Posted on 03/08/2006 7:18:00 AM PST by goldstategop
[Note: You may perceive some of this column as a "spoiler".]
If you liked the politics of last weekend's Oscar nominees, you'll love "V for Vendetta."
It's an exciting, quality Bin Laden film.
But if you're like the rest of mainstream America--you support our troops, believe in firmly responding to terrorists on our own shores, and/or respect Christianity--then, don't waste your time at this piece of garbage masquerading as a superhero movie. It is anything but.
If most other Hollywood films subtly whisper of an agenda, "V" clocks you over the head with it with a still sizzling, iron frying pan of extreme leftism. It doesn't arrive in theaters until March 17, but already the mainstream (ie. liberal) movie critics and entertainment media are raving about this egregious attack on our war on terror.
"V for Vendetta"
Natalie Portman, Guy Fawkes Mask-wearing "V" Are Terrorist Heroes Based on the graphic novel series of the same name, "V" comes complete with all the bogeymen the far left loves to hate: NSA spying and wiretaps; government renditions and torture complete with Abu Ghraib hood fashions; lecherous, elderly Christian clerics in collars raping young girls; Islam, gay rights, and free speech under attack; and even a Bill O'Reilly-esque evil cable talk show host/wicked pharmaceutical billionaire/heinous military officer combo rolled into one character.
Oh, and by the way, the hero of the movie: He's a terrorist in a Guy Fawkes mask, who blows up important government buildings. Sound familiar? His mask might as well be a kefiyeh wrapped around his head in a Nick Berg video.
The movie takes place in futuristic England, and there is only one American star (Natalie Portman). But it's quite clear to whom the "commentary" is directed: Joe and Jane American. When this movie takes place, "the United States of America" doesn't exist anymore. America is in the midst of a civil war.
And America and the war on Iraq are the enemies--along with Christians and the right--in this movie. We are treated to newscasts about how "America's War [on terror] spread to England." One character--a gay, British Jay Leno type who hosts a latenight show--keeps a secret vault of prohibited items, including a giant poster of "the Coalition of the Willing," depicting the American and British flags surrounding a swastika. Think about our troops fighting and dying in Iraq, before you decide to give your dollars to this film. Do you really think they are Nazis?
Also in the secret vault of sacred prohibited items: a Koran. Portman, whose Evie is the "heroine" of "V," asks, why the Koran? "Are you a Muslim?" she asks the late-night host. "No, but its [the Koran's] images are beautiful." Then he comments about how he can be executed for possessing the Koran. (Not a peep in this film about the thousands who've been executed in the name of the Koran and "its beautiful images.")
Puh-leeze. If anything, both Britain and the U.S. have bent over backwards not only for the Koran, but for its extremist Muslim followers. Where Christian displays are absolutely forbidden in any schools, despite so-called "freedom of speech"; where Ten Commandments are removed from the Alabama Supreme Court, despite their being the basis for our legal system; children are required to learn about Islam, read from the Koran, and behave as Muslims in elementary schools, in the name of "tolerance" and "education."
In "V", while Islam and the Koran are treasured but prohibited, Christianity is pure evil. Nice juxtaposition, when in real life, the 19 hijackers, the '93 WTC, U.S. Embassy, U.S.S. Cole, and British subway bombers were hardly Christians. Hmmm . . . what religion were they? We don't recall Mohammed Taheri-Azar, saying on Friday in his post attempted-murder 911 call, that he tried to use his jeep to kill Americans in the name of Jesus. No, he mentioned someone else's name, another religion . . . which are both nowhere blasphemed in "V."
We've already mentioned the high-ranking Christian priest, who regularly rapes young girls procured for him through an "agency." Before the priesthood, he was an evil military officer at a hospital where politically dissident youth had experiments conducted on them for the government (complete with Abu Ghraib-style hoods).
Then, there's the government. It's run by a religious Christian zealot. But not just any Christian zealot.
No. Chancellor Sutler is the supreme evil Christian. In order to get elected, he and the Bill O'Reilly-esque character (remember, before he became a cable host, he was a pharmaceutical CEO and made billions) arranged for hundreds of Brits to die from chemically poisoned water. The government said that terrorists did it, a story which became accepted fact and the conventional wisdom in media coverage. The fear that ensued garnered Sutler the chance to rule England, along with the Marshal law powers the English parliament gave him.
It's no coincidence that the symbol used for his government is some sort of Cross-come-Swastika combo. Not offended yet?
Under religious Christian zealot Sutler, gays are rounded up, imprisoned, tortured, and executed. Ditto for any dissidents, any left-wing activists, anyone who dares speak out against or flout the Chancellor's actions. Tell that to the ACLU, which seems to be running legal policy in our country, these days, and its partner in crime, the Southern Poverty Law Center, the wealthiest "public interest" group in the U.S., to the tune of hundreds of millions. We don't see any prospect of them being rounded up by the government anytime soon, unfortunately.
