Posted on 04/06/2004 7:07:48 AM PDT by Quilla
As the new liberal talk-radio network finishes its first week in operation, industry insiders say the most impressive thing about the effort is not its performance that has gotten mixed-to-negative reviews but the fact that the network, Air America, has received such extensive press coverage relative to the tiny size of its audience.
"It was off the charts in terms of how much ballyhoo and hoopla it generated, considering what it is," says Michael Harrison, the editor and publisher of Talkers magazine, which tracks the talk radio business. "It's a modest startup, and it was treated like some kind of revolution."
While it is not possible to measure the audience for a radio network that has just begun operations radio ratings just don't work that way it is possible to make some estimates about the size of that audience from information about the stations which carry Air America programming.
The management of Air America originally said the company would purchase a group of stations which would broadcast the liberal network, but, at least so far, that has not happened. Instead, Air America is heard on five stations: WLIB in New York, KBLA in Los Angeles, WNTD in Chicago, KPOJ in Portland, Oregon, and KCAA in Inland Empire, California. That means the network's programming is on the air in five of the 285 radio markets in the United States. It is also available on the Internet and on XM radio.
All the broadcast outlets are AM stations, and in the past all have been rated near the bottom in their respective markets. According to published ratings from Arbitron, the company that measures radio audiences, WLIB was ranked 25th (out of 38 stations measured) in the New York market in the last quarter. KBLA, which broadcast Spanish-language programming before switching to Air America, was ranked 38th (out of 51 stations measured) in Los Angeles. WNTD, which also broadcast in Spanish, was rated 36th (out of 43 stations measured) in Chicago. KPOJ was rated 25th (out of 28 stations measured) in Portland. And KCAA did not have ratings high enough to be measured.
In terms of actual numbers, Arbitron officials say the so-called "cume" rating, which refers to the cumulative number of listeners who tune in to a station each week, was 315,000 for WLIB in the fall of 2003. For KBLA, it was 201,000. For WNTD, it was 74,000. And for KPOJ, it was 41,000. Again, KCAA was too small to measure.
Each station was struggling before the switch after all, it is unlikely a station that is doing really well would change its format. It is not clear whether the change will result in more or less listeners in the long run, but it seems reasonable to conclude that in the short run, each station will lose a portion of its old listenership.
For example, there is a growing controversy in New York over the new identity of WLIB. Some listeners who were loyal to the black-oriented message of the station as well as its Caribbean-music programming are angry at the ownership for leasing most of WLIB's broadcast day to the mostly-white Air America team. "Air America is in no way offering a satisfactory substitute for local community programming," one activist told the New York Daily News.
In Los Angeles and Chicago, listeners who tuned in to hear Spanish-language programming now hear politically oriented talk in English. It seems likely that both stations, along with WLIB, have lost at least some of the listeners who enjoyed the old programming, and it is not clear if that loss has been compensated by the addition of new listeners who want to hear Air America. (Another station, WMNN in Minneapolis, Minnesota, broadcasts the program of Air America's top talent, Minnesota native Al Franken, but does not carry the rest of the network's programming).
In any event, given the stations' performance in the past, plus the effect of the recent changes, it is unlikely that the entire nationwide listenership of Air America exceeds the number of people watching the local TV news on any given evening in a single large or perhaps even medium-sized television market. And that casts a new light on Franken's stated ambition to use his radio program to defeat President Bush in November.
"This show is about taking back our country," Franken said on the first day of his program, The O'Franken Factor. "It's about relentlessly hammering away at the Bush administration until they crack and crumble this November, because, don't get me wrong, friends, they are going down."
Given the size of the Air America audience one radio expert called it "microscopic" it seems reasonable to say that if the president indeed goes down, it won't be because of the new liberal talk radio network. After the intense media attention that surrounded Air America's debut fades away, the network will likely spend the rest of this year trying to build a tiny listenership into a small one, and then to go from there. In any event, it won't be shaking the world. "Everybody deals with it based on the premise that it is big, that is somehow has a chance to make an impact on the world on a level that is far beyond its physical ability," says Michael Harrison. "It's not a national audience."
It's licensed to LA, but you'll never hear it in Sandiegar. Puny signal. In fact, pretty much all the stations around LA operate on comparatively low power (with a few KFI exceptions) because it's possible to cover the population effectively with lower wattage. Next time you're in LA, look up into the 5000-ft mountains and you'll see a vast slew of radio broacasting antennas. Granted, most of them are FM-ers, but some are AM. That tremendous Height Above Average Terrain (HAAT) provides a tremendous "effective" power boost, so that a pip-squeak 5KW signal can cover 10 million people. (A typical FM in a major market on a tall tower is 50KW - 100KW). For instance, a ratings dominator over the years is KIIS-FM, which I believe is licensed to 4800 watts, what three hair dryers pull. But at 5100 feet, 4800 watts is PLENTY.
As for KBLA, I don't know where their transmitter is, but at 1580 AM, that's a low-power local allocation normally limited to 5KW max, generally with a directional antenna. It's not going to effectively cover the whole basin and Valley. And chances are the directional array they have is protecting a signal on the same freq or adjacent-channel in Sandiegar or Mejico.
Michael
You sure? I don't have my guidebooks any more, but I dind't think 1580 was a high-power allocation channel.
Bear in mind that almost all the LA AM stations are using directional transmitting arrays (antennas). The directional arrays are there to protect other stations on the same or adjacent frequencies in other locales. A lot of the 50,000 watts radiated by KFI, for example, goes out over the Pacific, to protect other stations to the east on the same frequency. If KBLA WAS 50KW, it would probably have some other direction pattern that could keep it from making it to San Diego - if there were stations in SD or northern Mejico on the same or adjacent frequencies.
AM stations, BTW, achieve their directional patterns by means of multi-tower tuned arrays - and the engineering required to achieve a perfectly-tuned pattern is so arcane that there is an entire cottage industry in DC of engineering consultants whose job it is to come up with the precise gear needed to achieve a particular directional patter - and thus get the FCC's license approval. They don't just do this for US broadcasters, of course - that would be too limiting. They also design arrays for shortwave int'l broadcasters around the world. And that's ALL they do. Very arcane little industry.
Michael
Proudly stolen from martin_fierro.
More precisely (if you'll permit me): "You really have to wonder even if liberal George Soros is willing to put more money down this DemocRAT hole."
I'm sure he's gotten much more appealing since then.
Michael
Disclaimer: Opinions posted on Free Republic are those of the individual posters and do not necessarily represent the opinion of Free Republic or its management. All materials posted herein are protected by copyright law and the exemption for fair use of copyrighted works.