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Alchemy with light shocks physicists
New Scientist ^ |  21 May 03 | Charles Choi

Posted on 05/22/2003 11:25:37 AM PDT by sourcery

rare in the abstract of a reputable scientific paper. But the latest report by photonics crystal pioneer John Joannopoulos and his group at MIT, soon to be published in Physical Review Letters, does not disappoint.

The researchers document the ultimate control over light: a way to shift the frequency of light beams to any desired colour, with near 100 per cent efficiency. "The degree of control over light really is quite shocking," comments photonics expert Eli Yablonovitch at the University of California, Los Angeles.

If the effect can be harnessed, it will revolutionise a range of fields turning heat into light, for example, or prized terahertz rays. Right now, the only way to shift the frequency of a light beam involves sending an extremely intense light pulse with a power of many megawatts or even gigawatts along next to it.

This interacts with the first beam and alters its frequency, but the technique is expensive, requires high-power equipment, and is generally pretty inefficient. But when Joannopoulos and his colleagues Evan Reed and Marin Soljacic investigated what happens when shock waves pass through a device called a photonic crystal, they discovered a completely unexpected effect.

Hall of mirrors

Photonic crystals, which are made by sandwiching together layers of material that bend light in different ways, can be designed to reflect some frequencies while letting others through. They are used to steer light through circuits in the same way that electronic circuits direct electric current.

From computer simulations, the team found that shock waves passing through a crystal alter its properties as they compress it. For example, a crystal that normally allows red light through but reflects green light might become transparent to green light and reflect red light instead.

The researchers worked out that if a photonic crystal is designed in a certain way, incoming light can get trapped at the shock wave boundary, bouncing back and forth between the compressed part of the crystal and the uncompressed part, in a "hall of mirrors" effect.

Because the shock wave is moving through the crystal, the light gets Doppler shifted each time it bounces off it. If the shock wave is travelling in the opposite direction to the light, the light¹s frequency will get higher with each bounce, while if it travelling in the same direction, the frequency drops.

After 10,000 or so reflections, taking a total of around 0.1 nanoseconds, the light can shift dramatically in frequency from red up to blue, for example, or from visible light down to infrared. By changing the way the crystal is built up, it is possible to control exactly which frequencies can go into the crystal and which come out. "We ought to be able to do things that have never been possible before," Joannopoulos told New Scientist.

Shooting bullets

The technique can even focus a wide range of frequencies into a narrow band, something no other known method can do, says Joannopoulos. Normal colour filters merely let through the desired frequencies and chop the others away, so much of the energy is lost.   The team is now collaborating with researchers at Lawrence Livermore National Laboratory to demonstrate the effect. Initially they will generate shock waves by shooting bullets at photonic crystals. This would destroy the crystal, but not before the light has had time to shift. Eventually, sound waves should do the job just as well, they say. "It¹s really practical, and potentially even easier to do than with actual shock waves," says Reed.

The work is impressive, says materials chemist Michael Sailor at the University of California, San Diego, whose team has developed flexible, biodegradable photonic crystals. He says he now plans to test the phenomenon for himself.

Besides making devices such as light bulbs and solar cells more efficient, the method would also help to keep optical telecommunications networks moving. At the moment, many light frequencies are bounced down optical fibres simultaneously. If a particular frequency is being used to capacity, then optical switches could shift light beams to a frequency where there is still capacity to spare.

Another benefit of pushing the frequency of light downwards would be the ability to make terahertz radiation. Terahertz rays, in the range between microwaves and infrared, hold great promise for medical imaging, as they are easier to focus and less damaging than X-rays (New Scientist print edition, 14 September 2002, p 34). But they are not yet widely used as they have been too difficult to produce.


TOPICS: Technical
KEYWORDS: light; popularmusic; realscience; science; techindex
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To: Monitor
Y & C = G is subtractive color. Is that how paint works,
or is it additive?
41 posted on 05/22/2003 3:59:22 PM PDT by gcruse (Vice is nice, but virtue can hurt you. --Bill Bennett)
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To: Gary Boldwater
Now apply this knowledge to the big picture - specifically cosmology and the cosmological red shift.

