Posted on 02/01/2016 1:40:02 PM PST by nickcarraway
There are few movies as quotable as the 1980 disaster-movie parody Airplane! â and of the movie's many memorable gags, arguably the most enduring is the moment when reluctant pilot Ted Striker (Robert Hays) tells Dr. Rumack (Leslie Nielsen), âSurely you canât be serious,â and Rumack replies, âI am serious â and donât call me Shirley.â
As part of our weeklong 100 Jokes That Shaped Comedy series, we dug into the origins and execution of that exchange â as well as the overall comedic mechanics of Airplane! â with the trio who wrote and directed the film, Jim Abrahams, David Zucker, and Jerry Zucker.
What was the origin of âDonât call me Shirleyâ?
Jerry Zucker: The origin of that joke is similar to the origin of a lot of jokes in the movie: While we were writing, we used to watch a lot of old, serious movies that had a lot of this overly dramatic dialogue. Weâd say, âWait, wait, wait. Stop the tape,â and weâd go back and weâd put in our punch line or our gag in the background. That was one of those lines where someone actually did say, âSurely you canât be serious.â
David Zucker: The other person might have even said, âI am serious.â But we added the âDonât call me Shirley.â
So youâd do that for lots of the dialogue?
Jerry Zucker: A lot of it, yeah.
Jim Abrahams: Constantly. Thereâs a line in [1957 airplane thriller] Zero Hour! that says â how does the line go?
Jerry Zucker: âStewardess, can you face some unpleasant facts?â And then, in Zero Hour!, she says, âYes.â But in our movie, she says, âNo.â David Zucker: Or âWe need somebody who can not only fly this plane, but who didnât have fish for dinner.â
Abrahams: Thatâs an actual line! That was a line from Zero Hour! Written by Arthur Hailey.
David Zucker: The whole plot of Zero Hour! is that everyone on a plane who ate fish, including the pilots, got sick. Jerry Zucker: We just put that line in, verbatim.
What do you recall of filming the âDonât call me Shirleyâ gag?
Abrahams: Well, Paramount Pictures was apprehensive about three first-time directors working together on a movie. David Zucker: Our contract said they could fire us after one week.
Abrahams: As it turned out, the âDonât call me Shirleyâ scene was filmed on the first day of shooting. When Paramount Pictures watched the dailies and saw that joke and the way it played, they were relieved. They finally understood the concept and were much more comfortable dealing with us.
Jerry Zucker: We got the call and it was kind of like, âOh, now we get it.â I think they previously said, âOkay, fine, you can have [Robert] Stack, [Lloyd] Bridges, [Leslie] Nielsen, and [Peter] Graves,â but I donât think very many people understood what we were doing by casting these serious, straight-men actors until they saw it.
David Zucker: It was a radical concept. We were doing a comedy without comedians. I think the studio most likely green-lit it thinking this was Animal House on an airplane, and it turned out to be totally different than what they imagined.
Jerry Zucker: Itâs a line that a lot of different people could have said, and it wouldâve been funny â people wouldâve gotten it. But I donât think it would be remembered in the same way if it hadnât been said the way Leslie Nielsen says it.
David Zucker: Thatâs a good point. We love Bill Murray and people who do comedy well, but it wouldnât have been the same if a comedian had said that line.
What direction did you give Leslie for that scene? Jerry Zucker: I think we had shown him Zero Hour! previously because we wanted him to see the style. We told everyone that âplaying it straightâ doesnât quite do it, because they think they have it, but theyâre still winking. We told them to play it like they donât know theyâre in a comedy. Like no one told them. Just the way Leslie would have played this in The Poseidon Adventure, or any other of the films or television shows he had done. Leslie, more than anyone, really got that and relished it. He loved it. For the whole movie, Leslie didnât need a ton of direction on performance.
David Zucker: He just jumped into the water and swam. He knew what he was doing.
Abrahams: You can intercut scenes from The Poseidon Adventure with his performance in Airplane! and you canât distinguish, performance-wise, between them.
That line is followed almost immediately by another wordplay gag, the bit where Ted says, âIt's an entirely different kind of flying altogether,â and Rumack and Randy repeat that line, all together. Most of the movie is like that. How did you keep it from getting too joke-dense?
Jerry Zucker: It took us a while to sell the movie, and we just kept putting in jokes and putting in jokes. If a joke lasted for all that time between the time we wrote it and when we finally shot it, we figured it was probably a pretty good joke. But that was part of our idea of the kind of movie we wanted to make: We wanted the jokes to come really fast.
David Zucker: For ten years before that, we had done a live comedy show on Pico Boulevard called Kentucky Fried Theater, and that show also had a fast pace. We found that it was easier to keep an audience laughing than to start them up all over again. Thatâs where we got the pace of Airplane!
Jerry Zucker: Also, in this movie, we knew we werenât going to be able to rely on just a funny character to make a mediocre line delightful because theyâre making a face. So we better have another joke.
How often do you go back and watch the movie?
David Zucker: More often than youâd think because theyâre constantly having screenings. Thereâs the 25-year, the 30-year, the 35-year anniversary. A lot of film festivals. Weâve literally been all over the world showing it.
What gag tends to get the biggest laughs, on average?
David Zucker: Some of the gags, like âDonât call me Shirley,â itâs almost like when you see a concert and the musicians start playing a song and the audience recognizes it and they applaud. Some of the things I enjoy are the really simple things that got laughs 35 years ago and will get laughs 35 years from now. Like when the stewardess says, âIâm 26 and Iâm not married,â and the other lady comes in and says, âYeah, Iâm scared, too, but at least I have a husband.â That joke always works! Itâs so simple!
