Posted on 06/18/2016 2:41:33 PM PDT by SunkenCiv
A Nagoya University researcher and his leading international research group discovered a Great Platform built with different kinds of stone at the archeological site of San Andrés, El Salvador, and challenged the prevailing theory regarding the sociocultural development of Southeastern Maya frontier... Archaeological investigation conducted during 40's and 90's has shown that San Andrés had long human occupation beginning from the Middle Preclassic (ca. 600 BC) until the Early Postclassic (ca. AD 1200), in which had role as political, economic and religious center during the Late Classic period (AD 600-900)...
Between February and May of 2016, the research group led by Assistant Prof. Akira Ichikawa... made a new discovery that allowed them to reconsider the recovery process from the volcanic eruption of Ilopango (ca. AD 400-450), which was one of the greatest Holocene eruptions in Central America... "We have discovered a masonry platform just above the ash caused by the Ilopango eruption in San Andrés, which could prove that people reoccupied in such a devastated area even immediately after the enormous disaster occurred."
He noted that the discovery of masonry architecture (4 tiered platform, measuring probably ca. 70 m north-south, 60 m east-west, and ca. 6 m) was conclusive in this study. In the Southeastern Maya periphery, especially present western El Salvador, monumental architecture had been principally constructed by earthen material during the Preclassic to Classic period (ca. 800 BC to AD 900). The type of platform mentioned above is very similar to that of Quelepa located in now eastern El Salvador and had other cultural affiliation in the Precolumbian era. This evidence indicates that San Andrés's new construction technology was introduced by external cultural connection.
(Excerpt) Read more at eurekalert.org ...
Topographic map of the Structure-5 of San Andrés site showing the excavation area with pictures of masonry architecture under the earthen architecture. Credit: Akira Ichikawa and Juan Manuel Guerra
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