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FReeper Canteen ~ Favorite Comedians - The 1920's ~ 06 NOV 2007
Serving The Best Troops In The World | The Canteen Crew

Posted on 11/05/2007 5:59:52 PM PST by laurenmarlowe

 

 

 

 

The FReeper Canteen Presents

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~Favorite Comedians~

The 1920's, Vaudeville, and Silent Films

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Welcome to the FReeper Canteen! It's great to have you with us!!
Thank you to all of our Troops, Veterans, and their families for allowing us to entertain you!

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Vaudeville was a genre of variety entertainment prevalent in the United States and Canada from the early 1880s until the early 1930s. Developing from many sources, including concert saloons, minstrelsy, freak shows, dime museums, and literary burlesque, vaudeville became one of the most popular types of entertainment in North America.

Each evening's bill of performance was made up of a series of separate, unrelated acts. Types of acts included musicians both classical and popular, dancers, comedians, trained animals, magicians, acrobats, one-act plays or scenes from plays, athletes, lecturing celebrities, minstrels, and short films.

Blossom Seeley and Bennie Fields

Eddie Cantor

Vaudeville Follies

The term "vaudeville," itself, referring specifically to American variety entertainment, came into common usage after 1871 with the formation of "Sargent's Great Vaudeville Company" of Louisville, Kentucky.

Benjamin Franklin Keith, however, earns the distinction of "the father" of American Vaudeville. Keith began his career in show business working variously as a grifter and barker with traveling circuses in the 1870's, and for dime museums in New York. He returned to his home state of Massachusetts and in 1883 established his own museum in Boston featuring "Baby Alice the Midget Wonder" and other acts. His success in this endeavor allowed Keith to build the Bijou Theatre.

BF Keith Memorial Theatre%2C Boston interior

At the Bijou, Keith established a "fixed policy of cleanliness and order." He strictly forbade the use of vulgarity or coarse material in his acts "so the that the house and the entertainment would directly appeal to the support of women and children.

There was no abrupt end to vaudeville, though the form was clearly staggering by the late 1920s. The continued growth of the lower-priced cinema in the early 1910s dealt the heaviest blow to vaudeville.

Lured by greater salaries and less arduous working conditions, many early film and old time radio performers, such as W. C. Fields, Buster Keaton, the Marx Brothers, Edgar Bergen, and Jack Benny, used the prominence they first gained in live variety performance to vault into new media. Other vaudevillians who entered in vaudeville's decline, including The Three Stooges, Abbott and Costello, Kate Smith, Bob Hope, and Rose Marie used vaudeville as a launching pad for later careers.

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Silent comedy films placed a heavy emphasis on visual and physical humor, and what are known as "sight gags", to tell a story and entertain the viewer. Many of these physical gags were exaggerated forms of violence, and came to be called "slapstick".  The term "slapstick" refers to a doubled, or "tricked", hitting stick that makes a loud sound upon (light) contact with another person. The "prat fall", slipping on a banana peel, getting soaked with water, and getting a pie thrown in one's face are all classic examples of slapstick comedy devices.

Mack Sennett (creator of the Keystone Cops) and Hal Roach were two of the most famous producers of silent comedies. Actors from this era are now legendary: Ben Turpin, Mabel Normand, Edna Purviance, Roscoe "Fatty" Arbuckle, Charlie Chaplin, Harold Lloyd, Charley Chase and Stan Laurel and Oliver Hardy.

009 220-129~Charlie-Chaplin-Posters

Charlie Chaplin and the "Table Ballet"

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Buster Keaton in "The General"

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Keystone Cops in "Bangville Police"

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Harold Lloyd In "A Sammy In Siberia"

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Laurel And Hardy in "You're Darn Tootin'"

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W. C. Fields in "Pool Sharks"

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In the early years of "talkie" films beginning in 1927, a few actors continued to act silently for comedic effect, most famously Charlie Chaplin, whose last great "silent" comedies City Lights (1931) and Modern Times (1935) were both made in the sound age. Another late example was Harpo Marx, who always played a mute in the Marx Brothers' films.

