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Ridley Scott Finally Talks New ‘Blade Runner’
PJ Media Lifestyle ^ | November 4, 2011 | Jehuda

Posted on 11/05/2011 7:40:04 AM PDT by Kaslin

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To: 6SJ7

That’s true, but imo, he and Young were both too stiff, even for replicants.


41 posted on 11/05/2011 9:17:12 AM PDT by Huck (TAX TEA NOW==SUPPORT 9-9-9!)
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To: discostu

Probably because they have lost their skill.

We all love bad movies.


42 posted on 11/05/2011 9:30:20 AM PDT by chris37 (Heartless.)
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To: Erik Latranyi

I hear you, but Star Trek is also a liberal’s wet dream. The worst liberals I know say things like “why can’t society be more like Star Trek?”

Which is a warning sign. Their Star Trek is a unrealistic utopia (no money, everyone works to better themselves) mixed with a military dictatorship (you all better do what the Captain says).

A society with your aspects of Star Trek (a prosperous meritocracy) would be fine - don’t misunderstand me - but I worry about the liberals’ take on it. They have a horrific blood-spattered record when it comes to trying to force society to adopt their utopias.


43 posted on 11/05/2011 9:47:47 AM PDT by agere_contra ("Debt is the foundation of destruction" : Sarah Palin.)
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To: agere_contra
I hear you, but Star Trek is also a liberal’s wet dream.

So is Star Wars, but I see the conservatism in that as well. The Force (faith in God) and the deception used by the dark side to use gov't power to control the universe are perfect examples of liberalism.

44 posted on 11/05/2011 9:54:30 AM PDT by Erik Latranyi (Cain for President - Because I like the content of his character)
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Philip K Dick was a bit crazy but as good a Sci Fi writer as there was, up there with Heinlein and Herbert.

The movie is an adequate retelling of the book but it is hard to translate a great Sci Fi book to the screen, witness all the attempts at Dune and things like Starship Troopers, which were butchered.


45 posted on 11/05/2011 10:00:09 AM PDT by Leto
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To: Vince Ferrer

The world is still a dangerous place, not only for children. But those who control the cultural memes believe it is better not to warn anyone of that fact. IMO, that is because they want compliant, weak subjects who are easily controlled when confronted by violent, seemingly irrational threats.

I have watched Blade runner with the sound off. The milieu is so well-realized. I am also a fan of Dick’s written work. Dystopia+noir is almost irresistible to me because it can teach us to recognize the results of our present actions. That is also the message in the original folktales as re-written by the Grimms.


46 posted on 11/05/2011 10:08:51 AM PDT by reformedliberal
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To: Kaslin

Some of the truly wonderful parts of Blade Runner:

1) The city design and culture. There have been some magnificent city designs in recent years, such as Gotham City in the original Batman. But Los Angeles in Blade Runner could have still been interesting as a travelogue. Lots of development there with minimal background.

The massive structures of giant corporations, the indifference to pollution with giant, fire belching smokestacks, a formerly overpopulated city, now semi-depopulated, with a strange pseudo-language of English, Mexican, Chinese, and German. Lots of more subtle bits, such as the outlawing of owning real wildlife, and a police state mentality, at least among the police, but tremendous technological innovations like flying cars and interplanetary war on “off-world colonies”.

2) The great music of Vangelis. A best selling soundtrack that is good, if unusual, in its own right. Synthesized but driven and forceful. At the same time it includes pseudo throwback music that could almost come from the European roaring 20’s.

3) Costume and hair design. Only the main characters are 1940s detective noir in appearance. Outside of that little group, the typical science fiction look. This really helps focus on the central core of humans. The use of cigarette smoking had a great impact in that movie, as it did in the movies of the 1940s.

4) Some of the acting. There was a need for more character development, especially among the androids. The writing for them should have focused more on the noir aspects. In short, in the 1940s version they were escaped black convicts and their women, and Ford was a police detective brought in, not to arrest them, but kill them all, because the government wanted them dead, not captured. It really changes the complexion of the story, no?

Picture the male androids instead as black, WWII combat veterans, who mutinied against bad white officers trying to send them on a suicide mission against the enemy. So the Army court martials them and sentences them to hang. Then they escape. They hope that by getting to their former commanding general, he will somehow make all things right.


