Posted on 09/30/2006 5:34:18 PM PDT by psimpson2005
Ten Songs That Killed Arena Rock
By Jeb Wright
Arena Rock was a phenomenon born out of the failed Peace & Love moment of the 1960’s. Rock music from that era tended to be fueled by politically motivated lyrics and a desire to rebel. The Man was the enemy and The System corrupt! The younger generation turned to music to solve their problems. In the end, arrogance, greed, lust and drugs took the hippie generation from the peace and love of Woodstock to the horror of Altamont. The idealistic dream faded quickly as war in Vietnam ended and Nixon stepped down from the Whitehouse.
The next generation of rock fans were not interested in saving the world; they just wanted to rock. Arena Rock in the 1970’s introduced the faceless bands of the decade. No longer were there featured stars such as Bob Dylan or Jimi Hendrix. Album covers no longer featured group photos. Bands were born who were identified as only Journey, Kansas, Boston, Kiss, Blue Oyster Cult, REO Speedwagon and Styx. Many had symbols associated with their name that were instantly more recognizable to the public than any particular band member. Instead of sitting in groups and just listening to music, the new generation danced in the isles, drank beer and smoked weed in the parking lot and waved their fist in the air. Song lyrics morphed from the surreal to just having a good time and the phrase, Sex Drugs & Rock n’ Roll was born.
All seemed well for a few years as promoters discovered you didn’t need to line up twenty bands to sell out a football stadium. You could package three or four together and sell out. In many cases, one band alone could push twenty thousand tickets! There was an innocent connection between the advancement of musical technology, the evolution of the electric guitar playing, the music industries need to make money and the fans need to leave the heavy shit to their parents and have a good time. The result was an era of music still celebrated on classic rock radio around the world.
What, then, happened to bring about the end of Arena Rock? The simple answer is a shift to punk rock and then skinny tie new wave bands. Another explanation is that with the end of Disco there was not a counter balance needed and people simply moved on. Upon further reflection, however, it can be said the bands themselves imploded with greed and actually brought about the end of the era. By doing so, they actually have brought on critical ridicule that still persists to the current day. Syrupy ballads replaced rock epics and weak attempts at pop stardom failed miserably. Many bands went for the elusive brass ring of Pop Superstar and the ridiculous amounts of money and fame that go with it. While history shows, on paper, that this move was successful, those of us that were there know different. Just because a band is riding the # 1 spot on the singles chart does not mean they are a creative musical force. Many bands dumbed down and sacrificed their musical integrity for fleeting moments of pop stardom. What started out a new form of rock music ended up a confused and often laughable embarrassment.
Below are the Top 10 Songs That Killed Arena Rock.
10. Beth – Kiss
Kiss was the most dangerous band in the land. Parents worried that junior would join forces with Satan himself if they even accidentally heard their music. “Beth” sowed the seeds of the puke-filled power ballads of the 80’s. This song showed that a hard rock band could sound like Barry Manilow and appeal to teenage girls thus making record companies wet their pants with greed. While Kiss have always been about da money, “Beth” opened the door for others to abandon hard rock and instead go for the teeny-bopper bucks.
09. Open Arms – Journey
Journey began as a progressive rock experiment led by ex-Santana members Neal Schon and Gregg Rolie. By the time the 80’s showed up, Rolie had enough and moved on. Journey went from making classic tracks like “Wheel in the Sky” and “Lights” to making crap pop drivel. Jonathan Cain, from The Baby’s, came onboard and “Open Arms” took the world by storm. The song sounded worse than a Vegas lounge act but fans ate it up. Teenage girls began touching themselves and the rest is history. Journey, in a short time, went from prog rock to pussy rock. Eventually, Steve Perry thought he was Perry Como and left the band to be a solo crooner and Journey was gone forever.
