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Why America Fell for Casablanca, and Why the Classic Film Is Losing its Hold on Movie Lovers.
Slate ^ | FEB. 27 2017 | Laura Miller

Posted on 03/06/2017 8:47:12 PM PST by nickcarraway

The End of a Beautiful Friendship

Why America fell for Casablanca, and why the classic film is losing its hold on movie lovers.

In 1957, the Brattle Theatre in Harvard Square kicked off its Humphrey Bogart series with the 1942 classic Casablanca.* Bogart himself had just died, and the response to the film was rapturous. By the fourth or fifth screening, “the audience began to chant the lines,” the theater’s then-manager told Noah Isenberg, author of We’ll Always Have Casablanca: The Life, Legend and Afterlife of Hollywood’s Most Beloved Movie. It was the dawn of the art-house era, the moment when film was beginning to be taken seriously as an art form by college students who flocked to theaters like the Brattle to see the work of Ingmar Bergman, Federico Fellini, and Michelangelo Antonioni. Casablanca didn’t exactly rank among those auteurist masterpieces—even the movie’s most ardent champions have always described Casablanca, directed by Michael Curtiz and credited to screenwriters Howard Koch and Julius and Philip Epstein, as the quintessential product of the Hollywood studio system. But it nevertheless became a cult object for a generation or two of cinephiles, particularly young men, over the next several decades.

Allen Felix, the fictional film-critic hero of Play It Again, Sam, Woody Allen’s 1969 play and 1972 film, epitomizes that breed of young man. The film begins with the closing scene of Casablanca, in which Rick Blaine (Bogart) nobly parts from Ilsa (Ingrid Bergman) on a misty North African tarmac. Then the camera cuts to Woody Allen’s rapt face, his mouth gaping, as he inhales the movie’s glossy, yearning romance. Felix lives in an apartment wallpapered with movie posters, most of them featuring Bogart, and as he bumbles his way through a largely unsuccessful love life, the phantom of the movie star in his trademark

(Excerpt) Read more at slate.com ...


TOPICS: TV/Movies
KEYWORDS: casablanca; cinema; film; hollywood; movies
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To: nickcarraway

For later


101 posted on 03/07/2017 2:50:43 AM PST by Lord Castlereagh
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To: FreedomPoster
IG Farben is a key name, which company begat Agfa, BASF, and Bayer.

Once the SHTF, those names were all of interest to the Alien Property Custodian.

102 posted on 03/07/2017 2:52:39 AM PST by cynwoody
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Comment #103 Removed by Moderator

To: nickcarraway

I was never a fan...of the movie or Bogart.

But then my son says I have no taste in movies since I hate The Matrix and Star Wars...


104 posted on 03/07/2017 3:59:31 AM PST by mom4melody
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To: lee martell
Sometimes an idealized portrayal has a certain shelf life of appeal

It's hard to think of a remake of a classic film that improves on the original. Some things are so well done that it's futile to try to top them. Even if the modern production is technically as good, the viewer still scratches his head and says "why?"

105 posted on 03/07/2017 3:59:45 AM PST by sphinx
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To: Dawgreg
"I loved Casablanca but my all-time favorite was “Laura”. An original chick flick.....;) "

Just checked and Netflix actually has it available for streaming. Thanks for the tip!

106 posted on 03/07/2017 4:19:30 AM PST by nralife (Tell Sen. John Cornyn we DO in fact want a real wall! 202-224-2934)
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To: a fool in paradise

The “hero” (Rick) fought for the communists in Spain. Along with other movies (Sahara/1943, Guns of Navarrone/1961), “Casablanca” wanted to maintain the myth that Franco was the Devil and he’d beaten the “good guys”. Casablanca and Sahara also maintained the illusion that the US and France were allies; the hundreds of US & British dead from the invasion of North Africa would disagree.

This movie should be consigned to the dustbin of history as the wartime propaganda it was.


