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1 posted on 02/02/2015 9:26:01 AM PST by Borges
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To: .30Carbine; 1cewolf; 1rudeboy; 31R1O; ADemocratNoMore; afraidfortherepublic; alarm rider; ...

Classial Ping


2 posted on 02/02/2015 9:27:20 AM PST by Borges
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To: Borges

Cage?

Whose music awfulness is only exceeded by rap?


3 posted on 02/02/2015 9:39:40 AM PST by Da Coyote
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To: Borges; Jack Hydrazine; Norm Lenhart; Salamander; TheOldLady; spyone; To Hell With Poverty; ...

This is the Modern Music Ping List. Our topic is music from the 20th and 21st century, from Ravel and Shostakovich through to the Synth Pioneers and beyond.

Topic suggestions are always welcome, and pings to music-related threads are appreciated.

FReepmail or reply to this post to be added to or removed from this list.

4 posted on 02/02/2015 9:56:20 AM PST by Squawk 8888 (Will steal your comments & post them on Twitter)
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To: Borges

While he fiddled with music, his brother Levi made a fortune on blue jeans........


5 posted on 02/02/2015 10:05:06 AM PST by Hot Tabasco (Man of "non-color" and proud of it)
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To: Borges

Middlebrow is coming back into fashion in the aesthetics world, which is a good thing AFAIC. Popular music has hit its nadir; it may bounce back in the next generation with the underground popularity of Americana, or if the syncretism that is occurring in much non-American popular music makes it across the oceans. Esoteric 20th-21st century classical music (serialism, aleatory, etc.) is becoming increasingly recognized for the non-aesthetic intellectual claptrap that it is, with the singular exception of composers experimenting with just intonational microtonalism—it’s tonal, but goes beyond the usual major/minor. All the “good stuff” in the middle, from traditional classical music to jazz to complex rock, blues, folk etc., is coming back into its own, and the music world, not counting the have-some-music-with-your-drugs-and-sex hit parade, is much the better for it.


7 posted on 02/02/2015 10:18:30 AM PST by chajin ("There is no other name under heaven given among people by which we must be saved." Acts 4:12)
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To: Borges
Strauss wrote some glorious operas (Der Rosenkavalier, Salome, Arabella) and some really awful ones (Elektra, Die schweigsame Frau, Intermezzo). I know that Elektra is performed quite often, but it is a hideous story with ugly music. I believe Strauss wrote this ugly music purposefully to depict the ghastly people and storyline. But, who cares? I won't subject myself to this piece, and I actually sang in it once.
8 posted on 02/02/2015 10:25:03 AM PST by Dr. Thorne ("Now when these things begin to happen, look up and lift up your heads." - Luke 21:28)
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To: All
Four Last Songs

Also Sprach Zarathustra

Ein Heldenleben

Don Juan

Till Eulenspiegel's Merry Pranks

An Alpine Symphony

Oboe Concerto

Horn Concerto #1
14 posted on 02/02/2015 5:56:25 PM PST by EveningStar
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To: Borges

I remember hearing the main title and end credit music of Jerry Goldsmith’s score for The Boys From Brazil and thinking, “Gee. I wonder where his inspiration came from.” :)


15 posted on 02/02/2015 6:07:19 PM PST by EveningStar
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