Sounds better than any Taylor Swift song.
I watched a show called Joe Picket for 2 seasons. Season 1 was pretty darned good with a great plot. Season 2 was just plain all over the place and disjointed. I figured season 2 was written by AI or a retard.
I posted wrong url for article. Here is the correct one. I’d post link to song, but it is an X address, too long, and messes up formatting:
https://twitchy.com/coucy/2023/11/24/ai-song-n2390134
It’s not perfect, but within the next 10 years, it will be. And that scares the entertainment companies and all the entertainment craft unions to no end.
I had it try to write a story- the story was awful. No life in the scenes, just rote descriptions and scenes.
Music is not logical, it is for emotional presentation.
There are two sides of existence. Even the human brain has those two sides. The so called left side is generally responsible for logic and language, while the right is responsible for creativity and intuition.
AI is not able to invent illogical products. They only deal with fact based upon logic. Can they do math or design a structure from their memories...of course already using esablished facts. But creativity without substance is beyond their capacity. If science can ever produce a two sided AI they have basically invented a working brain and not a computer as it will be able to think beyond existence.
wy69
UGH!
Usual four chord progression, dull melody, dystopian lyrics. Anna needs a new career.
The animation doesn’t seem to extend below the neck.
Sounds like most of the schlock that I hear on the radio these days, which I quickly turn off. The AI probably did some sort of amalgam or average of that sort of stuff, and came up with this.
“A friend of mine called Steve Goodman wrote the perfect country and western song.” a few years back ...
“Goodman and Prine originally composed the song as a pastiche and style parody of “every country song” they had ever heard. In live performances, Goodman would often adopt a parody of Hank Williams Sr.’s performance style, with a large cowboy hat. Waylon Jennings, Charley Pride and Merle Haggard (as well as his song “The Fightin’ Side of Me”) are mentioned in the lyrics; Coe also uses loose impersonations of each artist in doing so, and also makes reference to Faron Young's “Hello Walls” in the background vocals, noting that “you don't have to call me” any of those names anymore. In the third verse, Coe notes “the only time I know I'll hear David Allan Coe is when Jesus has his final Judgment Day.”
In a spoken epilogue preceding the song's iconic closing verse, Coe relates a correspondence he had with Goodman, who stated the song he had written was the “perfect country and western song.” Coe wrote back stating that no song could fit that description without mentioning a laundry list of clichés from the genre: “Mama, or trains, or trucks, or prison, or getting drunk”. Goodman's equally facetious response was an additional verse that incorporated all five of Coe’s requirements, and upon receiving it, Coe acknowledged that the finished product was indeed the “perfect country and western song” and included the last verse on the record:
I was drunk the day my mom got out of prison
And I went to pick her up in the rain
But before I could get to the station in my pickup truck
She got runned over by a damned old train
Goodman, in his versions, commented that there were some other ideas he missed, including farms, Dallas, divorce, dead dogs like Old Shep, and Christmas. He also mentioned, in various performances, Freddy Fender, Charlie Rich and Charlie the Tuna instead of Jennings, and his name on the sign was a neon sign hanging over “the bar I used to own,” with the verse likewise restructured to fit without Coe’s name.
Coe’s recording of “You Never Even Called Me by My Name” is accompanied mainly by resonator guitar, pedal steel guitar, electric guitar and bass guitar.”
But “https://en.wikipedia.org/wiki/You_Never_Even_Called_Me_by_My_Name “
It’s better than any techno song.
Vernon Reid, lead guitar player and primary song writer for Living Colour and other stuff, has spent a lot of time messing with and talking about AI. His take on this kind of stuff is that of course that first attempt is awful, everybody’s first attempt is awful. But the one thing AI does better than humans is take criticism. If somebody writes a song and people accurately tell them it sucks that person will get discouraged, maybe quit all together. But an AI will (assuming you push the button) try again, and each time you reject its work it learns and gets better. Like a person, only without the emotional baggage, without the threat of quitting, or storming out of the studio.
It’s not good. Sounds like the AI is just aping pop singers and songwriters, which will only result in a bland and generic song.
Bleccchhh. I managed to get through a month nuts and a half of that. That’ll awful! 😖
Pachelbel already worked that chord progression to death.
Holy fer holy, did they intend it to be that bad? If not, why would you not have buried that?