107 posted on 03/07/2017 4:22:24 AM PST by kearnyirish2 (Affirmative action is economic warfare against white males (and therefore white families).)
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To: nickcarraway

I can’t tell you how many times I’ve replayed the “Play the Marseillais” scene.

sigh....


108 posted on 03/07/2017 4:50:17 AM PST by LydiaLong
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To: nickcarraway
Casablanca was thrown together fairly quickly which perhaps explains why they boldly took chances - all of them seemed to work out. There was a classic '40s sarcasm epitomized throughout culminating in the strong message that we (the free world) need to take things seriously now - the world needs to wake up!

Can we wake up again?
109 posted on 03/07/2017 4:52:44 AM PST by \/\/ayne (I regret that I have but one subscription cancellation notice to give to my local newspaper.)
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To: nickcarraway
Why the Classic Film Is Losing its Hold on Movie Lovers.

The Nation liked Bogie. The movie is boring and pointless.

110 posted on 03/07/2017 4:55:26 AM PST by GingisK
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To: GingisK

I’ve tried to watch it.... I could never understand the fuss


111 posted on 03/07/2017 4:58:04 AM PST by Mr. K (Go Trump!)
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To: tophat9000

“Searchers” is one of my top five films ever made.
The best movie ?
It has to be “The Best Years of Our Lives.”


112 posted on 03/07/2017 5:24:41 AM PST by Eric in the Ozarks (Baseball players, gangsters and musicians are remembered. But journalists are forgotten.)
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To: dfwgator

Ugh. Hated that movie.


113 posted on 03/07/2017 5:54:33 AM PST by LS ("Castles Made of Sand, Fall in the Sea . . . Eventually" (Hendrix))
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To: Jimmy Valentine
Another favorite of mine is Bogart in The Maltese Falcon. Sidney Greenstreet made a great bad guy.

Me too...I LOVE that movie. Took my two sons to see it at a theater when they were ~ 16 & 18, and they loved it too.

" I couldn't be fonder of you if you were my own son. But, well, if you lose a son, it's possible to get another. There's only one Maltese Falcon."

LOLOL!!!

114 posted on 03/07/2017 6:21:58 AM PST by SomeCallMeTim ( The best minds are not in government. If any were, business would hire them!)
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To: lee martell

funny.
That was bedford falls.
Pottersville was the honky tonk town it became without George Bailey

https://www.youtube.com/watch?v=zCFePlm0Gkw


115 posted on 03/07/2017 6:27:35 AM PST by stylin19a (Terrorists - "just because you don't see them doesn't mean they aren't there")
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To: Fiji Hill

As Time Goes By—Jacques Renard (1931)

Interestingly, This record shows only Jaques Renard, but not the name of the composer (words and music), Herman Hupfeld. I have done a lot of research on ATGB and I have never come across this recording.

Rudy Vallee was the first to record the song, also in 1931 and it was later in a play “Everybody’s Welcome” whose box office failure but the Schubert Organization into bankruptcy.


116 posted on 03/07/2017 6:45:53 AM PST by Steven Scharf
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To: dr_lew

I’ve tried to watch 2001. But it starts out as long and pointless. And at 2 hours and 41 minutes - I’m not going to find out if it gets any better.


117 posted on 03/07/2017 6:56:42 AM PST by Responsibility2nd
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To: Fai Mao; lee martell

As a classic movie fan, how is it that I’ve never seen “Wonderful”?

I’ve seen bits and pieces of it. Read many critiques and reviews. But never seen the entire movie.


118 posted on 03/07/2017 7:04:02 AM PST by Responsibility2nd
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To: MinuteGal; nickcarraway; flaglady47; Maine Mariner; entropy12; Fiddlstix; Freedom56v2; ...

For ME going to the movie today is a HUGE punishment, pure and simple !!!


119 posted on 03/07/2017 7:12:27 AM PST by danamco
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To: murron

I am 65 and I was, heh heh


120 posted on 03/07/2017 8:28:44 AM PST by hawg-farmer - FR..October 1998 (------>VMFA 235- '69-'72 KMCAS <------- "Death Angels")
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