And latest studies seem to indicate that the "doppler" red shift is quantisized... that it jumps in values rather than a steady variation. This would tend to show that some thing like this shifting is caused by something other than mere distance.

42 posted on 05/22/2003 9:04:14 PM PDT by Swordmaker (Tagline Extermination Services, franchises available, small investment, big profit)
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To: sourcery
bump
43 posted on 05/22/2003 9:20:20 PM PDT by GOPJ
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To: aruanan
> It's not a myth when we're talking about paints in kindergarten. You cannot mix yellow and green Prang water colors or tempera paint and get blue.

Prang watercolors
are good enough for real tests,
but you have to know

the "actual" wheel
of color, the sequence of
paint pigment bias:

          Yellow

    Orange         Green

      Red         Blue

          Purple

That's a color wheel.
So, to mix "primary" blue,
you would mix purple

with green. The result
will be a very pretty,
less intense real blue.

Similarly, red
is mixed purple and orange.
Primary yellow

is orange and green,
but because it's not intense,
it will be seen brown.

Prang watercolors
aren't Winsor & Newton,
but they'll work for this.

44 posted on 05/23/2003 7:22:25 AM PDT by theFIRMbss
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To: Physicist
Consider that the the microwave background radiation is highly scattered. If you look at optical communication systems in highly scattering medium it's impossible to tell where the source is, same for microwave. What is the coherence length of the background radiation as a radial function from earth? We only see the transverse coherence.

Secondly, the background radiation can be the summation of many shifts occuring at different times and places and gives a continuous spectrum. Just look at the spectrum of the spread spectrum radio signal. For just "crude" modulation rates the spectra appears as continuous noise. Imagine if it was encoded over astronomical time periods at very high data rates.

I think it would be telling to look at the nature of low level signals of the cosmic background. Refer to the discussion of the difference between "antenna radiation" and "light" in Dishington's book. If the thesis is correct, one would see the microwave background radiation showing photonic properties (since it is shifted light) rather than the properties of antenna radiation, as this is what most microwave signals are. The properties would show as polarization differences. Light type radiation would show circular polarization at the quantum level (individual photons) and antenna type radiation would maintain the same polarization (linear or circular) regardless of signal level.

45 posted on 05/23/2003 11:32:51 AM PDT by Gary Boldwater
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To: LittleJoe
Hey, I'm not a scientist either. I'm an engineer whose area is electromagnetics. I'm just jealous of the cosmologists who get to use fudge factors to explain everything but that which can be done on earth.
I'm on a quest for explaining the physical world that doesn't invoke the supernatural or the unseen or unmeasurable.
If you are interested, the best book I've seen is "Physics 2001" by Roland Dishington. The book is dynamite, unlike anything else written. If you have a background in Physics or engineering this book is for you. Available at:
Beak Publications, PO Box 333, Pacific Palisades, CA 90272
The author attempts to explain most known phenomena from an ether standpoint. It's all derived from a few basics. The concepts have helped me immensely in my work. There's no extra dimensions, causality is NOT violated, no magic at all. I can't recommend the book enough.

46 posted on 05/23/2003 11:47:45 AM PDT by Gary Boldwater
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To: Gary Boldwater
Thanks Gary, I'll get it.
The fudge factors and magic cause my brain to suffer dimensional meltdown!
47 posted on 05/23/2003 11:54:06 AM PDT by LittleJoe
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To: theFIRMbss
Thanks. I'll try it.
48 posted on 05/23/2003 12:46:58 PM PDT by aruanan
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To: gcruse
The other factor is whether the colors are viewed by reflected light or transmitted light. The color printed on white paper is not at all the same color when printed on clear plastic and projected as a transparency.

When I blend my Winsor & Newton, all I usually get is brown. I can't get brown at all in my transparencies, everything comes out yellow.

49 posted on 05/23/2003 12:53:38 PM PDT by RightWhale (Theorems link concepts; proofs establish links)
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