Another important legacy of silent film comedy was the humor in animated cartoons. Even as live-action comedy moved towards a focus on the verbal humor of Abbott and Costello and Groucho Marx, animated cartoons took up the entire range of slapstick gags, frenetic chase scenes, visual puns, and exaggerated facial expressions previously seen in silent comedies.

These devices were most pronounced in the Looney Tunes and Merry Melodies cartoons from Warner Brothers directed by Bob Clampett, Chuck Jones, and Friz Freleng and in the MGM Cartoons of Tex Avery and the "Tom and Jerry" cartoons of William Hanna and Joseph Barbera.

Bosko And Bruno

Felix The Cat - The Stone Age

Chimpy Chimp - Hosin' Around

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FR CANTEEN MISSION STATEMENT~Showing support and boosting the morale of our military and our allies military and the family members of the above. Honoring those who have served before. 

Please remember: The Canteen is a place to honor and entertain our troops. The Canteen is family friendly, and please leave politics at the door. Let's have fun!

We pray for your continued strength, to be strong in the face of adversity.
We pray for your safety, that you will return to your families and friends soon.
We pray that your hope, courage, and dignity remain unbroken, so that you may show others the way.


God Bless You All ~ Today, Tomorrow and Always

 

 

 



TOPICS: Culture/Society; Extended News; Free Republic
KEYWORDS: canteen; frcanteen; freepercanteen; troopsupport
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To: yarddog

Evening yarddog, it’s good to see you!

Know what you mean, Laurel and Hardy were side-splitters!


101 posted on 11/05/2007 6:49:18 PM PST by laurenmarlowe
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To: All

From Xerox ~ Let's Say Thanks to our Troops

Simple. Easy. Involve your kids.
We can each send thanks every single day.


102 posted on 11/05/2007 6:49:26 PM PST by Kathy in Alaska (~ RIP Brian...heaven's gain...the Coast Guard lost a good one.~)
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To: mylife

I’m gonna have to watch some of these now...

Been on a classic monster binge..time to move on to comedy.


103 posted on 11/05/2007 6:49:46 PM PST by TASMANIANRED (TAZ:Untamed, Unpredictable, Uninhibited.)
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To: Old Sarge

“Hmmm... if a kid’s getting one in AIT, he’s a screw-up.”

From what I hear, there are a number of them. It’s been five weeks now, and it’s been something EVERY week. I’d a thought the sergeants would have pulled the bozos out and put them in their own little group!


104 posted on 11/05/2007 6:49:49 PM PST by swmobuffalo (The only good terrorist is a dead terrorist.)
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To: swmobuffalo

No kidding...


105 posted on 11/05/2007 6:50:36 PM PST by Old Sarge (This tagline in memory of FReeper 68-69TonkinGulfYachtClub)
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To: mylife

Liquid bread!!!

~~snerk~~

That’s funny!


106 posted on 11/05/2007 6:50:43 PM PST by luvie (Friendship is neither a contest nor a race. What matters is the feeling involved. <3)
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To: mylife

I think it was the training they got in Vaudeville.

W.C was an incredible juggler as well.


107 posted on 11/05/2007 6:50:53 PM PST by TASMANIANRED (TAZ:Untamed, Unpredictable, Uninhibited.)
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To: SandRat
And Sand snags the gold!!


108 posted on 11/05/2007 6:50:54 PM PST by Kathy in Alaska (~ RIP Brian...heaven's gain...the Coast Guard lost a good one.~)
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To: TASMANIANRED

Good evening Taz...made pasta for dinner.:)

How is your evening progressing?


109 posted on 11/05/2007 6:51:00 PM PST by AZamericonnie
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To: wizr

I don’t even know how I stumbled across the DVD I found, but I recognized Arbuckle’s name (which had been dirt for many years), and saw Keaton’s afterward. I didn’t know that Keaton debuted with Arbuckle as his director.


110 posted on 11/05/2007 6:51:02 PM PST by Tanniker Smith ("I got a rock." -- Charlie Brown. "I got Iraq." -- George W. Bush)
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To: TASMANIANRED

L0L!! or the fatal glass of beer!

