Free Republic
Browse · Search
General/Chat
Topics · Post Article

Skip to comments.

What Kinds of Seismic Signals Did Swifties Send at LA Concert?
Seismological Society of America ^ | 3/18/24 | Journals, News, SRL

Posted on 03/19/2024 12:20:24 PM PDT by DallasBiff

13 March 2024–Seattle may have experienced its own Swift Quake last July, but at an August 2023 concert Taylor Swift’s fans in Los Angeles gave scientists a lot of shaking to ponder.

After some debate, a research team led by Gabrielle Tepp of Caltech concluded that it was likely the dancing and jumping motions of the audience at SoFi Stadium—not the musical beats or reverberations of the sound system—that generated the concert’s distinct harmonic tremors.

In their study in Seismological Research Letters, Tepp and colleagues show how they were able to identify the seismic signature of individual songs and determine the strength of each song’s tremor.

They even have a little bit of data on how Swift’s concert stacks up—seismically, that is—against other Summer of 2023 SoFi concerts, including Metallica, Beyoncé and Morgan Wallen

(Excerpt) Read more at seismosoc.org ...


TOPICS: Business/Economy; Chit/Chat; Music/Entertainment; Science
KEYWORDS: earthquake; la; taylorswift
Navigation: use the links below to view more comments.
first previous 1-2021 last
To: DallasBiff

I’ll bet Hank Johnson is hoping she doesn’t hold a concert on Guam. :-)


21 posted on 03/19/2024 7:44:36 PM PDT by ken in texas
[ Post Reply | Private Reply | To 1 | View Replies]


Navigation: use the links below to view more comments.
first previous 1-2021 last

Disclaimer: Opinions posted on Free Republic are those of the individual posters and do not necessarily represent the opinion of Free Republic or its management. All materials posted herein are protected by copyright law and the exemption for fair use of copyrighted works.

Free Republic
Browse · Search
General/Chat
Topics · Post Article

FreeRepublic, LLC, PO BOX 9771, FRESNO, CA 93794
FreeRepublic.com is powered by software copyright 2000-2008 John Robinson