47 posted on 11/05/2011 10:09:25 AM PDT by yefragetuwrabrumuy
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To: Kaslin
I have the bluray of the final cut version....it's great! Here are some images from that bluray (reduced in size of course)



48 posted on 11/05/2011 10:12:20 AM PDT by Bobalu (More rubble, less trouble)
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To: agere_contra
Which is a warning sign. Their Star Trek is a unrealistic utopia (no money, everyone works to better themselves) mixed with a military dictatorship (you all better do what the Captain says).

The last Star Trek movie was surprisingly different. It had a lot more moments that were like these:


49 posted on 11/05/2011 10:14:58 AM PDT by aruanan
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To: aruanan

50 posted on 11/05/2011 10:21:48 AM PDT by Bobalu (More rubble, less trouble)
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To: reformedliberal; discostu
Even the older "sanitized" movies have far more than would be acceptable today. I saw this as a child, and it scared the crap out of me. But many many years later, I saw it while watching with family children. I thought I had never seen the film, until this scene came on, and remembered it well.

Chitty Chitty Bang Bang

51 posted on 11/05/2011 10:35:13 AM PDT by Vince Ferrer
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To: muawiyah
In the Blade Runner mover, there was a man called “The Egyptian.” He made the artificial snake the exotic dancer replicant wore in her act. He was, at least, a Middle Eastern character. Whether Egyptians are Arabs is an argument for another day.

BTW, Blade Runner is on of my favorite movies. But like some other posters, I am worried the new Blade Runner will be become too PC and therefore unwatchable.

52 posted on 11/05/2011 10:39:23 AM PDT by ethel rascel (Lurk Mostly)
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To: SunkenCiv

Hard boiled reply: Blade Runner? Yeah, I liked it. Why? There isn’t any. Like that dame you shoulda known better about. It just worked and you can’t forget her.


53 posted on 11/05/2011 10:46:03 AM PDT by decimon
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To: ethel rascel

54 posted on 11/05/2011 10:54:08 AM PDT by JoeProBono (A closed mouth gathers no feet)
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To: JoeProBono

That’s the snake!


55 posted on 11/05/2011 11:04:24 AM PDT by ethel rascel (Lurk Mostly)
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To: Vince Ferrer

I have avoided that film, not sure why. I had no idea!


56 posted on 11/05/2011 11:16:15 AM PDT by reformedliberal
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To: ethel rascel
Some Egyptians are Arabic speaking Moslems. Others are Arabic and Coptic speaking Christians ~ a good number of them actually.

You have to assume here that as the Moslem states prepared to destroy the Kaffir with nukes all the Christians in North Africa were evacuated to safety.

57 posted on 11/05/2011 11:45:48 AM PDT by muawiyah
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To: Kaslin

Blade Runner was a touchstone for sci-fi movie making. I didn’t feel the story or the acting were overly strong, but the look and feel were incredible compared to other sci-fi movies of the time. It’s a textural thing for me. And it’s influence on the genre has been obvious over the years. A welcome counterpoint to Spielberg. James Cameron definitely picked up on Scott’s vibe and ran with it.


58 posted on 11/05/2011 12:18:51 PM PDT by CowboyJay ("Rick Perry has more red flags than a May Day parade." - fieldmarshalj)
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To: discostu
Grimm's and other fairy tales were never for children but adults.

Think of the Fairy Tale as the pre-1850 version of Sci-Fi

59 posted on 11/05/2011 12:29:28 PM PDT by Harmless Teddy Bear (*Philosophy lesson 117-22b: Anyone who demands to be respected is undeserving of it.*)
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To: chris37

If they’d lost their skill there’d be a change. There isn’t. Since the beginning of the movie industry the majority of all movies have been based on pre-existing material (books, plays, previous movies). It’s got nothing to do with skill and everything to do with cost. Until the modern age of pro-sports movies were the most expensive entertainment to put out, they have all the costs of plays plus the film costs and reproduction costs. Since day 1 nobody has wanted to spend that kind of money without some sort of “guaranteed” audience, and the best path to a “guaranteed” audience is to do something that already has one. So the film things that already built an audience, including remakes of movies and sequels.

There’s still tons of great movies being made, the skill is there. Nothing about the situation has changed for over 100 years, since before Hollywood was actually in Hollywood, conversions and remakes have ruled the industry.


60 posted on 11/05/2011 2:09:04 PM PDT by discostu (How Will I Laugh Tomorrow When I Can't Even Smile Today)
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