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This statement isn't new, but for years anthropologists, archaeologists and historians of art understood these artistic manifestations as purely aesthetic and decorative motives. Eduardo Palacio-Pérez, researcher at the University of Cantabria (UC), now reveals the origins of a theory that remains nowadays/lasts into our days. "This theory is does not originate with the prehistorians, in other words, those who started to develop the idea that the art of primitive peoples was linked with beliefs of a symbolic-religious nature were the anthropologists"... This idea appeared at the end of the XIX century and the beginning of the XX century. Up until...

In 2009, a ground-breaking study by Genevieve von Petzinger revealed that dots, lines and other geometric signs found in prehistoric European caves may be the precursor to an ancient system of written communication dating back nearly 30,000 years. Von Petzinger, with University of Victoria anthropology professor April Nowell, compiled the markings from 146 different sites in Ice Age France, making it possible to compare the signs on a larger scale than had ever previously been attempted. What made her research ‘new’ was that she was able to use a whole range of modern technology to compare inventories and digital images...

Not surprisingly, these paintings attract tens of thousands of visitors every year. However, there is another aspect to this art that often escapes attention, but which is now providing scientists with fresh insights into our recent evolution. Instead of studying those magnificent galloping horses and bisons, researchers are investigating the symbols painted beside them. These signs are rarely mentioned in most studies of ancient cave art. Some are gathered in groups, some appear in ones or twos, while others are mixed in with the caves' images of animals. There are triangles, squares, full circles, semicircles, open angles, crosses and groups...

Were cavemen painting for their gods? (Filed: 23/02/2005) The meaning of Ice Age art has been endlessly debated, but evidence is increasing that some was religiously motivated, says Paul Bahn At least 70,000 years ago, our ancestors began to adorn their bodies with beads, pendants and perhaps tattoos; by 35,000 years ago, they had begun to paint and engrave animals, people and abstract motifs on cave walls, like those in Lascaux, France, and Altamira in Spain. They sculpted voluptuous figurines in ivory or stone, such as the Venus of Willendorf. Underestimating art: 35,000 years ago, our ancestors began painting representations...

Research on Dordogne cave art shows children learned to finger-paint in palaeolithic age, approximately 13,000 years ago -- Archaeologists at one of the most famous prehistoric decorated caves in France, the complex of caverns at Rouffignac in the Dordogne known as the Cave of a Hundred Mammoths, have discovered that children were actively helped to express themselves through finger fluting – running fingers over soft red clay to produce decorative crisscrossing lines, zig-zags and swirls. The stunning drawings, including 158 depictions of mammoths, 28 bisons, 15 horses, 12 goats, 10 woolly rhinoceroses, four human figures and one bear, form just...

Examples of (a) Upper Paleolithic signs, and characters in three of the early written languages which resemble the Paleolithic marks: (b) Indus Valley signs, (c) Greek (western branch), (d) Runic... Correlation of the symbols found accompanying Magdalenian cave art with symbols from other ancient cultures shows a nearly-complete match, after Forbes and Crowder, "The Problem of Franco-Cantabrian Abstract Signs: Agenda for a New Approach." World Archaeology 10 (1979): 350-66... These illustrations show (a) the collection of symbols that accompany the Magdalenian cave art in France, from 20,000 years ago or less, and characters in three of the early written languages...