Posted on 08/17/2016 12:06:10 PM PDT by Borges
Canadian-born director Arthur Hiller, who spent more than a decade mostly working in television before a career in feature helming that included Love Story, The Americanization of Emily and comedy Silver Streak, died Wednesday. He was 92.
Love Story, based on the bestseller by Erich Segal, was an enormous box office hit in 1970 and was nominated for seven Oscars, including best picture. Though many critics dismissed the movie as too sentimental, it is No. 9 on the AFIs list of the most romantic films of all time.
Hiller served as president of the Directors Guild of America from 1989-93 and of the Academy of Motion Picture Arts & Sciences from 1993-97. He received the Jean Hersholt Humanitarian Award at the 2002 Academy Awards ceremony.
The Academy of Motion Picture Arts and Sciences issued a statement. We are deeply saddened by the passing of our beloved friend Arthur Hiller, said Academy president Cheryl Boone Isaacs. I was a member of the Board during his presidency and fortunate enough to witness firsthand his dedication to the Academy and his lifelong passion for visual storytelling.
The helmer went on a hot streak in 1970 and 1971 with Neil Simons The Out of Towners; Love Story; much-lauded black comedy The Hospital, for which Paddy Chayefsky won best screenplay and George C. Scott received an actor nom; and Plaza Suite, a Simon adaptation of his own play.
The streak ended with 1972s Man of La Mancha, starring Peter OToole and Sophia Loren, which drew neither critical acclaim nor significant box office. Hiller continued to direct until 2006 but never achieved the same level of success again.
Hiller directed a number of high-profile films in the 60s, including The Wheeler Dealers, with James Garner and Lee Remick and, in 1964, well-received big-budget The Americanization of Emily, with Garner and Julie Andrews.
He made Promise Her Anything, with Warren Beatty and Leslie Caron, in 1965, and the light-hearted Penelope, with Natalie Wood, in 1966. The next year Hiller directed his only war movie, Tobruk, with Rock Hudson and George Peppard.
In 1976 Hiller helmed the biopic W.C. Fields and Me, starring Rod Steiger, and the popular comedy Silver Streak, with Gene Wilder and Richard Pryor. Also successful was his 1979 action-comedy The In-Laws, with Peter Falk and Alan Arkin, although his foray into horror that year, Nightwing, was a dud.
Hillers 1982 romantic-triangle drama Making Love wasnt a hit but courageously addressed homosexual themes. He followed it up with Author! Author! with Al Pacino. His other films of the 80s included Steve Martins The Lonely Guy,; Outrageous Fortune, with Shelley Long and Bette Midler; and 1989s See No Evil, Hear No Evil, which reunited Wilder and Pryor but failed to live up to its high concept (Wilders character is deaf, Pryors blind).
Hiller continued with comedies, making Take Care of Business in 1990 and Married to It in 1991.
He switched genres and made historical sports pic The Babe, with John Goodman, in 1992, then returned to comedy with Carpool, in 1996.
In 1997 came the complicated, Joe Eszterhas-scripted mess known as An Alan Smithee Film: Burn Hollywood Burn, a movie about making a bad movie that was as bad as its pic-within-a-pic.
Hillers last film was the similarly unsuccessful National Lampoons Pucked.
Born in Edmonton, Alberta, he served in the Royal Canadian Air Force from 1942-45, graduated from University College, U. of Toronto, in 1947 and received a Master of Arts degree in psychology in 1950. He began his show business career working for the CBC in Toronto in the early 50s but eventually left for American television.
Hiller was kept busy as a director working in the episodic anthology series of the 50s and early 60s beginning with four episodes of Matinee Theatre in 1955-56. He also did six episodes of Playhouse 90 from 1956-58 and three episodes of Telephone Time from 1957-58.
During this time he made his feature directorial debut with 1957s The Careless Years, a story of teen love that starred Dean Stockwell and Natalie Trundy.
He directed seven episodes of The Third Man series in 1959. He also worked on Perry Mason, The Rifleman and Gunsmoke and many other shows.
He made the Disney film Miracle of the White Stallions in 1963, after which he became a director of high-profile films.
Hiller is survived by his daughter, Erica Hiller Carpenter, his son, Henryk, and five grandchildren. Gwen Hiller, his wife of 68 years, died in June.
I saw that with my mom. Extremely funny.
Based on Al Gore..
Enjoyed his films, especially “Silver Streak.” RIP.
Who knew Tipper died back in the ‘60s ?
His last words were “It really was about Al Gore.”
Good. What a sappy movie.
Al Gore and Tipper are deeply saddened. I expect to hear new revelations about the origin and provenance of the story from ALGORE.
Silver Streak was ruined for me by the movie previews they played just before the movie. They were for an upcoming movie I’d never heard about. After seeing THAT trailer, Silver Streak was a real disappointment.
Oh, the movie trailer was for Star Wars.
Love means never having to say you’re sorry.
Except, that is pure BS.
In a Hollywood that constantly pumps out remakes, one wonders why this one hasn’t been remade.
I simply choose to forget.
Oliver's Story was done as a sequel, but it bombed.
In Mr. Hiller’s defense, and considering the dreadful novel he had to work with, he was simply unable to make chicken salad out of chicken s#!+. Both the book and film are “WTF were we thinking?” embarrassments in an already stupid (platform shoes?) decade. A movie decade later saved by “The Godfather”, “Taxi Driver”, “Star Wars”, and “Patton”.
One of the great proofs that award season is complete crap. The only possible way Love Story could be one of the 5 best movies of the year is if there were only 5 movies released, and even then it shouldn’t be nominated.
Also The Sting and American Graffiti.
I took my kids to “Star Wars”, it was the last movie I ever saw in a Theater.
A mix of good and garbage.
Yes, I recall making it about 1/3 of the way through that one.
I personally don’t think “Love Story” was as bad as some on here, apparently, do.
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