Posted on 02/23/2003 3:28:17 AM PST by Mudboy Slim
"The A.N.S.W.E.R., my FRiends..."
(To be sung to Bob Dylan's "Blowin' In the Wind")
How many roads must a man walk down before you call him a man?
How many Dreams must each Tyrant kill before he's forced to step down?
How many lives must the Socialists kill, before RATS are forever banned?!!
The A.N.S.W.E.R, my FRiends, is Lib'ralism's DEAD!!!
The A.N.S.W.E.R. is fightin' 'gainst RATS' Spin!!
How many fears must the Networks create before RATS're squashed by the FRee?
How many years can RAT-sheeple persist that Mass-Murder's just peachy-keen?!!
How many times can RATS' Hearts trick their Heads, pretending Slick's blacker than me?!
The A.N.S.W.E.R., my FRiends, is helping FReep RATS' pigs,
The A.N.S.W.E.R. is blowin' out the Ditz's!!!!
How many times must Lib'rals be duped before they will see Slick LIES?
How many victims must one man have before the Rapist hears her cries?
How many deaths will it take 'till World knows that Central Authority is VILE?!!
The A.N.S.W.E.R., my FRiends, is Fightin' 'Gainst Left's Spin,
The A.N.S.W.E.R. is taking down Clinton/Soddim/Treason.(gettin' outta the UN?!)
Mid...MUD
Sheesh! yer a regular Janet Reno, aint ya!! Have a great weekend, ya insta-gator!
So, like you were jist sittin' around for an hour so you could be number 700?!??
That's OK, cuz you missed the irony question deadline.
I think Stern is a reasonable choice for UVA architecture. I see superficial similarities between his work and Jefferson's, e.g., the exaggerated neoclassical gestures, the aesthetic sensibilities and the pride of place, to borrow a phrase. I think Jefferson was more experimental and innovative, however. Architecture criticism has always seemed somewhat oxymoronic to me; its pretentiousness often serves to rationalize bad design. Your 'mobius strip...outta the loop' pun indicates otherwise.;) I studied math, not architecture. |
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Man, how could I have fergot that?? Wish I was feelin' a bit better, I would go with ya. Not sure I'll be able to withstand the trip to the Home Show. LOL!!
WRITTEN IN STONE: AN ARCHITECT DEFINES THE CLINTONS
by Mia T, 12-30-02
If mutability of meaning was necessary for the survival of the clintons--their survival hinged ultimately on the deconstruction of words and laws--it is more than a little ironic, and a manifestation of the special sway and shortsightedness of the pathologic ego, that clinton's monument to himself will necessarily define the clintons with the permanance of great inviolate places of iconic architecture. Whereas a huckster removes meaning from institutions --the wife picked up where the husband left off--an architect encodes meaning in buildings. James S. Polshek, the architect with the dubious distinction of having been commissioned to build the William J. Clinton Presidential Center in Little Rock, Arkansas, believes that a successful architectural solution must necessarily be rooted in relevance. Just as Polshek's buildings have physical layers, so too do they have layers of meaning. His Rose Center for Earth and Space, for example, is informed formally and programmatically by the historic architecture of a designated landmark even as it redefines itself, (often too self-consciously, in my view), in Star-Trekian terms. Reduced to its essence, the building is the nascent universe before the Big Bang, the promise of the undifferentiated cell in its mother's womb. The "bridge to the 21st century" was, perhaps, clinton's most delusional conceit, so it is not surprising that it would become clinton's self-referential metaphor of choice. His library was to be that bridge, if he had anything to say about it... The architect is often the master of the inside joke, witness Robert Venturi's postmodern chairs. Venturi exploited--unabashedly and with abandon--the vocabulary of Las Vegas, its stage-set-as-reality and its roadside culture--bright, clashing, ugly and fake. The architect's inside joke is his hedge against the sycophancy that comes with patronage. The flip side of the encoded meaning of the architect is the terrorist's decoding of it. To bin Laden, the World Trade Center was Jewish capitalism encoded in urban space. If Polshek's vision of clinton's library is a bridge, the inside joke is that, at best, it is a bridge to nowhere. More likely, it is a bridge to the 7th century...or a doublewide to house clinton double-speak. Take your choice.
copyright Mia T 2002 |
FReegards...MUD
BWAHAHAHAHAHA!!! If I wuz Venturi, I wouldda told Slick Willie to go F^%K hisself!! Clinton deserves to be shunned by every individual on this Planet who has a brain capable of thinking fer itself!! Clinton SHALL BE Universally-DELEGITIMIZED as an individual of any gravitas whatsoever...he MUST BE!!
FReegards...MUD
BTW...I guess ol' CyberAnt didn't quite git it...ya know what I mean? "...the sycophancy that comes with patronage." That's KLASSIK!!
Believe me, my FRiend, anything UN-nonsensical that you derived from my comment was entirely happenstance...my "outta the loop" regarded to Tigerman's marital status or Tigerman's body of work in general...LOL!! "I studied math, not architecture."
I usedta love math...I shouldda been an engineer!! Math major, eh?! Yer a smarty-pants!!
FReegards...MUD
Yes, but will the swear to leave American FOREVER when we VAPORIZE their Mass-Murderin'TyrantThugDuJour?!
RATS're Ignorant DOLTS!!
FReegards...MUD
BWAHAHAHA I loved Ermey in that movie!
I wish! It's hard for a single girl to keep herself in the manner in which she has become accustomed, you know! ;0) *L*
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