(An unexpected knock at the door prompts Snavely to stand and hold up his lantern.)

W.C.: “Who’s thar?”

Mountie “OP”: “Officer Posthlewhistle of the Canadian Mounted.”

(He enters)

W.C: “Hello, Officer.”

OP: “Good Evenin’, Mr. Snavely.”

W.C.: “Still snowing?”

OP: “I don’t know. To tell ya the truth, I never looked.” (As OP knocks layers of snow off his coat with his glove. NOTE: This gag, like many others in Fields’ canon, may have stemmed from reality. In Robert Lewis Taylor’s standard 1949 biography, W.C. Fields: His Follies and Fortunes (St. Martin’s Press, New York), there’s an anecdote about a dwarf with a low I.Q. named Shorty whom Fields had hired for his stage act and to perform personal valet services. Fields sent Shorty out on a chore, but he returned late—covered in snow. When Fields asked him if it was snowing, Shorty responded: “I don’t know. I didn’t notice.”)

W.C.: “Get your man?”

OP: “Well, not yet, but I got my eye on ‘im.”

W.C.: “Well, that’s somethin’.” (W.C. hangs his lantern and sits)

(Note: Throughout this scene, notice the noisy creaking and shaking of the cabin.) (OP takes off his coat and sits.)

OP: “You pullin’ out?”

W.C.: “Figurin’ on goin’ over the rim tonight.”

OP: “How’s your son Chester” You hear’d from him lately?”

(WC stands as OP sits down—for no apparent reason.)

W.C.: “I ain’t a-hear’d from Chester it’ll be a year come Michaelmas.”* (*NOTE: Michaelmas is a religious holiday or “feast day” celebrating the archangel Michael—of the Jewish and Christian testaments—observed on September 29.)

OP: “I was thinkin’ of the song that you writ about. I wanted to sing it to mah wife last night. (WC sits.) Ya know, we gotta boy just about Chester’s age, who’s gotta hankerin’ to go to the city. (This elicits a serious glance from WC). Have ya got your dulcimer here?

W.C.: “Yes I have, officer.”

OP: “I wonder if you’d mind singin’ me that song?” (He places a hand on W.C.’s shoulder.)

W.C.: “I’d be tickled to death to.” (WC reaches over to a chest and pulls out an electric fan). You’ll have to excuse me though if my voice isn’t just right. You know, we can’t get any Ipecac* up in this part of the country. (*Note: Even if he could, an emetic, or vomit inducer such as Ipecac, wouldn’t help his voice.)

(W.C. puts the fan and other junk on the floor.)

OP: “Go right ahead, Mr. Snavely.”

(W.C. pulls out a dulcimer.)

W.C.: “You won’t consider me rude if I play with my mitts on, will ya?”

OP: “Not at all Mr. Snavely, not at all.”

(W.C. practice strums dulcimer, with big mittens on. OP assumes a pose of rapt attention.)

W.C.: (begins “singing”) (*Note: SEE footnote at bottom of page about this song).

“There was once a poor boy,
and he left his country home,
and came to the city
to look for work.

He promised his ma and pa
he would lead a civ’lized life,
and always shun the fatal curse
of drink.

(both men look at each other in silent agreement.)

Once in the city,
he got a situation in a quarry,
And there he made the acquaintance
of some college students.

(In a flashback, we see the bow-tied, bespeckled, straw-hatted Chester—in white attire—entering a saloon through swinging doors, while patrons urge him to come in and drink.)

Little thought they were demons,
for they wore the best of clothes,
but the clothes do not always make the gentleman.

(cut back to OP and WC, nodding in agreement.) (Note: Fields had a lifelong mistrust of “well-dressed gentlemen” borne of being snookered by many during his early days in show business.)

They tempted him to drink,
and they said he was a coward;
At last he took the fatal glass
of beer.

(cut back to Chester, in exaggerated poses, at first refusing drink; then downing the brew. The shock of the act causes his legs to snap together and eyes to shoot open. He slams the mug to the floor; it bounces and doesn’t break.)

He’d found what he’d done
he dashed the glass down on the floor,
and he staggered through the door
with delerium tree-mens.

