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If a Shakespeare play is racist or antisemitic, is it OK to change the ending?
The Guardian ^ | 2 November 2017 | Clarissa Sebag-Montefiore

Posted on 11/03/2017 12:30:42 AM PDT by Cronos

It’s the last scene of The Merchant of Venice and the Christians are celebrating. They have love, youth and wealth on their side. Best of all, they have outsmarted “the Jew”. Not only does Shylock not get his pound of flesh, but he is forced to convert – his kippah brutally ripped off his head – and sign away his fortune to his daughter Jessica, who has turned her back on her family to elope.

While the group cavorts around the Sydney Opera House stage with giddy, ecstatic abandon, Jessica goes quiet. She bursts into tears, sinks to the floor and asks: “What have I done?”

As she weeps the others look on helplessly, even guiltily. Her husband kneels before her and tenderly tears apart the deed promising them her father’s fortune. translucent light descends. Portia whispers: “It is almost morning.” A new dawn, this implies, is approaching, washing away blind intolerance with it.

It is a beautiful ending. There’s just one problem: it isn’t William Shakespeare’s.

.....

Allowing Shakespeare to stand as it is – warts and all – has a purpose: it exposes the nastier side of antisemitic society and a past that we, in the 21st century, need to know about to ensure we don’t repeat it. This was an era in Europe when the despised profession of moneylending was almost exclusively Jewish, when Jews were thought by some to use the blood of children for rituals, and when many, as in The Merchant of Venice, thought Jews were the “very devil incarnate”.

...

Is The Merchant of Venice a Jew-hating play? Or is it a play about Jew haters? The jury is still out and it always will be; that’s where the genius lies, whatever side of the fence you fall on.

(Excerpt) Read more at theguardian.com ...


TOPICS: Australia/New Zealand; Culture/Society
KEYWORDS: epigraphyandlanguage; godsgravesglyphs; shakespeare; williamshakespeare
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What do you think? Is it a Jew-hating play or is it a play about Jew haters?
1 posted on 11/03/2017 12:30:43 AM PDT by Cronos
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To: Cronos
It is a subtle, textured ending that admits of many interpretations. That is why it is genius.

"I...am content." If it's a Jew-hating play, why are all the best lines Shylock's?

2 posted on 11/03/2017 12:39:30 AM PDT by Billthedrill
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To: Cronos

If you erase me from history, do I not leave a void? Or will you fill it with devils?


3 posted on 11/03/2017 12:43:02 AM PDT by Telepathic Intruder
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To: Cronos

It is also a comedy...

Should we change the ending of “White Men Can’t Jump” too?


4 posted on 11/03/2017 12:44:19 AM PDT by 2banana (My common ground with terrorists - they want to die for islam and we want to kill them)
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To: Cronos

...and by the way, I think the “quality of mercy is not strained” soliloquy is simpering drivel. But then what can you expect out of a girl who was named after a car?


5 posted on 11/03/2017 12:44:59 AM PDT by Billthedrill
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To: Cronos

Merchant of Venice was one of the very few we were not assigned to read in 11th grade. I really should catch up and read it. I don’t know what I think right now about that question. I do know Shakespeare can be subtle. Ever hear people quote Polonius as if he were Shakespeare?

Of course I don’t think we should change anything. Next it will be the shrew taming her husband instead of vice versa.


6 posted on 11/03/2017 12:51:32 AM PDT by firebrand
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To: Billthedrill
Portia is an Ancient Roman name, the car is spelled and pronounced differently and wasn't produced until many millennia later/100s of years, after the play was written.

That ending is NOT how Shakespeare wrote the play and instead of "genius" is snowflake PC crap!

You aren't funny, clever, nor insightful no matter what you appear to imagine.

7 posted on 11/03/2017 12:53:36 AM PDT by nopardons
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To: Cronos
It is about both; however, Shakespeare, as every other Englishman was at that time, when Jews had been forced out of England 1oos of years ago and would NOT be allowed to live there, for many hundreds of years more, was an anti-Semitic Jew hater. Shylock is the "villian" of the piece.

Rewriting any play/book/poem, attempting to make it more PC, or whatever, is as wrong and rewriting history is! And not allowing it to be performed nor read, is also very bad!

The thing is, people don't change, only technology does and seeing this play, one must take into consideration when and where and by whom it was written and for what kind of audience as well.

8 posted on 11/03/2017 1:00:59 AM PDT by nopardons
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To: miss marmelstein

Over here; your 2 cents are much needed! ;^)


9 posted on 11/03/2017 1:03:44 AM PDT by nopardons
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To: Cronos
"Were all thy children kind and natural?" King Henry V This tells us what natural born and naturalization means. image image image
10 posted on 11/03/2017 1:11:52 AM PDT by bushpilot2
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To: Telepathic Intruder

They forget that the ones who rip away history or try to erase it, always get erased themselves.

If you can do it to someone or something, it can be done to you. And probably will be.


11 posted on 11/03/2017 1:15:11 AM PDT by wbarmy (I chose to be a sheepdog once I saw what happens to the sheep.)
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To: wbarmy

They don’t just erase history, they change it to satisfy their sick fetishes. Jesus was a socialist. George Washington was a racist. Nothing can be learned of truth is as changing as the political climate.


12 posted on 11/03/2017 1:20:55 AM PDT by Telepathic Intruder
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To: Cronos

I am not a Shakespeare scholar, but let the ending remain.

What is next? Expurgating the books of Joshua and Ezra from ancient texts because they make some multicultural idolaters uncomfortable?


13 posted on 11/03/2017 1:30:11 AM PDT by SoFloFreeper
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To: Cronos

The (Manchester) Guardian is a complete leftwing rag that publishes lefty “what if” dreck like this author with a peculiar hyphenated euro-leftwing trash name. Shakespeare is Shakespeare. It’s part of the permanent historical/literary record. Get over it.


14 posted on 11/03/2017 1:40:39 AM PDT by SpaceBar
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To: Cronos

When they put on Julius Caesar this summer in Central Park, they didn’t change a single line.


15 posted on 11/03/2017 1:45:47 AM PDT by Lisbon1940 (No full-term Governors (at the time of election!)
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To: Cronos

Also, there is no right answer. If you say “yes”, then it’s just a short step to toppling statues, blowing up buddhas, and airbrushing Nikolai Yezhov out of the picture. If you say “no” well then you’re an anti-semite. See how that little game works?


16 posted on 11/03/2017 1:46:47 AM PDT by SpaceBar
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To: Cronos

How about FU


17 posted on 11/03/2017 1:47:47 AM PDT by Altura Ct.
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To: SpaceBar
well, I would answer No, don't change anything, but show the context of the situation and see the pathos in Shylock who gets needled by Antonio's anti-semitism

The same way about statues to Rhodes or slavers or whatever -- leave them, but put in a text about the deeds and let people come to their own conclusions. We should not whitewash history

18 posted on 11/03/2017 1:54:11 AM PDT by Cronos (Obama's dislike of Assad is not based on his brutality but that he isn't a jihadi Moslem)
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To: Cronos
show the context...

I got their "context" right here on my middle finger. As soon as you have to explain yourself to the left, you've lost. The people floating this absurdity are commie agitators steeped in the art of injecting controversy into everything. Screw em.
19 posted on 11/03/2017 2:01:17 AM PDT by SpaceBar
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To: wbarmy

Stalin was (in)famous for purging within the ranks


20 posted on 11/03/2017 2:32:45 AM PDT by P.O.E. (Pray for America)
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