The Godfather II - Michael and Fredo in Cuba (Video - "You broke my heart.")
Posted on 12/18/2022 5:04:06 PM PST by nickcarraway
The Fredo Kiss and Its Repercussions in 'The Godfather' Franchise
"I know it was you, Fredo."
It's one of the most memorable scenes in movie history: Al Pacino, as Michael Corleone grabs his brother Fredo's (the late, great John Cazale) face, gives him a long kiss on the lips and says, "I know it was you, Fredo. You broke my heart. You broke my heart!" Fredo then stares at his brother, terrified, and runs away into the crowd. The kiss is known as "Il bacio della morte," meaning "the kiss of death." In this instance, it was to signify to Fredo that he was marked for death for betraying his brother to Hyman Roth (Lee Strasberg) and his right-hand man Johnny Ola (Dominic Chianese) in The Godfather Part II. Michael eventually has him killed, although certain events have to occur before Michael orders his death.
Today, this kiss has become so famous that it's been used as a comedic tool in shows like Brooklyn 99 and New Girl, where it was called "The Fredo Kiss." But, the significance of the kiss is what makes it famous; the unthinkable act of having a sibling killed for any reason seemed so shocking, particularly between two siblings who, before this incident, seemed to love each other dearly. After all, this was a series about a family, so the idea of familicide goes against the grain.
Why Fredo Had to Die
With that in mind, Fredo's death has to be justified, and truthfully, whether it is remains unclear. Earlier in The Godfather Part II, an assassination attempt is made on Michael's life in his home. Michael comes to suspect Hyman Roth is behind the attempt, but with the Corleone estate being fortress-like and heavily guarded, it is clear that betrayal had occurred by someone close to him. In an "introduction" between Fredo and Johnny Ola by Michael, Ola states that he never met Fredo, and Fredo plays along, shaking his hand. The uncomfortable exchange of expressions between Cazale and Chianese is only visible to the viewer, as we can clearly see they have met and are trying to conceal it. Later, in a sex club, Michael overhears Fredo explaining to a friend that Johnny Ola brought him to the club first and explained further that "Old Man Roth would never come here, but Johnny Ola knows these places like the back of his hand."
Michael's suspicions of Hyman Roth are solidified in a moment of realization that could make you cry, and the heart-rending betrayal is revealed. Fredo later admits that in exchange for "something for him," he passed information about Michael to Roth. The "information" is unspecified, and Fredo explains that he did not know this exchange would lead to an attempt on Michael's life.
Fredo's decision is most likely a result of resentment toward Michael, by whom he felt he had been passed over. Michael was Fredo's "kid brother," and the fact that their father chose for Michael to take over the "family business" came as a great insult to Fredo, who was neither as intelligent nor as strong. During the course of the films, Fredo offers several ideas for the business, including a necropolis, but Michael doesn't take his proposals seriously. He also acts shamefully, choosing womanizing and drinking over the business, despite being clearly charismatic.
The Controversial Decision to Kill Off Fredo
If you think that it still seems unimaginable to be able to like a character, even a protagonist, who orchestrates the death of his brother, you would have shared that opinion with Mario Puzo. Puzo was the author of the Godfather book series and a close collaborator with Francis Ford Coppola on the films. According to The Godfather's 50th Anniversary introduction, written by Coppola, "Mario was dubious about the idea that it was Fredo who betrayed Michael; he didn't think it was plausible. But he was absolutely against Michael ordering his own brother to be killed." Coppola later explained that while Puzo added his thoughts for what the novel's characters may do, Coppola's input was contingent upon what a film director would do.
It's important to note that the novel, The Godfather, initially released in 1969, did not feature Fredo dying. With both Godfather films being released by 1974 and Puzo's sequel The Sicilian not released until 1984, Fredo's death was not written in Puzo's novels. Therefore, Fredo's death was purely an idea of Coppola's.
With the family being at the film's center, Coppola and Puzo had to devise a compromise. They settled on Fredo's death occurring after Fredo and Michael's mother, Carmela, passed away. With Vito Corleone having already passed, their parents were no longer a concern. The decision turned out to be the right one as it served as the film's emotional climax. Additionally, Fredo's death would come to serve as a catalyst to the dissolution of Michael's marriage to his wife, Kay (Diane Keaton), as well as the strained relationship between Michael and his son, Anthony (Franc D'Ambrosio), who had grown close to his uncle as a child. Of course, none of this fully culminates until The Godfather Part III, released in 1990.
A Note About John Cazale
John Cazale is not a household name anymore, but he should be. Cazale passed away in 1978, so he never got to have the lifelong career that many of his co-stars did. His impact is unprecedented for a man whose career was only able to span six years. Cazale was able to star in five feature films before his death, all of which were nominated for the Best Picture Academy Award. Additionally, they have all been deemed by the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant.
For those that may want to watch them, they are The Conversation, starring Gene Hackman, The Deer Hunter, starring Robert De Niro and Christopher Walken, Dog Day Afternoon, starring Al Pacino, and The Godfather Part I and Part II. There's a lot more to offer in his film catalog than just Fredo, and they're all outstanding movies to watch if you have the time.
Too gay for me.
1 & 2, perhaps the best sequel set of films ever produced by Hollywood. 3, not so much.
But definitely a sequel to be watched over and over, and just as good each time.
That scene is also a bookend with this one. I actually think this one is more powerful because it shows what is going on in Fredo’s head and how pathetic he really is. The big problem is, of course, that Michael is all out of sympathy for his brother.
https://www.youtube.com/watch?v=5Weaop_aiTg&t=7s
That’s what confused me, so “the conversation” is another movie aside from Godfather?
IIRC he was married to Meryl Streep...
Me too. I’d go for a slap of death, like several of those little putch-putch face slaps...
“The Conversation” is a Gene Hackman movie. Kind of psychological and a bit hard to follow with a ‘60s type ending. Cindy Williams (SHorley Feeney), of all people, has a significant role.
Yup, I just looked it up. I have seen it before and it’s similar to Enemy of the state.
Both good movies.
We have the entire trilogy on dvd. The first two are masterpieces, the third one not so much, but still very good. We have watched them so much, I’ve been avoiding seeing them for a number of years, but you got me interested in watching them again.
Connie’s wedding reception at the very beginning of Pt. 1 reminds me of weddings I attended as a small child.
Years ago when we went to Vegas, we actually met the late Al Ruscio, who was in Pt. 3. He and his wife were VERY nice.
I think they were “an item” instead of married...but, much to her credit, she stayed with him to the bitter end.
“Connie’s wedding reception at the very beginning of Pt. 1 reminds me of weddings I attended as a small child.”
James Caan didn’t want to do the scene where he smashed a reporter’s Speed Graphic to the ground, because he was a major camera collector...they had to convince him it was just a heavily-altered prop.
yup, RIP
More Godfather trivia! Awesome!
I gotta add, I’m pretty sure even though they were Sicilian, none of my relatives were in the Mafia, although my dad’s dad DID shoot someone once.
The best thing for I and II is the saga which has never been released on DVD and has all kinds of stuff that was never in the original films. I was able to buy the VHS version on eBay a few years ago and a decent price.
I just read that scene was improvised by Caan and was never in the script like that.
The three Corleone brothers were effectively the three nations of North America: Michael was the US: intelligent, calculating and a bit full of himself, Sonny was Mexico, the rough and reckless, but funny one, Fredo, well, Fredo was Canada…
bump
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