08. Babe - Styx
Styx was on top of their game in the 1970’s. They were the leaders in Arena Rock and their album Grand Illusion seemed to be the crème de la crème of the genre. Only a couple of years later, Dennis DeYoung wrote the skating rink classic “Babe” and the band soared to # 1 on the charts. Styx, nor their legions of hard rock fans, would ever be the same.
07. Keep the Fire Burning’ REO Speedwagon
REO is best remembered as the band that released High Infidelity and took Arena Rock to new heights. However, for ten years before that release, the band were considered Midwest America’s hardest rocking live act with songs like “Riding the Storm Out” and “Golden Country.” While one could argue that the song “Keep on Loving You” should be on this list, it was the next years release “Keep the Fire Burring” that proved just how bad a good band could become. Like DeYoung, REO front man Kevin Cronin decided to cut his hair and wear really bad clothing. When hardcore fans had to sit through this song being sung twice in the same concert on the ensuing tour, they began heading for the exit in droves.
06. Waiting for a Girl like You - Foreigner
Some call this the quintessential moment for the band Foreigner. I call it crap. The band abandoned all of its hard rock sensibility and went straight for the pop jugular. This song, along with the entire pop scented 4 album, took the world by storm and made stars out of the band. It also left behind songs like “Double Vision” and “Long Long Way from Home” and spawned pussified tunes such as “I Want to Know What Love Is” and “Urgent.” What should have been considered urgent was the fact that Foreigner was starting to suck.
05. New World Man – Rush
I can’t get the image from my mind from the moment his song was released to rock radio. I was sitting with friends eagerly anticipating another Rush hard rock classic. Our jaws dropped in unison as we heard music that sounded more like the Go-Go’s than Rush crackling over the airwaves. Moving Pictures had been one of the most brilliant albums ever released and Rush seemed to be taking their music to new and dizzying heights each year. Like the others on this list, Rush all got haircuts and forgot how to rock. Keyboards became the band's instrument of choice and “New World Man” became the template the band would work off of going forward. Alex Lifeson could have retired and no one would have noticed. I am not sure he has even played a guitar solo since 1982.
04. Velcro Fly – ZZ Top
History shows us that ZZ’s experiment of blending their Tejas roots with the modern sounds of the day paid off big with the release of the album Eliminator. Following up on that idea, however, proved to be dreadful. “Velcro Fly” was just plain stupid. It lacked the humor of “Pearl Necklace” and sent the die-hards racing for the exits. “Rough Boy” was another dreadful mistake by this otherwise brilliant band.
03. Another One Bites the Dust – Queen
Young, white, heterosexual male hard rock fans often show up extremely homophobic on psychological profiles. But they could more accept Queen front man Freddie Mercury as a foo-foo boy than they could accept this song. The band broke their own cardinal rule and began playing synthesizer on this song. Up until that moment, Queen had been adamant in making a point that they were not relying on such gimmicks. The band got the ritual pop icon haircuts and changed their look and set out to make money instead of music. It worked. However bad the song “Flash Gordon” is, it was this song that set the wheels in motion to change one of rocks mightiest bands into money grubbing little girls.
02. Amanda – Boston
Legal battles kept Boston from releasing any music for over half a decade. By the time Third Stage came around all of the above tunes had already damaged Arena Rock’s reputation. Boston could have come up with a song to bring the genre back to glory and prominence. Instead, they released the biggest pile of dung they had written to that point. Potheads everywhere gave up on music that fateful day. We would never again see anything as grand as the bands self-titled debut. Instead, we would hear only weak attempts of dying bands trying to stay on the radio and in the limelight.
