Posted on 03/04/2005 3:18:53 PM PST by qam1
Nostalgia market wasn't ready to embrace that decade… and may never be
Nikki Sixx, the bassist for the famously fast-living glam-rockers Motley Crue, thinks that even 24 years after its debut, his band still has a certain timeless aspect.
“If you want to drop the tailgate, get some beer and go to a strip club, that's the Crue,” he said recently before a rehearsal for the band's new tour. Yet Sixx's band, which just released a two-disc career anthology, is returning at a particularly interesting moment.
The music of the 1980s has re-entered the zeitgeist in a gigantic way. You can hear it in video games as hip as “Grand Theft Auto: Vice City” and in TV shows such as “The O.C.” VH1 keeps putting out specials like “Big '80s” and the wildly popular “I Love the '80s.” The record industry reacted slowly, but now acts like New Edition, Duran Duran, George Michael, the Cure, New Order, Billy Idol, Heavy D and the Crue have been encouraged to shake off the dust and get back on the road.
Most of those bands have returned with attendant fanfare, sweeping across red carpets and past screaming fans at radio station visits and showcase concerts.
Yet despite the grass-roots enthusiasm and VH1 dogma, not to mention millions of dollars in marketing, the '80s are not selling where it counts. CD buyers just aren't interested.
Take Tears for Fears. Curt Smith and Roland Orzabal didn't work together for 10 years, but they got back together to write songs and eventually got a six-figure advance from Universal's New Door label to perform again. They found themselves playing radio station-sponsored concerts and meeting fans at in-store appearances at Tower Records. According to Nielsen SoundScan data, through Jan. 30 their album, “Everybody Loves a Happy Ending,” had sold just 80,000 copies, a far cry from their last album, “The Seeds of Love,” which sold about 1 million copies.
Duran Duran, who drew a fanatical following in the early '80s, got all of its original members back last year and scored five sellouts at Wembley Arena in London. The band signed a deal with Epic Records for an estimated $500,000 and made the rounds on TV shows and fashion-industry events. It has all resulted in about 200,000 copies sold of the reunion album “Astronaut.”
“The '80s nostalgia boom is real, but it's not broad,” said Michael Hirschorn, executive vice president of programming for VH1. “It doesn't apply to everything and not in all ways. It applies to a specific kind of Gen X, self-mocking, slightly ironic thing. For this group of people, you can't give them straight nostalgia of the sort of baby boomer ‘everything was wonderful and great when we were kids' feel. People Gen X and younger know that things weren't that great. We never thought that Motley Crue was saving the world. We just identify with them passionately, but with a certain wink.”
Reviving the careers of artists who have retreated from the pop music scene is never a simple affair, but it has been done — usually by appealing to new fans at least as directly as old ones. Aerosmith did it by rapping with Run-DMC. Carlos Santana swept the Grammys for 1999 by doing “Supernatural” alongside popular artists of the day. Sometimes you go where the kids are: Idol is booked to play South by Southwest, the annual buzz-band conclave in Austin, Texas.
But when it comes to the new material, the 30-something American fans who should logically form the artists' core audiences just aren't turning up.
No need
Ann Fishman, president of Generational Targeted Marketing, said the problem isn't with the music, it's with the memories. The fans from Generation X, she says, “are not particularly grounded in their youth.”
“Would you be grounded in something where you had divorced parents, poor schooling?” she asks. “We presume nostalgia is a great selling tool. It is to the baby boomers. It's not to Gen X. The history of their youth has forced them to grow up more quickly. Nostalgia is not necessarily something that's going to move them ahead. They enjoy the music of their youth, but it's not a need.”
The theory might help to explain why Madonna and Prince had a very good year. They both made it big in the '80s but pretty much kept performing and evolving. Their recent albums were simply the latest chapter in a long and varied career.
Making the odds that much longer, the long-lost stars of the '80s are returning to a music establishment they might barely recognize. The machinery that transformed them into mass phenomena two decades ago — mainly Top 40 radio and MTV — has long since been dismantled or redesigned. The radio dial has splintered into tightly managed formats aimed at specified niches, which may not be receptive to revivals.
“There's resistance from radio to play some of these artists,” said Jon Zellner, a former Kansas Citian who ran Star 102 and Mix 93.3 in Kansas City and now oversees programming on so-called hot adult-contemporary stations for Infinity Broadcasting. He said he decided against playing Tears for Fears, among others.
“I think programmers are potentially afraid of their radio stations sounding dated.”
As for MTV, the cable giant now devotes far more airtime to reality programming and lifestyle shows than videos. New bands now establish themselves through outlets that didn't exist five years ago, let alone 20, like AOL's “Sessions,” a live performance for online viewers, or MySpace, an online community popular with music fans. And those formats don't favor bands in their 40s and 50s.
“I just wasn't convinced that the songs were compelling enough to compete in today's marketplace,” said Andrew Slater, president of Capitol Records, who says he passed on both Duran Duran and Billy Idol. “On the television side, you might have someone perform on a late-night show, but ultimately I don't think it's enough to drive a passive audience to all drop what they're doing in their lives and find that connection to the artist that they loved in the '80s.”
