they just wanted to rock. Arena Rock in the 1970’s introduced the faceless bands of the decade. No longer were there featured stars such as Bob Dylan or Jimi Hendrix. Album covers no longer featured group photos. Bands were born who were identified as only Journey, Kansas, Boston, Kiss, Blue Oyster Cult, REO Speedwagon and Styx. Many had symbols associated with their name that were instantly more recognizable to the public than any particular band member. Instead of sitting in groups and just listening to music, the new generation danced in the isles, drank beer and smoked weed in the parking lot and waved their fist in the air. Song lyrics morphed from the surreal to just having a good time and the phrase, Sex Drugs & Rock n’ Roll was born.
All seemed well for a few years as promoters discovered you didn’t need to line up twenty bands to sell out a football stadium. You could package three or four together and sell out. In many cases, one band alone could push twenty thousand tickets! There was an innocent connection between the advancement of musical technology, the evolution of the electric guitar playing, the music industries need to make money and the fans need to leave the heavy shit to their parents and have a good time. The result was an era of music still celebrated on classic rock radio around the world.
What, then, happened to bring about the end of Arena Rock? The simple answer is a shift to punk rock and then skinny tie new wave bands. Another explanation is that with the end of Disco there was not a counter balance needed and people simply moved on. Upon further reflection, however, it can be said the bands themselves imploded with greed and actually brought about the end of the era. By doing so, they actually have brought on critical ridicule that still persists to the current day. Syrupy ballads replaced rock epics and weak attempts at pop stardom failed miserably. Many bands went for the elusive brass ring of Pop Superstar and the ridiculous amounts of money and fame that go with it. While history shows, on paper, that this move was successful, those of us that were there know different. Just because a band is riding the # 1 spot on the singles chart does not mean they are a creative musical force. Many bands dumbed down and sacrificed their musical integrity for fleeting moments of pop stardom. What started out a new form of rock music ended up a confused and often laughable embarrassment.
Below are the Top 10 Songs That Killed Arena Rock.
10. Beth – Kiss
Kiss was the most dangerous band in the land. Parents worried that junior would join forces with Satan himself if they even accidentally heard their music. “Beth” sowed the seeds of the puke-filled power ballads of the 80’s. This song showed that a hard rock band could sound like Barry Manilow and appeal to teenage girls thus making record companies wet their pants with greed. While Kiss have always been about da money, “Beth” opened the door for others to abandon hard rock and instead go for the teeny-bopper bucks.
09. Open Arms – Journey
Journey began as a progressive rock experiment led by ex-Santana members Neal Schon and Gregg Rolie. By the time the 80’s showed up, Rolie had enough and moved on. Journey went from making classic tracks like “Wheel in the Sky” and “Lights” to making crap pop drivel. Jonathan Cain, from The Baby’s, came onboard and “Open Arms” took the world by storm. The song sounded worse than a Vegas lounge act but fans ate it up. Teenage girls began touching themselves and the rest is history. Journey, in a short time, went from prog rock to pussy rock. Eventually, Steve Perry thought he was Perry Como and left the band to be a solo crooner and Journey was gone forever.
08. Babe - Styx
Styx was on top of their game in the 1970’s. They were the leaders in Arena Rock and their album Grand Illusion seemed to be the crème de la crème of the genre. Only a couple of years later, Dennis DeYoung wrote the skating rink classic “Babe” and the band soared to # 1 on the charts. Styx, nor their legions of hard rock fans, would ever be the same.
07. Keep the Fire Burning’ REO Speedwagon
REO is best remembered as the band that released High Infidelity and took Arena Rock to new heights. However, for ten years before that release, the band were considered Midwest America’s hardest rocking live act with songs like “Riding the Storm Out” and “Golden Country.” While one could argue that the song “Keep on Loving You” should be on this list, it was the next years release “Keep the Fire Burring” that proved just how bad a good band could become. Like DeYoung, REO front man Kevin Cronin decided to cut his hair and wear really bad clothing. When hardcore fans had to sit through this song being sung twice in the same concert on the ensuing tour, they began heading for the exit in droves.
06. Waiting for a Girl like You - Foreigner
Some call this the quintessential moment for the band Foreigner. I call it crap. The band abandoned all of its hard rock sensibility and went straight for the pop jugular. This song, along with the entire pop scented 4 album, took the world by storm and made stars out of the band. It also left behind songs like “Double Vision” and “Long Long Way from Home” and spawned pussified tunes such as “I Want to Know What Love Is” and “Urgent.” What should have been considered urgent was the fact that Foreigner was starting to suck.
05. New World Man – Rush
I can’t get the image from my mind from the moment his song was released to rock radio. I was sitting with friends eagerly anticipating another Rush hard rock classic. Our jaws dropped in unison as we heard music that sounded more like the Go-Go’s than Rush crackling over the airwaves. Moving Pictures had been one of the most brilliant albums ever released and Rush seemed to be taking their music to new and dizzying heights each year. Like the others on this list, Rush all got haircuts and forgot how to rock. Keyboards became the band's instrument of choice and “New World Man” became the template the band would work off of going forward. Alex Lifeson could have retired and no one would have noticed. I am not sure he has even played a guitar solo since 1982.
04. Velcro Fly – ZZ Top
History shows us that ZZ’s experiment of blending their Tejas roots with the modern sounds of the day paid off big with the release of the album Eliminator. Following up on that idea, however, proved to be dreadful. “Velcro Fly” was just plain stupid. It lacked the humor of “Pearl Necklace” and sent the die-hards racing for the exits. “Rough Boy” was another dreadful mistake by this otherwise brilliant band.
