Posted on 03/30/2022 1:41:28 PM PDT by Heartlander
Last year, I reported on Disney’s critical race theory–based diversity program, which taught employees that American was founded on “systemic racism,” separated minorities into racially segregated “affinity groups,” and encouraged white employees to complete a “white privilege checklist.” Now, I have obtained exclusive video from inside Disney that outlines its campaign to embed left-wing sexual politics into its children’s programming and entertainment facilities.
In the wake of Florida’s Parental Rights in Education legislation, which prevents public schools from promoting gender ideology in kindergarten through third grade but which critics call the “Don’t Say Gay” bill, Disney executives organized an all-hands meeting, called the “Reimagine Tomorrow Conversation Series,” and pledged to mobilize the entire corporation in service of the “LGBTQIA+ community.” Executives recruited the company’s most intersectional employees, including a “black, queer, and trans person,” a “bi-romantic asexual,” and “the mother [of] one transgender child and one pansexual child,” and announced ambitious new initiatives—seeking to change everything from gender pronouns at the company’s theme parks to the sexual orientation of background characters in the company’s films.
In a featured presentation at the meeting, executive producer Latoya Raveneau laid out Disney’s ideology in blunt terms. She said her team was implementing a “not-at-all-secret gay agenda” and regularly “adding queerness” to children’s programming. Another speaker, production coordinator Allen Martsch, said his team has created a “tracker” to ensure that they are creating enough “canonical trans characters, canonical asexual characters, [and] canonical bisexual characters.” Corporate president Karey Burke said she supported having “many, many, many LGBTQIA characters in our stories” and reaffirmed the company’s pledge to make at least 50 percent of its on-screen characters sexual and racial minorities.
The ideological campaign also extended to the company’s theme parks in Anaheim and Orlando. As diversity and inclusion manager Vivian Ware explained, Disney made the decision last year to eliminate all mentions of “ladies,” “gentlemen,” “boys,” and “girls” in order to create “that magical moment” for children who do not identify with traditional gender roles. “We don’t want to just assume because someone might be, in our interpretation, presenting as female, that they may not want to be called ‘princess,’” Ware said. By eliminating “gendered greetings,” Disney believes, the company can help make it “magical and memorable for everyone.”
Finally, Disney hosted Nadine Smith, the executive director of a pressure group called Equality Florida, who told employees that Governor Ron DeSantis and his press secretary, Christina Pushaw, wanted to “erase you,” “criminalize your existence,” and “take your kids”—a wild conspiracy theory with no basis in fact. The company’s executives threw their full weight behind Equality Florida’s effort, promising to use its significant political and financial resources to repeal the Parental Rights in Education law and the Stop W.O.K.E. Act, which prohibits public and private institutions from racialist discrimination and abuse in classrooms and the workplace.
Last year, after my report on Disney’s critical race theory training program, Disney quickly deleted it from the company’s internal servers. But executives did not abandon identity politics. In fact, they added another component—gender ideology—and ramped it up. Executives have empowered activists within the company and now seem unable to resist their demands. Observers should watch Disney closely in the coming years. However the story ends, the company looks like a case study in ideological capture.
Disney is evil. Plain and simple.
“Observers should watch Disney closely in the coming years. However the story ends, the company looks like a case study in ideological capture.”
DeSantis is up nearly +20 in Florida, a state where being +5 would be excellent for a Republican. And, other than the soccer moms who want their kids genitals mutilated, I suspect a lot of people respect the hell out of DeSantis, simply because he won’t back down. Reagan was able to do the same, and of course Trump did similar, but he offset much of that by giving ammo to his enemies.
And “Satyricon”, “Caligula” ( Yes, THAT version ), “Cruising”, the Nazisploitation films, just to name a few sexual depravity films.
Once you see that film (Salo) you cannot unsee it.
How right you are!
American?
American what?
Did this Jacobite mean "AMERICA"?
And was maybe too drunk and stuck an extra letter on there?
I have never heard of the first film, and I never saw the second, did it star Miley Cyrus by chance?
Their parked what?
Parked cars?
Praying these perverts go bankrupt
Go to Universal Studios and then go stay at a beach hotel. Cheaper than a Disney trip.
It’s mind boggling isn’t it? Pretty much 95% at least of their customer base are parents of young and very young children. Someone needs to ask Lin-Manuel Miranda how he feels about transgenderism being taught in kindergarten. This could turn out to be the greatest brand suicide of all time.
Parks as in amusement parks
Major media brands:
Disney — dozens of brands and venues
Walt Disney — multiple brands
A&E
ABC
ESPN
Fox (except FoxNews)
Hulu
Marvel
National Geographic (part owner)
Production and cable:
20th Century Fox
Black Rock Studio
Blue Sky Studios
Buena Vista
Fall Line Studios
FamilyFun
Go.com
Greengrass Productions
Hollywood Pictures
It’s a Laugh Productions
Junction Point Studios
Live Well
Lucas
Muppets Studio
Pixar
Searchlight Pictures
Soapnet
Touchstone
Wideload Games
Wondertime magazine
Thank you.
That’s a lot of voodoo dolls to make, there.
“Once you see that film (Salo) you cannot unsee it.”
Haha, you’re right about that.
Not just Disney.
The same Big Med that pushes CoupFlu vaxxes and muzzles for kids, will be hand in glove with Deep State on this, too.
And will make money mutilating and abusing children.
“Satyricon” was a Fellini film, one of his weirdest.
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