There was a followup single from that album called "Sub-Rosa Subway" that also garned some airplay on the progressive rock stations of the day.
Posted on 09/20/2024 4:20:07 PM PDT by nickcarraway
The story of how Richard and Karen covered Klaatu, the group rumored to the secret reunion of the Fab Four.
Have you heard the one about the futuristic track by a group that were rumored to be The Beatles in disguise, and which was turned into a hit by America’s favorite musical brother and sister?
This is the story of how the Carpenters get involved with an organization called the International Flying Saucer Bureau, and turned the affair into a hit record. Devotees of quality pop of the 1970s will, by now, know that we’re talking about “Calling Occupants Of Interplanetary Craft,” which in 1977 became Karen and Richard’s last UK Top 10 hit.
But the song had debuted a year earlier, amid a degree of orchestrated hype surrounding its somewhat Beatlesque sound. Could this, and its Capitol Records parent album 3:47 EST, actually be the results of a secret reunion by the Fab Four?
The tale began in 1953, when the aforesaid International Flying Saucer Bureau sent a bulletin to its members encouraging them to join the first World Contact Day. Members were urged, at a specific time on a given day, to send out a collective telepathic message to visitors from outer space. The message began with the words…you guessed, “Calling occupants of interplanetary craft.”
In 1967, Jay David published a book called The Flying Saucer Reader, which was picked up by John Woloschuk, one of the founding members of a Canadian group named Klaatu. It had an enormous effect on him. The Canadian progressive rock trio formed in 1973 in Toronto and had some local success, notably with the RPM Top 40 chart hit “California Jam” the following year.
Click to load video The sci-fi-fueled group, formed by Woloschuk and Dee Long, were named after an alien character in the classic 1951 movie The Day the Earth Stood Still. Indeed, 3:47 EST was the time that the interplanetary visitor arrived in Washington, D.C. in the film.
Drummer Terry Draper joined a couple of singles into the Klaatu story, and it was he and Woloschuk that wrote the song, produced by Draper, that would give them a moment in the world’s spotlight. Capitol fanned the flames of the Beatle rumors, neither confirming nor denying them, amplifying interest in “Calling Occupants Of Interplanetary Craft” and helping it to a No.62 peak on the Billboard Hot 100. The parent album, simply named after the group for its US release, reached No.32, deliberately eschewing musician credits for extra inscrutability.
Beatles, Badfinger, Beach Boys Beatle devotees will note that the LP often sounds more like a cross between their Apple acolytes Badfinger and the Beach Boys, sometimes with a little 10cc thrown in. Casting further doubt on the spurious rumors, it might be added that the penultimate “Sir Bodsworth Rugglesby III” might have been a novelty from a Muppet Show.
While making their second album in London, Klaatu’s alleged identity was mocked in a New Musical Express article, after which the group’s real names were uncovered by WWDC Washington program director Dwight Douglas. They went on to release that sophomore album, Hope, in 1977 and three more, Sir Army Suit (1978), Endangered Species (1980), and 1981’s Magentalane.
The Carpenters heard the 1976 single, and looked to create their own version of “Calling Occupants.” It came out on September 20, 1977, having been recorded for their album Passage, and entered the Hot 100 on October 8, as the week’s highest new entry. The Carpenters rely heavily on the original Klaatu arrangement, but the duo’s version is very different for the first minute of the song, which Richard arranged as a spoof phone-in to a radio station DJ, played by the band’s longtime guitarist Tony Peluso.
Peluso says hello to “Mike Ledgerwood,” but the voice that responds is that of an alien trying to make contact on “World Contact Day.” Ledgerwood was an executive at the UK offices of the Carpenters’ record label, A&M Records who had also been deputy editor of the British pop paper Disc & Music Echo.
The Carpenters version was recorded on the A&M sound stage in Los Angeles and featured the Los Angeles Philharmonic Orchestra, who for contractual reasons was referred to as the “Overbudget Philharmonic,” along with a large choir. The orchestral arrangements were by British arranger and conductor Peter Knight whose credits include the Moody Blues’ Days of Future Passed album. Other musicians include Ronnie Tutt, a member of Elvis Presley’s band for many years.
Listen to the best of the Carpenters on Apple Music and Spotify.
The track climbed no higher than No.32 in the US, but made No.9 on the UK singles chart to become the Carpenters’ final visit to the singles Top 10 there. The cover art featured on the US single was painted by Star Trek designer, Andrew Probert, and the subtitle, The Recognized Anthem Of World Contact Day, referred to the mission launched in 1953 to send a telepathic message into space by – of course – the International Flying Saucer Bureau.
Calling Occupants Of Interplanetary Craft (The Recognized Anthem Of World Contact Day)
This is the TV special the song inspired. Probably also the success of Star Wars inspired it.
Wow, I skimmed through a bit of the special. If you lie cheesy 70’s entertainment, you won’t be disappointed. Also, there is a disco square dance.
Karen didn’t starve herself to death - she just went home.
Was in college at SUNY Brockport at the time. We always listened to WKBW out of Buffalo NY. I remember hearing “Sub Rosa Subway” from Klaatu and thinking it was right out of Sir Paul’s head. WKBW never let on who it was. I think Sandy Beach was the DJ at the time - around 1975/76.
Klaatu is good stuff.
Jerry
She was a great drummer, and they wouldn’t let her play drums, and made her stand out front. An eating disorder is a way to regain control over one’s life.
There was a followup single from that album called "Sub-Rosa Subway" that also garned some airplay on the progressive rock stations of the day.
Alice Cooper joke at about 31:10.
When I heard the name of the group, I immediately got the joke, because I had read the Golden Age SF story Farewell To The Master as a young teenager.
I the story, a super-advanced alien tries to recreate his dead companion from recordings of his (the dead companion's) voice. He is only partially successful in this endeavor, due to noise that degrades the only extant recordings of that voice.
It is a very good story, and sad. But I understood right away that Klaatu was a being who tried to bring a dead creature back to life using only the sound it made.
“Karen didn’t starve herself to death - she just went home.”
No she didn’t . . . yes, finally home.
I had the Klatu album. It was very light and fun. I never really liked the Carpenter’s version.
None of these would be on my 100 top played list.
This song is one of the very few Carpenter connected songs that I have zero use for. It seems klunky, clumsy and uneven all the way through. I tend to think brother Richard Carpenter had little to do with the production of it.
The same man who arranged the ultra-classy trombone intro to Karen’s “Superstar” couldn’t have been in his right mind to produce this squirmy rodent of a recording.
I wish they had stuck with the Richard Carpenter Trio format. And never taken her off drums.
I wish she had married Tony Peluso,
I enjoyed a great deal of their work, starting when they broke on the scene with Burt Bacharach song ‘Close To You’.
I think both brother and sister became overwhelmed by their sudden fame. Richard became addicted to drugs.
Karen became depressed and as we all know, anorexic.
I have never been famous or even infamous, and probably never will be. I don’t know what it’s like to be showered with all that money and attention and expectation.
When they were a trio, they had a Brazilian guitarist. They played a more rock/jazz rock style. It was more challenging for her to play drums, and it seemed like a better fit for his keyboards too.
Easily their worst single. It royally sucked.
Saw Alice in concert two weeks ago tonight. As always,an epic event!
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