Posted on 01/05/2007 12:12:03 PM PST by Alex Murphy
Back in the 1970s, in the Dean Martin Roast era on TV, comedian Don Rickles could get away with saying most anything about anyone. Nothing was safe from his jokes – be it race, gender, religion, professions, personal behavior – nothing. He was billed as a “putdown artist.” He could make jokes about blacks, and Muhammad Ali would be the first to laugh. He could crack wise about alcoholics, and Dean Martin would erupt. He could ridicule those wearing toupees, and Frank Sinatra would dissolve into fits.
Rickles, along with all of his guests, knew what it was to rib – the art of poking fun, and if it was not always gentle, it was good-natured. They never introduced a rancorous note of personal invective. They were professionals, and they had too much class. It is why yesterday’s comedy was funny and relaxing, and today’s is not.
Too much comedy today comes soaked in bile, oozing with cynicism, and when it unloads insults, it means them with a vengeance. Vicious mockery is so common on television today that it’s in danger of seeming blase. Mockery is sometimes so frenzied that the satire doesn’t even come close to resembling the target.
This example is a bit obscure, but worth noting. Cartoon Network switches to its “Adult Swim” format in late night, and one of the oddest little shows is “Moral Orel.” If you haven’t heard about it, some have suggested it’s like the old Lutheran claymation cartoon “Davey and Goliath”... meets “South Park.”
Or just ponder Cartoon Network’s promotional language about Orel, a young Protestant goon-in-training: “His unbridled enthusiasm for piousness and his misinterpretation of religious morals often lead to disastrous results, including self-mutilation and crack addiction.” Nearly every supposedly Christian person in this cartoon is either an idiot or a hypocrite, and often both, especially Orel’s minister.
The creator of “Moral Orel,” a man named Dino Stamatopoulos, is very candid in an interview on the Cartoon Network website. Going to church with his parents as a child was a “nightmare,” and “everyone who went to church was repulsive to me.” He felt like the demonic character Damien in “The Omen,” and agreed with George Carlin’s joke that he liked church because it reminded him there was “something worse than school.” All of that bitterness comes through loud and clear on “Moral Orel.”
Take the concept of marriage, building a lifetime of ongoing love with a spouse. “Orel” writers think that’s a joke. They have Orel’s father define love for his son like this: “Love is a very beautiful, very intense feeling for a startlingly short period of time. Before long, you realize it gets in the way of the really important things in life, like just going to sleep and being left alone.”
In that episode, Orel befriends a dog so lovable that he tells the dog he “makes Lassie look like a heathen.” But when it’s discovered Orel loves the dog more than Jesus, the town’s adults surround the dog and have it killed. Orel’s father says the dog was spreading so much love he was “dangerous.”
This is comedy?
But “Orel” really departs from earth-bound reality when its crazy Christians hit the streets to protest and purify the world for God. In one episode, the plot includes protesters outside a Denny’s-style restaurant, screaming: “Hate! Hate! Hate! When the gluttons put on weight!” A sign claims “God Hates Fats,” and protesters yell at a heavy-set woman coming out of the restaurant, “God hates you, Fatty! God hates you, you’re going to Hell.”
In another episode, Orel joins the uptight town librarian “Miss Censordoll” on a loopy parade of ridiculous rants. It begins with protesting the faithful 1964 movie on the life of Jesus titled “The Greatest Story Ever Told” at the local theatre, since the film is so “boring” it leads people to “whoring.” It gets even more bizarre, as these ersatz Christians stoop to protesting supposedly godless institutions like a blood bank, a coffee shop, and a hospital. It ends with Orel’s crusade to ban eggs from the town.
Perhaps the greatest offense for an entertainment network is that this show doesn’t entertain. It’s not funny. It’s painted in dark, depressing tones. It’s the very definition of heavy-handed propaganda, a cheaply animated “Scared Straight” for Christian addictions. Going to church seems to disqualify you from being capable of love, charity, and the slightest fraction of common sense.
Imagine, if you can, the long stream of producers and actors and writers and artists and executives who work on the assembly line of a TV production like this. No one in this imposing chorus seems to have had a fleeting thought that this series of unfunny, wildly inaccurate smears crosses a line from good-natured ribbing to mean-spirited character assassination.
I wonder what Bozell will write when there is a cash bounty on Christians for not having the right tattoo on their foreheads or right hands.
Why is it that anyone who has read their Bible is surprised at hatred directed to Christians? Or does'nt understand how much worse it is going to get?
The "tolerance and diversity" crowd does not practice what they "preach".
They are socialists out to subvert the society.
Uh ... well ... if the shoe fits ...
Perhaps he should do a series with Muslims.
I wouldn't be surprised to see this show on Comedy Central, but on Cartoon Network? Unreal.
I suppose this exchange in Repo Man offends as well:
Bud: Do you think they give a damn about their bills in Russia?
Otto: They don't pay bills in Russia, it's all free.
Bud: All free? Free my ass. What are you, a f----n' commie? Huh?
Otto: No, I ain't no commie.
Bud: Well, you better not be. I don't want no commies in my car. And no Christians either!
Assy McGee is best explained here
I hadn't seen this show until just last week caught a piece of it while channel surfing...
I agree that it just isn't very well written or funny. I can't imagine that it'll last very long.
South Park, it ain't.
Lighten up?
Lighten up?
Thats what German neighbors said to the Jews in the 1930's.
Hate being spewed at midnight is the precursor to hate being spewed at prime time. Just getting people used to the ideas.
Once again, we see that Freedom of Speech is useful for alerting us to who the foul-minded jerks are.
Well its not Aqua Teen Hunger Force. The shows really not that funny actually, if you're going to be offensive you have to be really funny or its just boring.
What we have here on this thread is an assortment of Catholics and Calvinists who regularly guffaw at the antics of "megachurches" and other zany folks, being suddenly "shocked and appalled" that their own glass houses might look like an inviting target.
Not saying the show is that good. Like someone else said, it ain't no Aqua Teen Hunger Force by a longshot. But the hyperbole machine sure getting cranked up over this show.
Oh, and I forgot to add, "and at each other."
It is hard for those who have never known persecution,-T.S. Eliot, Choruses from "The Rock" VI
And who have never known a Christian,
To believe these tales of Christian persecution.
It is hard for those who live near a Bank
To doubt the security of their money.
It is hard for those who live near a Police Station
To believe in the triumph of violence.
Do you think that the Faith has conquered the World
And that lions no longer need keepers?
Do you need to be told that whatever has been, can still be?
Do you need to be told that even such modest attainments
As you can boast in the way of polite society
Will hardly survive the Faith to which they owe their significance?
So here's a test: if one wouldn't subject Jews to this kind of treatment - and it goes without saying that one wouldn't - why should it be acceptable to subject Christians to it?
Of course, I simply Tivo the anime.
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