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Posted on 08/26/2026 9:00:42 PM PDT by SeekAndFind
A crucial conversation is emerging in Christian worship communities across America: Should it matter who writes the songs we sing in our churches? As collaboration between worship leaders and secular artists becomes more common, believers are asking whether the spiritual condition of a songwriter affects the integrity of congregational worship.
Kenny Klinglesmith raises an essential question that strikes at the heart of authentic Christian worship. When we lift our voices together on Sunday mornings, we are doing far more than singing—we are praying, declaring truth, and forming our spiritual understanding of who God is.
The character and beliefs of those crafting these corporate prayers cannot be dismissed as irrelevant. Scripture is clear that truth matters, and the source of that truth matters deeply.
Throughout Church history, hymn writers and worship leaders have been theologians and devoted followers of Christ. Their personal walk with the Lord informed every word they penned. Charles Wesley, Fanny Crosby, and countless others wrote from lives saturated in Scripture and personal communion with God.
Today’s landscape looks markedly different. The commercial worship music industry has expanded dramatically, bringing with it writers and producers whose primary expertise may be musical rather than theological or spiritual.
The concern isn’t about musical quality or creative excellence. Non-Christian artists can certainly craft beautiful melodies and compelling lyrics. The question is whether songs intended to lead God’s people in worship should come from hearts that know and love Him personally.
When we sing, we teach. Children absorb theology through the songs they hear week after week. New believers form their understanding of God’s character through worship lyrics. Mature Christians reinforce their faith or, potentially, absorb subtle distortions.
A songwriter’s worldview inevitably shapes their work. Their understanding of sin, grace, redemption, and the nature of God flows from their relationship—or lack thereof—with Christ. Even well-intentioned lyrics from unbelieving writers may lack the depth of revelation that comes only through the Holy Spirit.
This doesn’t mean every worship song must come with a spiritual resume of its writer. But church leaders bear responsibility to carefully evaluate not just what is being sung, but the theological foundation from which it springs.
Scripture calls us to test everything and hold fast to what is good. This discernment applies to worship music just as it does to preaching and teaching. The songs we choose shape our congregations’ faith more profoundly than we often recognize.
Some argue that God can use anyone to communicate truth, pointing to biblical examples like Balaam or even Pharaoh. This is certainly true—God’s sovereignty knows no bounds. But the question isn’t whether God can use non-Christians; it’s whether we should actively seek out and elevate their words as the prayers of God’s people.
The commercial pressures facing modern worship are real. Record labels, streaming metrics, and concert tours have transformed worship music into big business. These market forces can prioritize what sells over what sanctifies.
Church leaders must resist the temptation to simply adopt whatever is popular or trending. Our worship should be formed by Scripture and led by the Spirit, not driven by industry charts or social media buzz.
This conversation requires wisdom and grace. Many worship leaders genuinely desire to serve their congregations well while also engaging with the broader creative community. The path forward isn’t rigid legalism but thoughtful discernment.
Perhaps the answer lies in returning to some fundamental questions: Does this song exalt Christ? Is it biblically sound? Does it lead people into genuine worship of the one true God? And yes—does the writer demonstrate a life and faith that honors the message they’ve penned?
Our worship matters to God. He desires worshipers who worship in spirit and truth. As we consider who writes our songs, we’re ultimately asking what kind of worship we want to offer our Holy God.
The stakes are high. We’re not just choosing entertainment for Sunday mornings; we’re selecting the words that will echo in hearts and minds throughout the week, shaping how believers understand and relate to their Creator.
American churches have the freedom to worship openly and choose their own expressions of praise. With that freedom comes responsibility—to ensure that what we sing honors God fully and forms His people faithfully.
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Already most of the mus8c is entertainment and not worship. We need to go back to the hymns
Name names.
I prefer the old hymns over the Hillsong 3 lines 15 times song models....We actually time our church entrance to avoid all the hogwash that passes as worship songs. If God was capable of sleep, these would definitely cause him to fall into slumber...
Basically anything produced by Hillside...
I’m sorry, but I’m 63, raised in south, the old tobacco field, revivals, the old songs, etc., etc. etc. I now view organized religion within four walls of a building is nothing more than a social club complete with in-house entertainment, activities, cookouts etc. it’s turned into a complete freaking joke. The kingdom of heaven is within you as Jesus said you need nothing more. Jesus didn’t come to establish a religion, and he certainly wasn’t a modern day and especially a CatholicChristian’.
Aw come on, who doesn’t like modern hymns like “Please pass the plate” and even newly adopted oldies like “Oh Lord Won’t you buy me a Mercedes Benz”
Laicized Jesuit priest Dan Schutte has written 171 (horrid) hymns.
Most of the modern “worship” songs adore the most UNholy trinity of “me, myself, and I”.
All about feeeeeeeeelings.
* Read the Word 📖
* And Watch, The Hour is late.
* Every week the gathering together at a members voluntary list home to fix/ renovation of their house and property, singing as you provide.
Agree - my little mountain church only sings traditional hymns. ‘Course that’s because I lead the worship committee.
I totally agree, quit dimming the lights and cranking up the volume. Give me "Amazing Grace" and "Onward Christian Soldiers" any day. I miss the organist in the church I grew up in the '50s and '60s.
Church in the Wildwood
Absolutely. I do not go in until the music ends. The “worship team” plays unsingable songs, and they sing the same words over and over and over. It is deplorable.
…and I can hear the “music” from about 100 yards away.
Our church sings mostly all traditional hymns with either a piano only accompaniment or a guitar only accompaniment and I love it!
I hate singing off the walls and modern syrupy christian songs. Just won’t do either of them.
bump
I tried a couple new churches the pat yer. Horrible. It was an hour straight of awful “modern worship” songs. On and on and on. Now with AI they will be able to churn them out even faster.
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