01. Mr. Roboto – Styx
Dennis DeYoung proved he had been a wolf in sheep’s clothing. He masqueraded as a rock star throughout the 1970’s but with “Mr. Roboto” DeYoung proved he wanted to be a Broadway star all along. This song single-handedly destroyed the original line up of the band. He forced his band mates to humiliate themselves by acting onstage. DeYoung was convinced that “Mr. Roboto” would put him in the same light at Pete Townshend. Instead of seeing his dream reach the heights of classic rock operas like Tommy, “Mr. Roboto” became the butt of a lifetime of jokes. DeYoung still defends “Roboto.” He told this writer, “"Mr. Roboto" is now a vernacular of our culture. You can’t go anywhere without someone saying, Domo Arigato Mr. Roboto. I can’t even being to tell you how many television shows and movies that line has been in. From The Simpson’s to Howard Stern to King of Queens to Austin Powers to Adam Sandler’s Eight Crazy Nights to the Volkswagen commercial to Dodge ball, it is everywhere you look.” Hello? Dennis, time someone told you the truth…They are making fun of you!
I didn't know where to post this, so I chose "misc" as the category. Granted, it is not political in nature, but it seems like a fairly slow news day, so it might make for an interesting discussion. I wasn't sure if I needed to excerpt or not. Let me know if I made a mistake in posting the entire article.
I don't know much influence bands have on what songs get released as singles. I think it's mainly the record company hacks.
I wasn't really into ZZ Top or Rush but the rest were great until those songs were released.
This writer hasn't been to a Blue Oyster Cult concert lately....;D
[though "concert" is hardly the word to use...they now play fairs and festivals]
The crowd is, for the most part, old Gen-Xers/baby boomers like myself and other than jumping around when DFTR starts up, they're pretty well-behaved.
BOC was in town last night and I couldn't bring myself to go see them in a 'The Maryland Theater' setting.
It's an elegant, upscale red velvet and Rococo cherubs kind of place and it just seemed somehow "wrong".
The best place I ever saw them was in seedy a WV roadhouse called Honey Bear's.
[And, at over 60, Eric Bloom is still HOT and definitely *doesn't* need more cowbell]....>:-)
Early REO was impressive, and Rush just plain rocked in their early years.
When I hear prog rock, early Genesis comes to mind....not Journey.
I've always been somewhat confused by the term "AOR". I have seen it described as you stated but also in reference to "Album-Oriented Radio". The latter has been described as the willingness to play non-singles on the radio and allowed some DJs to dig out some more obscure tracks on an album (of course I'm talking about the 70s here). The album was taken as a while as opposed to just playing the songs the record company wanted you to play. Some bands were considered album bands (e.g. Pink Floyd, Zep etc...)
Flash! Ah ah ... He's coming to save the universe!
I've always been a Queen fan, Flash Gordon or not. They also did the sound track to Highlander, and some of their greatest songs came out of that.
Meant this as a ping to you ... someone who remembers arena rock better than I.
I know what you mean, Quarterflash was considered AOR but had only a one hit wonder.
BOC just rocked the place. And they didn't need more cowbell. ;-)
"Every time I here "Can't fight this feeling any more" I want to hang myself."
We have a *really* great local cover band that we go see all the time.
They play that song and I bitched about it being the *only* low-point in an otherwise flawless, wonderful night.
Turns out the singer is a friend of Kevin Cronin and used to work with him.
They still play the song *sometimes* but not every set like they used to.
I didn't mean to hurt the singer's feelings but yegads...is that ever a whiny-ass song.
Gack. I agree with all those songs. Man, they sure did ruin it!
And BTW, are you calling me old?
;-)
Let's not say "old."
Let's just leave it at "older."
And now...that song is stuck in my head!!
It wasn't that bad of a song, but I remember when it came in 84 they played it to death. That and "I wanna know what love is", those two songs made Hall & Oats enjoyable.
I didn't realize that Cheap Trick was already playing State Fairs in '86 let alone BOC. I'm sure the venue can be a fun place to see a show, but it is often used in a derogatory fashion along with "Casino" to imply lack of patronage.
I thought the "Tuna Fish" album was one of the best in rock. But beginning with "High Infidelity" it was all downhill for them. Yes I know it was their biggest seller. It was still hideous.
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