What Do the Saints' Hand Gestures on Icons Mean?

Russian Faith ^ | 10/30/20 | Anatoly Vlezko

[marshmallow]

Anatoly Vlezko, head of the Palekh iconostasis workshop, answers.

The hands of the Savior, the Mother of God and the saints are never depicted by icon painters "just like that", in an arbitrary gesture, every detail on the icon is symbolic.

When we present an icon of the Lord Jesus Christ, we most often remember His blessing gesture. The fingers of the right hand are folded for a blessing - like the Latin letters I and X (that is, Jesus Christ). Or collected in three fingers - a symbol of the Holy Trinity (but in the same way as the Old Believers are baptized - with two open fingers and three, collected in a handful in the palm of their hand). This gesture is depicted on icons not only by the Savior, but also by the saints. And only those who blessed people during their earthly life. For example, these are St. Nicholas the Wonderworker, John Chrysostom or Luke (Voino-Yasenetsky). Or the reverends and the righteous who were priests.

A palm open towards the one looking at the icon is a symbol of the righteous. A sign of a person who is open to the world, whose thoughts are pure. It is with this gesture that you can see the image of Blessed Matrona, and also, for example, the holy princes Boris and Gleb, who, as we know from their lives, did not go to the betrayal of their brother Svyatopolk - instead they chose an honest and pure death.

[Texas_Guy]

Jesus was crucified at Golgotha, meaning “place of the skull”.

The area looked like a skull.

[stuck_in_new_orleans]

Hope it’s not the shocker lol

[NRx]

An Explanation of the Traditional Russian Orthodox Three-bar Cross

(also called the Eight-pointed Cross)

The symbolism of the "complete" Cross (much of which is contained in the Old Rite Russian prosphora seal and on metal and wood icons) is quite complex. Since the OId Rite tradition of the Russian Orthodox Church is much richer than the New Rite Church in its use of symbolism to teach the faithful, this article should be of benefit to those unfamiliar with this tradition. Through the Cross came our Salvation. We are constantly reminded that Christ died for us when we see the Image of the Cross (depicting the crucified Lord), and we are reminded that He rose from the dead when we behold the Image of Christ "Not made by hands" (Slavonic: Нерукутвореному образъ) on the towel (depicting the Lord risen frem the dead). Worshipping the crucified Lord are two flying angels, with the inscription between them: "Angels of the Lord" (in Slavonic: Ангели Господни). In some depictions of the Cross the Angels are bearing an image of the Holy Trinity, but traditions vary in allowing this; usually the Angels are simply holding towels, indicating their position as messengers who serve the Lord and who wait on Him. The top bar of the Cross is the title-board which Pilate ordered to be hung in mockery over Christ's head. On this board was inscribed: "Jesus of Nazareth, King of the Jews" in Hebrew, Greek and Latin (abbreviated to the Greek initials 'INBI', or the Latin initials 'INRI' in the Western tradition). This has been replaced with the Christian inscription: "King of Glory" (Slavonic: Царь славы), placed below the knees of the angels. [Note that while the use of the inscription 'І.Н.Ц.І.' does not usually appear in the Russian tradition, examples of its occurrence are occasionally found on newer Russian Crosses.] On the title-board is inscribed the initials 'IC XC', being the first and last letters of Christ's name in Greek (Greek: Iisous Khristos; Old Rite Slavonic: Ісоусъ Христосъ; New Rite Slavonic: Іисусъ Христосъ). In addition, just above Christ's arms we see the inscription: 'NIKA', which in Greek means: "He conquers" or "He is victorious." [Frequently, especially on the Greek and New Rite Russian prosphora seal, we see these last two inscriptions together with the simple two-barred Cross: 'IC XC NI KA', meaning: "Jesus Christ is victorious" (i.e., over death and sin). Note that in the proper Orthodox tradition the Saviour does not wear a crown of thorns (as in the Western tradition), nor is He portrayed alive on the Cross, nor in any aspect of suffering, but in a state of humble and peaceful repose, with inclined head. Also note that His feet are nailed with two nails.]

The middle bar is that on which the Lord's hands were nailed. On either top corner we see the depiction of the sun (left; in Slavonic: солнца) and the moon (right; in Slavonic: луна), for "The sun hid its light, and the moon turned to blood." (Joel 2:31) The inscription: "Son of God" (Slavonic: Сынъ Божіи) is placed on both sides of Christ's head, and below His arms we read the inscription: "We bow down before Thy Cross, O Master, and we worship Thy holy Resurrection" (in Slavonic: Кресту Твоему покломняемся Владыко, и святое воскресение Твое славимъ). The halo of Christ is inscribed with the Greek letters 'w ov', meaning: 'The Being' or 'He Who is', to remind us that Christ is the same God Who identified Himself with those words to Moses in the Old Law. Behind the body of Christ, on either side, are a lance (which pierced Him) and a sponge (which was soaked with gall or vinegar and offered Him to drink) on a pole made of reed or cane. The lance (on the left:) is marked "К" in Slavonic; standing for "копие", while the sponge (on the right) is marked "Т", standing for: "трость" (which means: 'reed' or 'cane'). [On some Crosses one might see instead of "Т" the inscription "Г" which stands for "губка" (sponge) in Slavonic.] On the body of Christ is depicted blood and water flowing forth from His side. The slanted bottom bar is the foot-brace. In prayers for the Ninth Hour, the Church likens the Cross to a type of balance of righteousness: "Between two thieves Thy Cross did prove to be a balance of righteousness: wherefore one of them was dragged down to Hades by the weight of his blasphemy [the balance points downward], whereas the other was lightened of his transgressions unto the comprehension of theology [the balance points upward]. O Christ God, glory to Thee." The city of Jerusalem is depicted in the background, for Christ was crucified outside the city walls. By the foot of the Cross are the letters: "Г Г" standing for 'Mount Golgotha' (in Slavonic: Гора Голгофы); this is the hill outside the city gates upon which Christ was crucified. Below the feet of Christ are four Slavonic letters with abbreviation marks: "М.Л.Р.Б.", meaning: "The place of the skull, where Adam was" (in Slavonic: Место лобное рай бысть). Hidden in a cave under the earth is 'the skull of Adam' (for by pious tradition it is said that Christ was crucified at preciseIy the same place where Adam was buried), identified with the letters: "Г А" (in Slavonic: глава Адамла). We are thus reminded that Adam our forefather lost Paradise through the tree from which he wrongIy partook; Christ is the new Adam, bringing us Salvation and Paradise through the tree of the Cross.

[Verginius Rufus]

Most people don't realize that the word "Calvary" doesn't appear in the original Greek text of the New Testament, but only in the Latin translation (to explain "the place of the skull"). The Vulgate text of Matthew, Mark and John have both Golgotha and Calvariae locus; Luke just has locum, qui vocatur Calvariae without Golgotha (which is absent in the Greek text).

[FormerLib]

They are in the process of blessing something, most likely someone.