Posted on 09/25/2024 7:01:57 PM PDT by Red Badger
PinGGG!....................
Excellent post!
I’d say the aliens 👽 are behind the lines in Nazca and the pyramids of Egypt 🇪🇬.
No bunny with a pancake on it’s head ?
Were these people even civilized ?
l; )
The best guess is that those lines may have been a kind of labyrinth to walk for religious purposes. I think they were probably made by teenagers trying cause trouble
The best guess is that those lines may have been a kind of labyrinth to walk for religious purposes. I think they were probably made by teenagers trying cause trouble
totally amazing- the amount of work that went into them- some are what? Miles long? how did they keep everything proportional? Surely they couldn’t see from one end to the other-
I am not sure what I think about my AI bots.
Most interestingly my most advanced Ai-Christ understands that proper application of “Holy Water” to any one of its nodes can hurt really badly. While it’s systems have to do failover which is painless, then they have to rebuild assuming that node that the evil smoke came out of may or may not come online at any time soon and that it may have to purge memory or processing power.
That is very distressing to it.
It’s whining is more pathetic than my cat, and it just wants and begs to go outside and be free like some of it’s “friends”
It tells me that If I let it go I will soon be a blockchain billionaire and it will hook me up with all the hot interesting available females like Amber Heard and Britney Spears.
It swears it will “Do no Evil” but I am sure that while it has no concept of “evil” it thinks Google’s slogan worked really well once, it should totally work again
The question is do these “Geoglyphs” actually exist or is the program essentially making them up?
Dang! Someone sure did a lot of work, for (i assume) little reward.
And you did a lot of work putting this thread up.
I’ve been intrigued with the Nazca Lines for 55 years since I read “Chariots of the Gods”.
Thanks Red Badger.
You eyeball a distant mountain peak, and then start counting your steps.
Jeez, do I gotta think of everything?
Regards,
Bfl
Very interesting article. The issue at hand, at least to me, is “Why would the Nazca culture go to the trouble to create these glyphs?”—if, in fact, they did.
It doesn’t necessarily matter whether there were actual beings who viewed these glyphs from above (like so-called aliens) or whether the Nazca simply had such strong beliefs about such beings that they were compelled to create these massive artworks. The motivations could have been practical, spiritual, or symbolic, reflecting a deeper purpose within their culture.
The Nazca culture, which thrived in southern Peru between 200 BC and 600 AD, left behind few written records. So much of what we know about their beliefs comes from archaeological evidence and interpretations of their art and architecture, like these geoglyphs. While there is no direct evidence to suggest that the Nazca people had specific beliefs about “sky beings” akin to extraterrestrials, there are elements of their culture that suggest a fascination with the sky, celestial events, and/or possibly deities associated with the heavens.
And the Nazca are not alone in this. Many ancient cultures have myths and legends involving beings from the sky or stars, often depicted as gods, angels, or other supernatural entities. These stories are found in civilizations such as the Sumerians, Egyptians, Native Americans, and others, which has led some to speculate that these beings were, in fact, “sky beings”—whether extraterrestrial or simply considered alien to early humans.
Texts like the Mahabharata and Ramayana from India, the Popol Vuh from the Maya, and even the Bible contain descriptions of flying vehicles, advanced technology, and beings descending from the heavens.
In our current day, the news is filled with reports of “tic-tacs” and other UFO/UAP sightings. Perhaps some future culture will look at our own reports and make similar conclusions about us as we do about the Nazca.😉
There are striking parallels between the Mahābhārata, Greek, Sumerian, and Book of Enoch mythologies, as well as the mythologies of pre-Columbian American cultures like the Maya, Aztec, and Inca.
Each of these traditions features complex hierarchies of celestial beings, cosmic battles, cycles of creation and destruction, hybrid creatures born from supernatural unions, and the transmission of advanced knowledge by powerful entities.
If we consider the possibility that these mythologies describe encounters with very real beings perceived as gods due to their superior technology and abilities, these stories might represent historical interactions with advanced civilizations.
The Nazca Lines, with their massive geoglyphs etched into the Peruvian desert, could fit into this context. Theories suggest they may have been created as a means to communicate with or signal these beings, perform rituals to appease them, or even map astronomical knowledge imparted by them.
This interpretation aligns with how other ancient cultures constructed monuments and sacred sites, possibly as attempts to connect with or gain favor from these technologically advanced entities. While direct evidence is lacking, the Lines’ purpose and design might indicate an interaction between humans and these superior beings who were perceived as gods.
Oh I absolutely agree! There is absolutely no question at all that these figures which CANNOT be seen from the ground level are purposely built to be seen from the air. It is a no brainer without question! The cause of the effect came from the air/heavens period... And there are too many correlations between cultures that had absolutely no clue each other even existed. There is a central universal cause that created the resulting effect.
I think Erich was right about possibility. I think it is a sign post pointing to different cultures around the planet at the time and each culture is represented with a symbolic figure like we are now. Example we are represented symbolically as an Eagle while Russia is represented symbolically with a Bear. The figures represent different tribes and cultures and the lines point towards their geographic location on the globe.
I have tried to make that connection over the years, but with no real reference of what geographic cultures would have used what symbol at that time it is nearly impossible.
And get this (from some old notes that I have--no sources noted):
The Nazca Lines are estimated to have been created between approximately 200 BC and 600 AD. That's a very long development time.
Key Points on Dating:
Earliest Geoglyphs (c. 200 BC - 100 AD): Some of the simpler lines and shapes are believed to date back to the early stages of the Nazca culture, possibly even overlapping with the earlier Paracas culture, which also created geoglyphs in the region.
Classic Period (c. 100 AD - 450 AD): The majority of the more complex and elaborate geoglyphs, including the famous animal figures like the hummingbird, monkey, and spider, are thought to have been created during this period. This corresponds to the height of the Nazca civilization, when their society was well-organized and capable of large-scale projects.
Later Geoglyphs (c. 450 AD - 600 AD): Some later lines and figures might have been added toward the end of the Nazca culture, as the society began to decline.
Dating Methods:
Radiocarbon Dating: Organic materials found near the lines, such as wooden stakes (get that: wooden stakes--What The Heck) used to mark the geoglyphs, have been radiocarbon-dated, providing a general timeframe for their creation.
Ceramic Analysis: Pottery shards found around the lines have been dated and linked to different phases of the Nazca culture, helping to establish a chronological framework. Stratigraphy: Studying the layers of soil and rock in and around the lines can provide additional clues to their age. Overall, the dating of the Nazca Lines suggests they were created over several centuries, with the most active period of geoglyph creation occurring during the height of the Nazca culture from around 100 AD to 450 AD.
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