(Chester spins out the flapping doors. Note: Delerium tremens, from one drink.)

(cut back to WC and OP; the latter is now visibly moved, wiping away tears and sobbing.)

Once upon the sidewalk
He met a Salvation Army girl,
and wickedly be broke
her tambourine.

Oh she said,
‘Heaven bless you’ (WC mistakenly—but actually for intentional comic effect—lifts his hand off the dulcimer while it’s still “playing.”)
And placed a mark upon his brow,
with a kick she’d learned
before she had been saved.

(A fully attired Salvation Army lady pops a wicked high kick to Chester’s head; he falls flat to the pavement.) (Cut back to WC and OP)

Now, as a moral to young men
who come down to the city,
don’t go ‘round breaking
people’s tambourines.”

(OP cries audibly.)

OP: “That certainly is a sad song.” (OP cries rather unconvicingly, and covers his face with a hanky—probably to hide laughter.) (WC pats his back.)

WC: “Don’t cry constable. It IS a sad song.” (WC throws the dulcimer into the chest and slams the lid with a loud crash.)

(WC stands)

“My uncle Ichabod said: ‘Speakin’ of the city, it ain’t no place for women, gal, but perty men go thar.” (OP cries loudly at this.) (WC pulls up his pack, ready to leave.)

“Always said somethin’ that would split your sides a-laughin.’ Comical old gentleman, he was.” (WC opens door.)

“Well, I think I’ll be a high-tailin’ it over the rim.”

(WC looks out the door) “And it ain’t a fit night out, for man or beast.” (A wad of snow is thrust into his face by an unseen hand.)


111 posted on 11/05/2007 6:51:08 PM PST by mylife (The Roar Of The Masses Could Be Farts)
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To: Kathy in Alaska

I was a comedy writer for Rodney Dangerfield. We worked on a couple of movie scripts as well. Very funny guy. I miss him.


112 posted on 11/05/2007 6:51:27 PM PST by Kirkwood
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To: MS.BEHAVIN

MS.BEEEEEEEEEEEEEEE!!

((((((((((hugs)))))))))

Glad you had a good day with Poppa and Robert! Is
the weather pretty up there? It sure was here.


113 posted on 11/05/2007 6:51:36 PM PST by luvie (Friendship is neither a contest nor a race. What matters is the feeling involved. <3)
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To: laurenmarlowe

Thanks, lauren, for our National Anthem....singing along.


114 posted on 11/05/2007 6:51:43 PM PST by Kathy in Alaska (~ RIP Brian...heaven's gain...the Coast Guard lost a good one.~)
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To: G8 Diplomat

Howdy G8! How are ya this evening?

Thanks for sharing your favorites, all just outstanding comedians!


115 posted on 11/05/2007 6:51:49 PM PST by laurenmarlowe
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To: LUV W
?

In case anyone is wondering, we're either under attack by the Riddler
or Luv's here!

116 posted on 11/05/2007 6:52:12 PM PST by Tanniker Smith ("I got a rock." -- Charlie Brown. "I got Iraq." -- George W. Bush)
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To: Kathy in Alaska

She has to go out on a leash..Can’t chase squirrels. I had to block the circuit around the garage.

Vet thinks taking a right hand corner at 200mph is what hurt her wrist.

Puppy gates are back up...no zooming up stairs..


117 posted on 11/05/2007 6:52:14 PM PST by TASMANIANRED (TAZ:Untamed, Unpredictable, Uninhibited.)
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To: TASMANIANRED

~and a cunning linguist...


118 posted on 11/05/2007 6:52:44 PM PST by mylife (The Roar Of The Masses Could Be Farts)
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To: swmobuffalo

I am in harness , keeping kids of the Commonwealth reasonably safe.


119 posted on 11/05/2007 6:53:07 PM PST by TASMANIANRED (TAZ:Untamed, Unpredictable, Uninhibited.)
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To: TASMANIANRED; MS.BEHAVIN

We’ll definitely include her in next week’s comedians!


120 posted on 11/05/2007 6:53:29 PM PST by laurenmarlowe
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