Under the religious Christian Chancellor, "unjust" Gitmo-style military tribunals and absurd NSA-style wiretapping is going on at every corner. Throughout the movie, we are shown vans of law enforcement personnel listening in to every home. As if that's what NSA wiretapping was about. It isn't, but "V" drills it into you the way the ACLU wants you to see it: every conversation in every kitchen, etc., secretly being listened in on and laughed at by guys in sweaty, rumpled shirts and ties.
The evil government law enforcement chief, Creedy, runs a meticulously ubiquitous surveillance program nationwide. If only our FBI's Robert Mueller were so competent, we'd be safe. Instead, he's cavorting with extremist Muslims and testified in depositions to ignorance of the most basic newspaper facts about Al-Qaeda.
Overall, the most outrageous thing about "V" is the ending. Instead of vanquishing terror, all of Britain sides with the terrorist hero of this movie. They celebrate his murder of all the top officials in government, his blowing up of the Houses of Parliament and other government buildings.
Terrorists and terrorism are the heroes, the government fighting them and trying to keep us safe are the enemy.
This is the glorious revolution? Osama Bin Laden must be very proud.
(Denny Crane: "I Don't Want To Socialize With A Pinko Liberal Democrat Commie. Say What You Like About Republicans. We Stick To Our Convictions. Even When We Know We're Dead Wrong.")
I'm not sure why anyone is surprised- the graphic novel was written in the early 80's by a leftist who feared that Ronald Reagan would start a nuclear war and that Maggie Thatcher would turn England into a fascist dictatorship.
That being said, V for Vendetta is one of the best-written graphic novels I have ever read. I roll my eyes at is politics, but it's a heck of a story. If the movie adaptation is half as good, it is certainly worth watching, politics aside.
(Denny Crane: "I Don't Want To Socialize With A Pinko Liberal Democrat Commie. Say What You Like About Republicans. We Stick To Our Convictions. Even When We Know We're Dead Wrong.")
This has Academy Award written all over it.
Defund Hollywood, if you must see or listen to their trash, download it.
I think it looks promising. If it's a good movie, I can tolerate blatant propaganda. One of my favorite movies is Alexander Nevsky (of course, the film isn't contemporary in impact, nor does it target my viewpoints).
I think that should be martial law, Debbie.
(Denny Crane: "I Don't Want To Socialize With A Pinko Liberal Democrat Commie. Say What You Like About Republicans. We Stick To Our Convictions. Even When We Know We're Dead Wrong.")
Speaking of "The Devil's Advocate", what did you think of it?
I enjoyed it immensely. I loved the scenes of dialogue between Pacino and Keanu Reeves.
The funny thing is, in the graphic novel the US wasn't even mentioned. There was a vague reference to a nuclear war, but all of the settings and all of the characters were British.
Sure why not?
Give the producers your money so they can more of this crap
After all its only a movie, movies don't have ANY culturally influence do they?
(Denny Crane: "I Don't Want To Socialize With A Pinko Liberal Democrat Commie. Say What You Like About Republicans. We Stick To Our Convictions. Even When We Know We're Dead Wrong.")
Was 1984 a left-wing screed too?
The total-surveillance state that Orwell predicted is coming about only a couple of decades behind schedule in England. Guns and any other means of self-defense is banned, cars are tracked by satellite, and cameras blanket the streets.
George Washington observed that "government is not reason, it is not eloquence, it is force; like fire, a troublesome servant and a fearful master."
We as patriotic Americans should not be allowed to be stampeded into enslaving ourselves to government for the sake of the illusion of "keeping us safe."
Give the producers your money so they can MAKE more of this crap
Agreed. My complaint with Fahrenheit 9/11 wasn't that it was blatant propaganda. It just wasn't a very good movie (I hesitate to use the term 'documentary').
'Reds' is a movie worth watching, for example.
Compared to some of the partners from large NY law firms I've met during my practice, Pacino's character was a fuzzy bunny.
Someone needs to tell this "reviewer" that it's based on a comic book. a pretty decent one actually. The movie probably won't be any good, however.
(Denny Crane: "I Don't Want To Socialize With A Pinko Liberal Democrat Commie. Say What You Like About Republicans. We Stick To Our Convictions. Even When We Know We're Dead Wrong.")
Oh, and it was published in 1982
Unfortunately the work this movie is based upon was released as a comic book in Great Britain in the early 1980s. The author even addresses the concerns, 20 years ago, of surveillance equipment (cameras) on the streets of London. And what do we have in some cities overseas today? And what do cities here in the US advocate? It doesn't have a damn thing to do specifically with Bush. What it does have to do with is an intrusive government that takes away the freedoms of the citizens in order to protect them.
Conservatives shouldn't have any problem with this movie. Republicans in their partisan beliefs may though
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