03. Another One Bites the Dust – Queen
Young, white, heterosexual male hard rock fans often show up extremely homophobic on psychological profiles. But they could more accept Queen front man Freddie Mercury as a foo-foo boy than they could accept this song. The band broke their own cardinal rule and began playing synthesizer on this song. Up until that moment, Queen had been adamant in making a point that they were not relying on such gimmicks. The band got the ritual pop icon haircuts and changed their look and set out to make money instead of music. It worked. However bad the song “Flash Gordon” is, it was this song that set the wheels in motion to change one of rocks mightiest bands into money grubbing little girls.
02. Amanda – Boston
Legal battles kept Boston from releasing any music for over half a decade. By the time Third Stage came around all of the above tunes had already damaged Arena Rock’s reputation. Boston could have come up with a song to bring the genre back to glory and prominence. Instead, they released the biggest pile of dung they had written to that point. Potheads everywhere gave up on music that fateful day. We would never again see anything as grand as the bands self-titled debut. Instead, we would hear only weak attempts of dying bands trying to stay on the radio and in the limelight.
01. Mr. Roboto – Styx
Dennis DeYoung proved he had been a wolf in sheep’s clothing. He masqueraded as a rock star throughout the 1970’s but with “Mr. Roboto” DeYoung proved he wanted to be a Broadway star all along. This song single-handedly destroyed the original line up of the band. He forced his band mates to humiliate themselves by acting onstage. DeYoung was convinced that “Mr. Roboto” would put him in the same light at Pete Townshend. Instead of seeing his dream reach the heights of classic rock operas like Tommy, “Mr. Roboto” became the butt of a lifetime of jokes. DeYoung still defends “Roboto.” He told this writer, “"Mr. Roboto" is now a vernacular of our culture. You can’t go anywhere without someone saying, Domo Arigato Mr. Roboto. I can’t even being to tell you how many television shows and movies that line has been in. From The Simpson’s to Howard Stern to King of Queens to Austin Powers to Adam Sandler’s Eight Crazy Nights to the Volkswagen commercial to Dodge ball, it is everywhere you look.” Hello? Dennis, time someone told you the truth…They are making fun of you!
LOL. Hall & Oats ...
Oh, and Chicago. Their old stuff rocks, but they got all whiny and blech when Peter Cetera came on board.
And Elton John.
And Metallica.
And Ozzy.
And Eddie Money.
You know who didn't sell out? Megadeth ;-)
This is a tad like Stephen King. I liked Dolores Clairborne, but gave up after that. Maybe a few before that, too.
Oh man...you should've seen them their glory days of the early 80s.
They played the Cap Center in DC [Foghat opened for them] and they still had the laser show and the giant smoke and fire breathing Godzilla set up on stage.
Eric still rode his Harley onto the floor to do "Born To Be Wild" and they finished their set with "Roadhouse Blues".
I was sitting up in the nose-bleed section surrounded by a bunch of young Marines and we had a blast singing RB along with the band.
It's a smaller, tamer crowd these days but BOC still pays their hearts out for the people, be they few or many.
The only other band I ever bothered to regularly go see was Jethro Tull.
Their live shows sound like studio recordings.
Ian is still as big a perfectionist as ever.
Gaaah!
I'm getting old....LOL!
I thought "Mr Roboto" was funny, Dennis DeYoung must have lost his mind.
The Who didn't sell out.
Oh, wait.
Funny about Hall & Oates. I went to see ELO in '81 for the "Time" tour (no comments, please!) and H&O opened for them. I am not a H&F fan, but they pretty much blew ELO off the stage. Their band was very good. ELO put on a good show, but you could tell their heart wasn't really in it. They played a lame medley.
Quick!
Start singing "Safety Dance" by Men Without Hats!
It's the only thing guaranteed to drive that out of your head!
Hey! I was at that show!
No friends of mine.
My best friend of that time -loved- REO with an insane passion.
Cronin was her unrequited love/object of obsession.
He and REO were all I ever heard about.
Every bloody time we went anywhere in my car [I had the hot sound system] she dragged along her REO cassettes and to keep her from pitching a hissy fit, I had to listen to them the whole night.
It is a *learned* loathing....LOL!
[and I was overjoyed when she dumped REO for AC/DC]
"What, then, happened to bring about the end of Arena Rock?"
This is the first I have ever heard of such a movement, or genre.
Really?
I can't think of any good band that hasn't sold out, but The Who is the only one that never seemed to lose that edginess that made them so great.
At a Northern VA fair 2 years ago, they had 4 bands playing at the same time. Most people were off listening to "System of a Down" elsewhere and about 75-100 of us stayed to hear BOC.
A few younguns were there [with cowbells, natch] but most were older biker types.
I liked it because I could wander at will and stand as close to the stage as I cared to.
At the WV roadhouse, I sat *onstage*, perched on Buck's Marshall.
They didn't care and they rocked the place right....:)
Jethro Tull is one of the all time greatest bands, IMO.
Ack! "Safety Dance"! No! That's against the Geneva Convention! The RATS and ACLU will be all over you for that one pal! ;^)
Big Hair and Spandex didn't do much for it, either.
Gosh..why would you think that?
Domo arigato, Mr. Roboto,
Mata ah-oo hima de
Domo arigato, Mr. Roboto,
Himitsu wo shiri tai
[ROFL! I am Kilroy!]
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