Posted on 11/27/2004 6:36:33 PM PST by quidnunc
Well, I thought it was simply terrible. The film goes on for nearly three hours, but we hear nothing of what either supporters or detractors of Alexander, both ancient and modern, have agreed were the central issues of his life. Did he really believe in a unity of mankind, and were his mass mixed marriages, Persian dress, and kowtowing cynical, sincere, or delusions of megalomania? We see nothing of the siege of Tyre, Gaza, much less Thebes or even the burning of Persepolis. Other than the talking head Ptolemy, none of his generals have much of a character. There is nothing really in detail about the page purging other than a single reference; Stone, I would have thought, could have had a field day with Alexanders introduction of both crucifixion and decimation.
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(Excerpt) Read more at victorhanson.com ...
Talk about contradiction!
Since you brought up King Arthur..... EXCALIBUR is the definitive and best ever film of the Arthurian legend.
Not really. It's story-telling. Either you tell it well...or you don't. Doesn't have to be true to the book or to history.
bttt
Homosexuality ruins everything.
Born on the Fourth of July was a propaganda piece. As were Platoon, Nixon, and JFK. Scarface was just a remake of Little Caesar, and Conan is an adaptation of a long-standing pulp fiction character which was handled adequately at best.
I have a widescreen. You can only see "Lawrence of Arabia" properly on a widescreen TV.
Yes, the speck on the horizon shot Lean used so well there.
Nonsense. The winner and undisputed world champion Arthur movie is: Monty Python and the Holy Grail.
Off the top of my head I cite
John Travolta in "Get Shorty"
Russell Crowe in "Gladiator", "Master and Commander", and "L.A. Confidential",
Harrison Ford in "Witness"
Jude Law in "Enemy at the Gates"
Pierce Brosna in "The Thomas Crown Affair" and all the James Bond movies"
Brad Pitt in "Snatch" and the one where he plays a star-crossed lover.
There are many, many others.
That still leaves Wall St. and Salvador. On the rest we disagree.
Must not forget Anthory Hopkins as "Hannibal the Cannibal"
I had a list of Oliver Stone's success posted, but the new way of listing my posts keeps me from being able to recall it. Basically, if you give him $50m and a controversial script, you can pretty much count on him making $50-$100m with overseas receipts.
(It seems his US history films -- BOT4th of July, JFK, Nixon -- do far better overseas, which I find interesting.)
Any Given Sunday even made money. But this one will be a flop of legendary proportions (Gigli, Cleopatra...but not Pluto Nash).
Box Office Mojo had it 6th on Friday -- behind Spongebob. It made 3.9 on Monday, 4.3 on Thursday and 5.7 on Friday. I would guess its main competition is the implausible, but apparently likable National Treasure. It's killing, despite negative reviews (Medved happened to like it, though.
The Incredibles takes this theme and runs with it.
Haven't seen them. Probably never will. I get the feeling that Wall Street
couldn't rise above being a commentary on the 80's "decade of greed" stereotype, let alone rise up to the level of a film I'd call great. How is it relevant now, let alone 50 years from now.
I think you are far more generous than I with the accolade of "Great Film". I'll go years without seeing one that I think will stand the test of time, as well as change the way movies are made forever after. The most recent addition to my list is The Lord of the Rings Trilogy, but I'd have to reach back a ways before that to name one.
Looks that way.
But it will have plenty of company...most recently "Heaven's Gate". I've seen Cleopatra, by the way. Visually it was great - especially for its time - but it was a real stinker.
The horrible thing is that plenty of stinkers make money; "Gunga Din" and "Fort Apache" recently put me to sleep. I've walked out on a number of recent block-busters.
John Ford's FORT APACHE or some newer version? 'Cause I love John Ford's version!
Oh, how soon they forget. Remember Waterworld?
The biggest flops seem to be (they pretty much have to be universally seen as a bad film, have a big budget and make back less than a third of it), as listed by MSN are: Title (budget (incl. marketing if available)/box office (worldwide if available))
Be sure to follow with "The Maltese Falcon", "To Have and to Have not", "Key Largo", "Notorious", "The Philadelphia Story", and "North by Northwest".
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