First Sunday Music - Mozart

[HoosierHawk]

Wolfgang Amadeus Mozart

His Childhood

Born January 27, 1756, in Salzburg, and baptized Johannes Chrysostomus Wolfgangus Theophilus Mozart, he was educated by his father, Leopold Mozart, who was concertmaster in the court orchestra of the archbishop of Salzburg and a celebrated violinist, composer, and author. By the age of six Mozart had become an accomplished performer on the clavier, violin, and organ and was highly skilled in sight-reading and improvisation. Five short piano pieces composed by Mozart when he was six years old are still frequently played.

Leopold took Wolfgang on the first of many successful concert tours through the courts of Europe. During this period Wolfgang composed sonatas for the harpsichord and violin, (1763), a symphony, (1764), an oratorio, (1766), and the comic opera, La finta semplice, (The Simple Pretense, 1768). In 1769, Mozart was appointed concertmaster to the archbishop of Salzburg, and later in the same year, at La Scala, (Milan, Italy), he was made a chevalier of the Order of the Golden Spur by the pope. He also composed his first German operetta, Bastien und Bastienne, in the same year. At the age of 14, he was commissioned to write a serious opera. This work, Mitridate, rè di Ponto (Mithridates, King of Pontus, 1770), produced under his direction at Milan, completely established an already phenomenal reputation.

The Mozarts returned to Salzburg in 1771. Hieronymus, count von Colloredo, the successor to the archbishop of Salzburg, who had died while the Mozarts were touring Italy, cared little for music. Mozart's appointment at Salzburg, however, proved to be largely honorary; it allowed ample time for a prodigious musical output during his next six years, but afforded little financial security. In 1777, Mozart obtained a leave of absence for a concert tour and left with his mother for Munich.

His Later Life

The courts of Europe ignored the 21-year-old composer in his search for a more congenial and rewarding appointment. He traveled to Mannheim, then the musical center of Europe because of its famous orchestra, in hopes of a post, and there fell in love with Aloysia Weber. Leopold promptly ordered his son and wife to Paris. His mother's death in Paris in July 1778, his rejection by Weber, and the neglect he suffered from the aristocrats whom he courted made the two years from Mozart's arrival in Paris until his return to Salzburg in 1779, one of the most difficult periods in his life.

While at home, Mozart composed two masses and a number of sonatas, symphonies, and concertos; these works reveal for the first time a distinctive style and a completely mature understanding of musical media. The success of Mozart's Italian opera seria Idomeneo, rè di Creta, (Idomeneo, King of Crete), commissioned and composed in 1781, prompted the archbishop of Salzburg to invite Mozart to his palace at Vienna. A series of court intrigues and his exploitation at the hands of the court soon forced Mozart to leave. In a house in Vienna rented for him by friends, he hoped to sustain himself by teaching. During this period, Mozart composed a singspiel, (a type of German operetta with some spoken dialogue), called, "The Abduction from the Seraglio," which was requested by Emperor Joseph II in 1782.

In the same year, Mozart married Constanze Weber, Aloysia's younger sister. Unending poverty and illness harassed the family until Mozart's death. The Marriage of Figaro, (1786), and Don Giovanni, (1787), with librettos by Lorenzo Da Ponte, while successful in Prague, were partial failures in Vienna. From 1787 until the production of Così fan tutte (All Women Do So, 1790, again with a libretto by Da Ponte), Mozart received no commissions for operas. For the coronation of Emperor Leopold II in 1791 he wrote the opera, "Seria La clemenza di Tito", (The Clemency of Titus; libretto by Metastasio). His three great symphonies of 1788, No. 39 in E-flat, No. 40 in G Minor, and No. 41 in C, (the Jupiter), were never performed under his direction. While Mozart was working on the singspiel, "The Magic Flute", (1791), an emissary of Count Walsegg mysteriously requested a requiem mass. This work, uncompleted at Mozart's death, proved to be his last musical effort. He died, presumably of typhoid fever, in Vienna on December 5, 1791; his burial was attended by few friends. The place of his grave is unmarked. The legend that the Italian composer Antonio Salieri murdered him is unsupported by reputable scholars. Some historians believe Mozart died of thyphoid fever.

Mozart Piano Concertos I

Mozart Piano Concertos II

A Philips production of Neville Marriner conducting the Academy of St Martin in the Fields with pianist Alfred Brendel

[HoosierHawk]

Prayers for our troops, veterans, families, friends, and allies.

And a special Thank You to those who will be away from loved ones this holiday season.

Classical Music presented on the first Sunday of every month.

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[HoosierHawk]

Ping to First Sunday Music with Mozart’s Piano Concertos.

[MaestroLC]

Mozart:

Ave verum corpus, K. 618

Chor und Symphonieorchester des Bayerischen Rundfunks/Leonard Bernstein, conductor/1990

[proxy_user]

I don’t know about the Brendel/Marriner.

For the piano concertos, I would recommend either the Kempff/Leitner series on DG for traditional performances, or the Demus/Collegium Aureum on German Harmonia Mundi for original-instrument HIP.

For the symphonies, there are some fine performances by Benjamin Britten on Decca, Fricsay on DG, and Karl Bohm on DG.

Don’t forget the amazing classic Marriage of Figaro with Giulini and the Philharmonia on EMI.

[Pyro7480]

Thanks! Mozart seems to have to effect of always putting me in a better mood, and I needed that this morning. :-)

[devere]

The first musical entrepreneur in world history, W. A. Mozart most likely died of trichinosis. Cook your pork better than Constanza did!

Thanks for this very nice post.

[HoosierHawk]

I liked that! Thanks!

[HoosierHawk]

Glad it helps.

[MeekMom]

Thanks for the great Wolfie thread HH!

[HoosierHawk]

Glad you enjoy.

[curmudgeonII]

Thank you very much.

[SamAdams76]

Mozart was only 35 when he died. Imagine how many more works he would have written had he lived to be 70! Imagine if he had been alive to hear Beethoven’s symphonies - there would have been quite a battle between them, with each one trying to outdo the other.

[Gatún(CraigIsaMangoTreeLawyer)]

Thank you.

I will blast this idiot neighborhood with it.

I love it!!!

[ml/nj]

Nice idea, thanks. (I was sitting in my hotel room listening to nothing before seeing this.)

ML/NJ

[Gatún(CraigIsaMangoTreeLawyer)]

How totally beautiful!!!!

Thank you again.

[Gatún(CraigIsaMangoTreeLawyer)]

“Thanks! Mozart seems to have to effect of always putting me in a better mood, and I needed that this morning. :-)”

Oh gads!!! You don’t know how correct you are!!!

I love it!!!

[Gatún(CraigIsaMangoTreeLawyer)]

“Mozart was only 35 when he died. Imagine how many more works he would have written had he lived to be 70! Imagine if he had been alive to hear Beethoven’s symphonies - there would have been quite a battle between them, with each one trying to outdo the other.”

Tragic is it not? I have thought the same thing.

We were robbed by his death as he also was.

[Clemenza]

Let’s not forget the unofficial opus of the Freemasons, “The Magic Flute.”

[Clemenza]

"I beg to differ with your opinion of that Austrian ass!":

[HoosierHawk]

I’m glad you all enjoy.