Abrahams: Iâve had many different favorites over the years. In recent years, the one that sticks most with me is âYou can tell me â Iâm a doctor.â Thatâs because, when we wrote that, who knows what we were thinking, but as life has gone on, my family has absolutely been subjected to medical arrogance. Whatever that mentality is that allowed Leslie to say in the movie, âYou can tell me â Iâm a doctorâ has become satiric in my later life instead of just a parodic point of view.
David Zucker: The easiest, hugest laugh used to be the reporters running into the phone booth. But I think, with the passing of decades, I donât know if people know what phone booths were! Jerry Zucker: Sometimes I like some of the odd stuff. Like Leslie saying, âWhat the hellâs going on back there?â and then you see the womanâs in stirrups and heâs holding a speculum. Not because itâs the funniest joke in the film, but itâs just odd, in a way. Itâs not a clear play on words or anything. âEveryone get in crash positions,â Iâve always been fond of.
What do you think the comedic legacy of Airplane! is?
Jerry Zucker: One of the great things about DVDs is every new generation, everybody sees it. Itâs easy to see it more times. It has more of a legacy now than it did when it just came out and kinda vanished, like all movies.
David Zucker: I love going to parties and not having to put out any effort to be funny. I did Airplane!, I donât have to be funny. Theyâll laugh at anything.
Abrahams: Itâs impossible for us to answer these kinds of questions seriously because the whole point is to not take things seriously. Thatâs what Airplane! is about. Thatâs what I hope the legacy of Airplane!, if there is any, is. Even in that line, âDonât call me Shirley,â we pointed out that there are things in culture and media that we all take seriously that we donât need to take seriously. I like to think, even today, when you hear in the news somebody say âsurelyâ this, or âsurelyâ that, I like to think that thereâs a whole bunch of people around the world who hear that and kinda chuckle to themselves because they remember the line and they know they donât have to take that seriously.
Jerry Zucker: And then, of course, thereâs, âHave you ever seen a grown man naked?â Why didnât that make your top 100 jokes? Shouldnât that have been in one of the hundred?
We tried to allocate only one joke per work of art. David Zucker: Donât you think some works of art deserve three or five mentions? Jerry Zucker: I would think, if youâr
It’s OK, I speak jive.
Johnny had some hilarious scenes, lines, and gags.
Johnny, what do you make of this?
I can make a hat, or a broach, or a pterodactyl...
“There’s a sale at Penney’s”
I’ve watched Airplane! dozens of times. It’s one of those movies where if I stumble upon it, I’ll watch it again and *still* laugh. One of the greats.
Probably the movie of all time that GUARANTEES laughter.
I remember seeing this in the movie theater with my brother and another guy who has since passed away in a car accident. The three of us walked out of the theater in Van Nuys or Sherman Oaks, after having laughed to tears through basically the entire movie, and said “Well, that was stupid.” “Yeah.” Lol. We did not appreciate how much intelligence was behind all that comedy.
And though I’ve watched it a million times, one of the best times was when my then mother in law was asleep one room away and could hear everything, and it came on tv. We tried very hard to stifle our laughter. That’s how I know it does guarantee laughs.
My two favorite parts are a) Leslie and the woman on a guerney and he has a speculum in his hand, in the aisle of a plane, and b) when Karreem finally breaks character.
They do look similar, but Willy Wonka was made almost a decade before Airplane (1971 vs 1980). Veruca Salt was played by Julie Dawn Cole . The girl in Airplane is Michelle Stacy, who played the voice of Penny in Disney's The Rescuers. Airplane seems to have been her last film.
I can never remember to say “nice beaver!” in the appropriate circumstances. Probably better that way...
"Well I'll give him another twenty minutes....but that's it."
I remember Kentucky Fried Movie. They went all out with the long Enter the Dragon parody, and I had never seen the film. Years later, a boyfriend took me to a theater showing of the old Bruce Lee classic. Everyone in the audience was a reverent fan.
Sadly for them, I finally “got” all the Kentucky Fried Movie jokes while watching the original, and I was laughing through any scene they parodied. People were angry, and it only made it harder to stop. It was a uniquely painful yet hilarious situation.
Oh, yeah.
Joey: And he says that lots of times, you don't even run down court. And that you don't really try... except during the playoffs.
Roger Murdock: [breaking character] The hell I don't! LISTEN, KID! I've been hearing that crap ever since I was at UCLA. I'm out there busting my buns every night! Tell your old man to drag Walton and Lanier up and down the court for 48 minutes!
That one, and
We have clearance, Clarence.
Roger, Roger. What's our vector, Victor?
The autopilot sight gag. The Jive scene. The lineup to commit mayhem on the panicking passenger. And on, and on...
“But he was one of the lucky ones. He managed to escape in a balloon during the Jimmy Carter presidency.”
That scene got HUGE CHEERS in the theater because that was exactly what it was like walking through LAX in the 70s with all the beggars and Hare Krishnas. I actually think it helped weed them down after the movie.
I picked the wrong thread to stop sniffing glue.
“This fog’s getting thicker.”
“And Leon’s getting wider!”
The great Jonathan Banks had his moment as the radar man. “He’s up. Now he’s down! Now he’s up again! What an a*****e!”
Another Zucker movie that is underrated is BASEketball, which featured Trey Parker and Matt Stone from South Park.
The proper response to “I like my coffee like I like my men,” is “Ground up in a can?”
At one point you see all the men at ground control staring into round radar monitors. Then someone comes along, pops one open, and takes out a load of laundry.
“I know a little German.......he’s sitting over there.”
Makes me want to watch it again when I get home. For the one millionth time!
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