Posted on 09/02/2014 11:54:52 AM PDT by mojito
The Parthenon represents, for many, a golden age in human achievement: the 5th-century b.c. Greek flowering of democracy, sciences, and the arts. But what if its chief ornament, the Parthenon frieze, turned out to be not an embodiment of reason and proportionof stillness at the heart of motion, quiet piety, and enlightened civic responsibilitybut (or, rather, also) something darker, more primitive: a representation of the critical moment in an ancient story of a king at war, a human sacrifice, and a goddesss demand for virgin blood?
Thats the argument at the heart of The Parthenon Engima. The plot involves not only ritual murder and burial, but fragments of a lost play of Euripides found on mummy wrappings. Even the title suggests a Dan Brown thriller.
(Excerpt) Read more at weeklystandard.com ...
All of this is now irrelevant.
Turns out the very first religion was serpentine.
Kneel before Snek.
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