All the way live
But '80s acts are expected to do extremely well in their North American concert tours. Motley Crue, for one, will be paid minimum fees of up to $250,000 a night. Duran Duran, in addition to big appearance fees, is cashing in on the trend toward VIP tickets, offering their most devoted fans the chance to buy travel packages, including a two-night hotel stay and signed memorabilia, for $2,590 per person.
But those lucrative concerts play to fans eager for one (or two) glorious nights of nostalgia, not those interested in watching the band try to grow.
“It's hard enough now doing any of the old material because obviously we just want to do the new material,” said Smith of Tears for Fears. “(It's) horrible to be playing onstage and have all these people in the front saying play ‘Shout.' There are certain emotions you have in your late teens and 20s that really don't exist when you turn 40. There's a certain angst we had then that doesn't exist now. Now we have middle-aged angst.”
The stars of the '80s also now have middle-aged bodies, and hauling them around the country on long tours isn't as easy as it once might have been. Mick Mars, the guitarist for Motley Crue, has undergone hip replacement surgery. Smith has two young children.
Still, you won't hear any of them complaining too loudly. Pop music has always been a young person's game, and for those who get a rare second turn in the spotlight, even tepid album sales and a backward-looking concert tour are a rush. But for many fans watching the marketing machinery creak into gear, it can be a little annoying.
In Baltimore, for example, Benn Ray, the co-owner of independent bookstore Atomic Books, has started up a regular “I Hate the '80s” party to mock the trend.
“The '80s nostalgia was starting to roll in, and I was like, ‘Wait a minute! Did you people actually listen to the same decade I did? You had eight years of Reagan. There was cocaine everywhere. There were yuppies.' ” At past parties, attended by people wearing parachute pants and Members Only jackets, local bands performed their most-hated '80s memories on Casio keyboards, which they demolished at the end of their set. Another show had a guy called Evil Pappy Twin playing Van Halen covers on a lute.
In any case, the clock is running out. VH1's Hirschorn says the second coming of the '80s has already lasted almost as long as the original decade, and it may be time to move on. VH1, of course, has already brought out a new series … called “I Love the '90s.”
Men at Work! They were one of my first concerts I saw. I think my very first was Twisted Sister opening for Iron Maiden.
I don't seem to go to concerts anymore, though I like encountering live music that gets my toe tapping.
We have the same problem up here in the Twin Cities.
We have an 80's station too and they seem stuck on the same old playlist.
There was a voluminous amount of music that came out in that decade and I'd like to see some of these 80's stations start digging a little deeper.
The 80's produced a lot of hit music other than Billy Idol's "Mony Mony" and Berlin's "Take My Breath Aaway".
Back in the summer of '86, a friend and I went to see the Starship at St Paul Civic Center. The Outfield opened for them.
That was a great concert.
I don't think a lot of the teeny-boppers were there to see the Starship even though they were very popular at that time. I got the feeling most of them came to see the Outfield. The large amount of female screaming made that clear.
The Starship played "White Rabbit" and "Somebody To Love" but kept primarily to the hits of the late 70's and 80's.
I don't remember an actual song about teen suicide, but I do recall the song "Teen Suicide: DOn't Do IT!" From the movie Heathers. Remember, all the kids were wearing the Big Fun t-shirts around school?
I DO remember, though, the big business computer my father bought for his typography business. It was called, I believe, an Alpha Micro and it had removeable hard drives that looked like these giant, blue bundt cake pans.
The 90s was just spent fine tuning the ideas that the 80s came up with--pretty dull. The 80s were a great party, the 90s were the next door neighbors calling the cops.
Sigh...
Ever go to Malibu (the club)?
Odd you mention the Stray Cats and Big Country in the same post. They hated each other back in the 80's. Verbally sparing in the media several times.
I do remember that there were quite a few "suicide pacts" and also a few kids whose suicides were blamed on heavy metal music.
Ah, the good old days, when a "crop top" meant it brushed the waistband of your jeans, not the bottom of your bra!
It gets better, I worked as a stock boy at the local small town Piggy Wiggly. So I had a crappy Datsun 210 car, with a crappy loud sterio, and worked a piggy job.... Yeah, I guess I was pretty cool back in my high school days now that look back on it. LOL... I wouldn't trade it for the world though..
I'd ping them, but I don't want to give away their identities.
I used to live in the Bay Area, and that is -- by far -- the best music scene this country has to offer. Zero, Steve Kimock Band, Galactic, Medeski, Martin & Wood...wow!!!
Awesome stuff ... Still love it...
"The Essence" was better, same sound, vocals... Try a song called "Ice" or "The Cat" or "How you make me Hate".
You can PM me.
Um, we don't want new stuff - we like the old stuff.
If they toured playing their old stuff, they'd make a ton of money.
Motley Crue's new song sux.
Same here.
In fact, I posted a thread on Duran Duran's new album not too long ago, and it went on for about 400+ posts on the clothes, music, fashions, etc. It was so fun.
I wish the clothes would come back, though. They were terrific.
No kidding! That is odd. What was their beef with each other?
Thanks for the heads up; I had not heard of The Essence before this thread. I listened to spme sample tracks on Circuit City's website; mucho cool.
Isn't that what people say for every decade? Soon they'll be remembering the 90s nostalgia. :-)
>>I can't recall a single school shooting in my youth. Or an assault on a teacher.<<
And we played Dungeons & Dragons non-stop!
Yet we turned out ok...go figure!
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